Zenobia; or, the Fall of Palmyra — Background and Themes
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'As I stand here, a true son of Abraham,' he replied, 'it was worked by a Greek jeweller, who lives hard by the Temple of Fortune, and who has engraved it after a drawing made by a brother, an inhabitant of Palmyra. Two such artists in their way are not to be found. I myself, moreover, bore the original drawing from Demetrius to his brother in Rome, and that it is like the great Queen, I can well testify, for I have often seen her. Her marvellous beauty is here well expressed, or as well as that which partakes so much more of heaven than of earth can be. But look at these, too! Here I have what I look to do well with. See! heads of Odenatus! Think you not they will take well? These also are done with the same care as the others, and by the same workmen. Nothing of the kind has as yet been seen in Palmyra, nor indeed in Rome. Happy Isaac!--thy fortune is made! Come, put them on thy finger, and observe their beauty. King and Queen--how lovingly they sit there together! 'Twas just so when Odenatus was alive. They were a noble and a loving pair. The Queen yet weeps for him.'
'Jew,' said I, 'on thy word I purchase these. Although thy name is in no good repute, yet thy face is honest, and I will trust thee so far.'
'The name of the unfortunate and the weak is never in repute,' said Isaac, as he took my money and folded up the rings, his whole manner suddenly changing. 'The Jew is now but a worm, writhing under the heel of the proud Roman. Many a time has he, however, as thou well knowest, turned upon his destroyer, and tasted the sweetness of a brief revenge. Why should I speak of the massacres of Egypt, Cyrene, and Syria in the days of Trajan? Let Rome beware! Small though we seem, the day will yet arrive when the glory of Zion shall fill the whole earth--and He shall come, before whom the mighty Emperor of Rome shall tremble in his palaces.--This is what I say. Thanks to the great Aurelian, that even a poor son of Abraham may speak his mind and not lose his head. Here's old Isaac: who'll buy of old Isaac--rings--pins--and razors,--who'll buy?'
And so singing, he turned away, and mixed with the passengers in the other parts of the vessel. The wild glare of his eye, and deep, suppressed tone of his voice, as he spoke of the condition and hopes of his tribe, startled and moved me, and I would willingly have prolonged a conversation with one of that singular people, about whom I really know nothing, and with none of whom had I ever before come in contact. When I see you again, I shall have much to tell you of him; for during the rest of the voyage we were often thrown together, and, as you will learn, he has become of essential service to me in the prosecution of my objects.
No sooner had Isaac withdrawn from our company, than I embraced the opportunity to address myself to the remarkable-looking person whom I have already in part described.
'It is a great testimony,' I said, turning toward him, 'which these Jews bear to their national religion. I much doubt if Romans, under similar circumstances of oppression, would exhibit a constancy like theirs. Their attachment too is to an invisible religion, as one may say, which makes it the more remarkable. They have neither temples, altars, victims, nor statues, nor any form of god or goddess, to which they pay real or feigned adoration. Toward us they bear deep and inextinguishable hate, for our religion not less than for our oppressions. I never see a Jew threading our streets with busy steps, and his dark, piercing eye, but I seem to see an assassin, who, with Caligula, wishes the Roman people had but one neck, that he might exterminate the whole race with a single blow. Toward you, however, who are so nearly of his own faith, I suppose his sentiments are more kindly. The Christian Roman, perhaps, he would spare.'
'Not so, I greatly fear,' replied the Christian. 'Nay, the Jew bears a deeper hatred toward us than toward you, and would sooner sacrifice us; for the reason, doubtless, that we are nearer him in faith than you; just as our successful emperors have no sooner found themselves securely seated, than they have first turned upon the members of their own family, that from this, the most dangerous quarter, there should be no fear of rival or usurper. The Jew holds the Christian--though in some sort believing with him--as a rival--a usurper--a rebel; as one who would substitute a novelty for the ancient creed of his people, and, in a word, bring ruin upon the very existence of his tribe. His suspicions, truly, are not without foundation; but they do not excuse the temper with which he regards us. I cast no imputation upon the virtues of friend Isaac, in what I say. The very spirit of universal love, I believe, reigns in his soul. Would that all of his race were like him.'
'What you say is new and strange,' I replied. 'I may possibly bring shame upon myself, by saying so, but it is true. I have been accustomed to regard Christians and Jews as in effect one people; one, I mean, in opinion and feeling. But in truth I know nothing. You are not ignorant of the prejudice which exists toward both these races, on the part of the Romans. I have yielded, with multitudes around me, to prevailing ideas, taking no steps to learn their truth or error. Our writers, from Tacitus to the base tools--for such they must have been--who lent themselves to the purposes of the bigot Macrianus, and who filled the city with their accounts of the Christians, have all agreed in representing your faith as a dark and mischievous superstition. I have, indeed, been struck with the circumstance, that while the Jews make no converts from among us, great numbers are reported to have joined the Christians; and of those, not a few of the higher orders. The late Emperor Philip, I think it clear, was a Christian. This might have taught me that there is a wide difference between the Christian and the Jew. But the general hatred toward both the one and the other, together with the persecutions to which they have been exposed, have made me more than indifferent to their merits,'
'I trust the time will come,' replied the Christian, 'when our cause will be examined on the ground of its merits. Why may we not believe that it has now come? The Roman world is at peace. A strong and generous prince is upon the throne. Mild and just laws restrain the furious bigotry of an ignorant and sanguinary priesthood. Men of intelligence and virtue adorn our profession, from whom those who are anxious to know the truth can hear it; and copies of our sacred books both in Greek and Latin abound, whence may easily be learned the true principles of our faith, and the light of whose holy pages would instantly dispel the darkness by which the minds of many, even of the virtuous and well-disposed, are oppressed. It is hardly likely that a fitter opportunity will soon offer for an examination of the claims of Christianity. We have nothing to dread but the deadness and indifference of the public mind. It is not credible that polytheism should stand a day upon any fair comparison of it with the religion of Christ. You yourself are not a believer (pardon my boldness) in the ineffable stupidities of the common religion. To suppose you were--I see by the expression of your countenance--would be the unpardonable offence. I sincerely believe, that nothing more is wanting to change you, and every intelligent Roman, from professed supporters of the common religion, (but real infidels,) into warm believers and advocates of the doctrine of Christ--but simply this--to read his sayings, and the delineation of his character, as they have been written down by some of his followers. You are, I see, incredulous, but not more so than I was myself only a year ago; yet you behold me a Christian. I had to contend against, perhaps, far more adverse influences than would oppose you. You start with surprise that I should give evidence that I know you; but I have many a time seen you at the shop of Publius, and have heard you in your addresses to the people.
'I am the son of a priest of the Temple of Jupiter--of a man, who, to a mildness and gentleness of soul that would do honor to the Christian, added a faith in the religion of his fathers, deep-struck and firm-rooted as the rocks of ocean. I was his assistant in the duties of his office. My childish faith was all he could wish it; I reverenced a religion which had nurtured virtues like his. In process of time, I became myself a father. Four children, more beautiful than ever visited the dreams of Phidias, made my dwelling a portion of Elysium, as I then thought. Their mother--but why should I speak of her? It is enough to say, she was a Roman mother. At home, it was my supreme happiness to sport with my little ones, or initiate them into the elements of useful knowledge. And often, when at the temple preparing for the days of ceremony, my children were with me; and my labors were nothing, cheered by the music of their feet running upon the marble pavements, and of their merry voices echoing among the columns and arches of the vast interior. O days thrice happy! They were too happy to last. Within the space of one year--one cruel year--these four living idols were ravished from my arms by a prevailing disease. My wife, broken-hearted, soon followed them, and I was left alone. I need not describe my grief: I will only say, that with bitter imprecations I cursed the gods. 'Who are ye,' I cried, 'who sit above in your secure seats, and make your sport of human wo? Ye are less than men. Man though I am, I would not inflict upon the meanest slave the misery ye have poured upon my defenceless head. Where are your mercies?' I was frantic. How long this lasted I cannot tell, for I took no note of time. I was awakened, may I not say saved, by a kind neighbor whom I had long known to be a Christian. He was a witness of my sufferings, and with deep compassion ministered to my necessities. 'Probus,' said he, 'I know your sorrows, and I know your wants. I have perceived that neither your own thoughts, nor all the philosophy of your venerable father, have brought you peace. It's not surprising: ye are but men, and ye have but the power and the wisdom of men. It is aid from the Divinity that you want. I will not discourse with you; but I leave with you this book, which I simply ask you to read.' I read it--and read it--again and again; and I am a Christian. As the Christian grew up within me, my pains were soothed, and days, once days of tears and unavailing complaints, are now days of calm and cheerful duty: I am a new man.'
I cannot describe to you, my Curtius, the effect of this little narrative upon myself, or upon those who, as he spoke, had gathered round, especially those hard-featured soldiers. Tears flowed down their weather-beaten faces, and one of them--Macer, as I afterward learned--cried out: 'Where now are the gods of Rome?' Probus started from his seat, apparently for the first time conscious of any other listener beside myself, and joined the master of the vessel at the helm. I resigned myself to meditation; and that night fell asleep, thinking of the Christian and his book.
Leaving now Ostia and its fleet, greater even than that of the Tiber, five days brought us in sight of the African shore, but quite to the west of Utica. So, coasting along, we presently came off against Hippo, and then doubling a promontory, both Utica and Carthage were at once visible--Utica nearer, Carthage just discernible in the distance. All was now noise and bustle, as we rapidly drew near the port. Many of our passengers were to land here, and they were busily employed, with the aid of the sailors, in collecting their merchandise or their baggage. The soldiers destined to the African service here left us, together with the Jew Isaac and the Christian Probus. I was sorry to lose them, as beside them there was not one on board, except the governor of the ship, from whose company or conversation I could derive either pleasure or knowledge. They are both, however, destined to Palmyra, and I shall soon expect them to join me here. You smile at my speaking thus of a travelling Jew and a despised Christian, but in the issue you will acknowledge your as well as my obligations to them both. I confess myself attached to them. As the Jew turned to bid me farewell, before he sprang on shore, he said:
'Most noble Piso, if thou forsakest the gods of Rome, let it be for the synagogue of the children of Abraham, whose faith is not of yesterday. Be not beguiled by the specious tongue of that heretic Probus. I can tell thee a better story than his.'
'Fear not, honest Isaac,' I cried; 'I am not yet so weary of the faith of my ancestors. That cannot be altogether despicable, which has had power to bind in one mass the whole Roman people for so many ages I shall be no easy convert to either you or Probus. Farewell, to meet in Tadmor.'
Probus now passed me, and said: 'If I should not see you in the Eastern capital, according to my purpose, I trust I shall in Rome. My dwelling is in the Livian way not far from the Pantheon, opposite the well-known house of Vitruvius, still so called; or, at the shop of the learned Publius, I may be seen every morning, and may there be always heard of.'
I assured him, that no affairs could be so pressing, after I should return to Rome, as not to allow me to seek him, but that I hoped the fates would not interpose to deprive me of the pleasure of first seeing him in Palmyra.
So we parted. And very soon after, the merchandise and passengers being all landed, we set sail again, and stood out to sea. I regretted that we were not to touch at Carthage, as my desire had always been strong to see that famous place. An adverse wind, however, setting in from the North, drove us farther toward the city than the pilot intended to have gone, and I thus obtained quite a satisfactory glimpse of the African capital. I was surprised at the indications of its vastness and grandeur. Since its attempted restoration by Augustus, it has advanced steadily to almost its former populousness and magnificence. Nothing could be more imposing and beautiful, than its long lines of buildings, its towers, walls, palaces, and columns, seen through the warm and rosy mist of an African sky. I could hardly believe that I was looking but upon a provincial city, a dependant upon almighty Rome. It soon sank below the horizon, as its glory had sunk once before.
I will not detain you long with our voyage, but will only mark out its course. Leaving the African shore, we struck across to Sicily, and coasting along its eastern border, beheld with pleasure the towering form of Aetna, sending up into the heavens a dull and sluggish cloud of vapors. We then ran between the Peloponnesus and Crete, and so held our course till the Island of Cyprus rose like her own fair goddess from the ocean, and filled our eyes with a beautiful vision of hill and valley, wooded promontory, and glittering towns and villas. A fair wind soon withdrew us from these charming prospects, and after driving us swiftly and roughly over the remainder of our way, rewarded us with a brighter and more welcome vision still--the coast of Syria and our destined port, Berytus.
As far as the eye could reach, both toward the North and the South, we beheld a luxuriant region, crowded with villages, and giving every indication of comfort and wealth. The city itself, which we rapidly approached, was of inferior size, but presented an agreeable prospect of warehouses, public and private edifices, overtopped here and there by the lofty palm, and other trees of a new and peculiar foliage. Four days were consumed here in the purchase of slaves, camels, and horses, and in other preparations for the journey across the Desert. Two routes presented themselves, one more, the other less direct; the last, though more circuitous, appeared to me the more desirable, as it would take me within sight of the modern glories and ancient remains of Heliopolis. This, therefore, was determined upon; and on the morning of the fifth day we set forward upon our long march. Four slaves, two camels, and three horses, with an Arab conductor, constituted our little caravan; but for greater safety we attached ourselves to a much larger one than our own, in which we were swallowed up and lost, consisting of travellers and traders, from all parts of the world, and who were also on their way to Palmyra, as a point whence to separate to various parts of the vast East. It would delight me to lay before you with the distinctness and minuteness of a picture, the whole of this novel, and to me most interesting route; but I must content myself with a slight sketch, and reserve fuller communications to the time when, once more seated with you upon the Coelian, we enjoy the freedom of social converse.
Our way through the valleys of Libanus, was like one long wandering among the pleasure grounds of opulent citizens. The land was every where richly cultivated, and a happier peasantry, as far as the eye of the traveller could judge, nowhere exists. The most luxuriant valleys of our own Italy are not more crowded with the evidences of plenty and contentment. Upon drawing near to the ancient Baalbec, I found on inquiry of our guide, that we were not to pass through it, as I had hoped, nor even very near it, not nearer than between two and three miles. So that in this I had been clearly deceived by those of whom I had made the most exact inquiries at Berytus. I thought I discovered great command of myself, in that I did not break the head of my Arab, who doubtless, to answer purposes of his own, had brought me thus out of my way for nothing. The event proved, however, that it was not for nothing; for soon after we had started on our journey, on the morning of the second day, turning suddenly round the projecting rock of a mountain ridge, we all at once beheld, as if a veil had been lifted up, Heliopolis and its suburbs, spread out before us in all their various beauty. The city lay about three miles distant. I could only, therefore, identify its principal structure, the Temple of the Sun, as built by the first Antonine. This towered above the walls, and over all the other buildings, and gave vast ideas of the greatness of the place, leading the mind to crowd it with other edifices that should bear some proportion to this noble monument of imperial magnificence. As suddenly as the view of this imposing scene had been revealed, so suddenly was it again eclipsed, by another short turn in the road, which took us once more into the mountain valleys. But the overhanging and impenetrable foliage of a Syrian forest, shielding me from the fierce rays of a burning sun, soon reconciled me to my loss--more especially as I knew that in a short time we were to enter upon the sandy desert, which stretches from the Anti-Libanus almost to the very walls of Palmyra.
Ware opens Zenobia; or, the Fall of Palmyra with a letter from the Roman Piso, who writes from the city itself, describing his dislocation: “It is with difficulty that I persuade myself, that it is I who am sitting and writing to you from this great city of the East.” The epistolary frame immediately establishes a double perspective—an insider’s view filtered through a foreigner’s sensibility. Piso’s voice is self-consciously literary, given to apostrophes (“O, Humanity!”) and elaborate descriptions of the Tiber’s bustle, where “the cries of the sailors” mingle with “the frequent roarings and bellowings of whole cargoes of wild beasts.” This sensory overload serves to measure the distance between Rome and Palmyra, a distance that becomes the novel’s thematic axis.
Diction and the Roman Gaze
Ware’s choice of a Roman narrator shapes the novel’s language. Piso writes in a formal, periodic style, with balanced clauses and rhetorical questions: “Why have the immortal gods made the cup of life so bitter?” His vocabulary leans toward the abstract and the sentimental—words like “sorrows,” “philosophy,” “magnificence”—which gives the prose a measured, almost elegiac tone. At the same time, his descriptions of Palmyra are filtered through Roman categories: he compares the city’s splendor to Rome’s, and its people to “barbarian” others. This linguistic framing makes the reader aware that what we see is always mediated by a specific cultural lens. The diction itself becomes a clue to Piso’s character: educated, melancholic, and prone to moralizing.
Dialogue as Philosophical Arena
The excerpts show that Ware uses dialogue not merely for plot advancement but as a stage for intellectual debate. In one scene, Zenobia herself enters a theological discussion, arguing that Christianity should “be judged on its own merits” and that its “secret and mysterious doctrines” are not found in the records. Her interlocutor, a Greek philosopher, counters that this very simplicity deprives Christianity of appeal to “the studious and inquisitive.” The exchange is formal, almost like a Socratic dialogue, with each speaker taking a clear position. Ware gives Zenobia a voice that is both regal and rational, capable of holding her own against a trained philosopher. The dialogue’s structure—statement, counter-statement, then interruption by new characters—mirrors the salon culture of Palmyra’s court, where ideas are a form of social currency.
Description as Character Revelation
Ware’s descriptive passages often serve to reveal character indirectly. When Longinus guides Piso through a gallery of art, he does so “not in the manner of a lecturer, but with a fine perception and observance of that nice line which separates the learned philosopher from the polite man of the world.” The description tells us more about Longinus’s social grace than about the artworks themselves. Similarly, Piso’s initial account of the Tiber—with its “cries of the sailors,” “bellowings of wild beasts,” and “jargon of an hundred different barbarian languages”—is less a realistic scene than a reflection of his own overwhelmed sensibility. Ware consistently embeds psychological and social commentary within descriptive set-pieces, making setting a function of character.
Recurring Motifs: Restlessness and Foreboding
A subtle but persistent motif in the excerpts is physical restlessness as a sign of inner tension. Longinus observes of Zenobia, “Do you observe the restlessness of the Queen, and that flush upon her cheek? She is thinking of to-morrow and of the departure of the ambassadors.” The detail is small but telling: it links bodily gesture to political anxiety. Elsewhere, Piso describes his own mental agitation—“My feelings sometimes overmaster my philosophy”—and the crowded harbor scene is full of jostling ships and shouting men. This pattern of unease, expressed through movement and flush, creates an atmosphere of impending crisis. Ware uses these physical cues to hint at the political pressures that will eventually lead to Palmyra’s fall, without needing to state them directly.
Because the excerpts cover only the opening and a later philosophical debate, the full arc of the plot—including the Roman siege and Zenobia’s fate—remains outside this note. Readers should attend to how Ware balances the epistolary intimacy of Piso’s voice with the panoramic demands of historical fiction. The novel’s interest lies less in action than in the clash of worldviews, rendered through carefully calibrated diction and dialogue. Pay particular attention to shifts in tone when Piso describes Palmyrene customs versus Roman ones; these moments reveal the novel’s deeper argument about empire and identity.
I finished Zenobia and found myself thinking about how palaces feel when the light fades, those quiet rooms holding so much that goes unsaid. It reminded me of something gentler, a children’s tale about toys left behind in a dollhouse, the way dignity lives in forgotten places. That same tenderness lingers in Racketty-Packetty House, as Told by Queen Crosspatch — Edition Insights, like an old friend’s hand resting briefly on yours.
Victoria Martinez
1 week ago-
Hailey Knight - 1 month ago
Zenobia offers a fascinating glimpse into a lesser-known historical period. The characters are well-drawn, and the setting is immersive. However, the pacing is uneven, with some sections dragging. Still, it's a solid historical novel that provides both entertainment and insight. -
Suzanne Alexander - 1 month ago
Despite the intriguing subject, this novel is weighed down by excessive descriptive passages and a slow-moving plot. Zenobia herself remains a distant figure, lacking the depth that might have made her relatable. The dialogue is often wooden, and the narrative feels overly academic. A disappointing historical read. -
Travis Castillo - 3 weeks ago
A sweeping historical novel that brings the fall of Palmyra to life with vivid detail. The portrayal of Zenobia is powerful and tragic, and the battle scenes are gripping. The author's scholarship shines through, yet the narrative remains accessible and deeply human. A captivating read for history buffs.
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Avery Smith
1 month ago