Greatheart — Background and Themes

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Dell, Ethel M. (Ethel May), 1881-1939 Project Gutenberg 2004 Not confirmed
Love stories; Triangles (Interpersonal relations) -- Fiction; Brothers -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 149,004
Reading time 648 min
Text sections 14

Greatheart — Background and Themes can be approached with a clearer sense of reading commitment from its source measurements: 149,004 words, 10 hr 48 min estimated reading time, and 14 detected text sections.

The text analysis averages about 10.9 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Love stories,” connecting these edition facts with the source record’s subject description.

Ethel M. Dell's 1918 novel uses a Pilgrim's Progress epigraph and chapter titles to frame a love triangle among brothers, told through Biddy Maloney's sharp Irish voice and shifts between Alpine hotel and English countryside.
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There was a spirit-kettle singing merrily in the room. She busied herself about it, her withered face intent over the task.

The white arms fell upon the blue travelling-rug that Biddy had spread with loving care outside the bed the night before to add to her mistress's comfort. "When did he go, Biddy?" the low voice asked, and there was a furtive quality in the question as if it were designed for none but Biddy's ears. "Did he--did he leave no message?"

"Ah, to be sure!" said Biddy, turning her face for a moment. "And the likes of me to have forgotten it! He sent ye his best love, darlint, and ye were to eat a fine breakfast before ye went out."

The sad eyes smiled at her from the bed, half-gratified, half-incredulous, like the eyes of a lonely child who listens to a fairy-tale. "It was like him to think of that, Biddy. But--I wish he had stayed a little longer. I must get up and go and find him."

"Hasn't he been with ye through the night?" asked Biddy, bent again to her task.

"Nearly all night long!" The answer came on a note of triumph, yet there was also a note of challenge in it also.

"Then what more would ye have?" said Biddy wisely. "Leave him alone for a bit, darlint! Husbands are better without their wives sometimes."

A low laugh came from the bed. "Oh, Biddy, I must tell him that! He would love your _bon-mots_. Did he--did he say when he would be back?"

"That he did not," said Biddy, still absorbed over the kettle. "But there's nothing in that at all. Ye can't be always expecting a man to give account of himself. Now, mavourneen, I'll give ye your tay, and ye'll be able to get up when ye feel like it. Ah! There's Master Scott! And would ye like him to come in and have a cup with ye?"

Three soft knocks had sounded on the door. The woman in the bed raised herself, and her hair fell in glory around her, hair that at twenty-five had been raven-black, hair that at thirty-two was white as the snow outside the window.

"Is that you, Stumpy dear? Come in! Come in!" she called.

Her voice was hollow and deep. She turned her face to the door--a beautiful, wasted face with hungry eyes that watched and waited perpetually.

The door opened very quietly and unobtrusively, and a small, insignificant man came in. He was about the size of the average schoolboy of fifteen, and he walked with a slight limp, one leg being a trifle shorter than the other. Notwithstanding this defect, his general appearance was one of extreme neatness, from his colourless but carefully trained moustache and small trim beard to his well-shod feet. His clothes---like his beard--fitted him perfectly.

His close-cropped hair was also colourless and grew somewhat far back on his forehead. His pale grey eyes had a tired expression, as if they had looked too long or too earnestly upon the turmoil of life.

He came to the bedside and took the thin white hand outstretched to him on which a wedding ring hung loose. He walked without awkwardness; there was even dignity in his carriage.

He bent to kiss the uplifted face. "Have you slept well, dear?"

Her arms reached up and clasped his neck. "Oh, Stumpy, yes! I have had a lovely night. Basil has been with me. He has gone out now; but I am going to look for him presently."

"Many happy returns of the day to ye, Master Scott!" put in Biddy rather pointedly.

"Ah yes. It is your birthday. I had forgotten. Forgive me, Stumpy darling! You know I wish you always the very, very best." The clinging arms held him more closely,

"Thank you, Isabel." Scott's voice was as tired as his eyes, and yet it had a certain quality of strength. "Of course it's a very important occasion. How are we going to celebrate it?"

"I have a present for you somewhere. Biddy, where is it?" Isabel's voice had a note of impatience in it.

"It's here, darlint! It's here!" Biddy bustled up to the bed with a parcel.

Isabel took it from her and turned to Scott. "It's only a silly old cigarette-case, dear, but I thought of it all myself. How old are you now, Stumpy?"

"I am thirty," he answered, smiling. "Thank you very much, dear. It's just the thing I wanted--only too good!"

"As if anything could be too good for you!" his sister said tenderly. "Has Eustace remembered?"

"Oh yes. Eustace has given me a saddle, but as he didn't think I should want it here, it is to be presented when we get home again." He sat down on the side of the bed, still inspecting the birthday offering.

"Haven't you had anything from anyone else?" Isabel asked, after a moment.

He shook his head. "Who else is there to bother about a minnow like me?"

"You're not a minnow, Scott. And didn't--didn't Basil give you anything?"

Scott's tired eyes looked at her with a sudden fixity. He said nothing; but a piteous look came into Isabel's face under his steady gaze, and she dropped her own as if ashamed.

"Whisht, Master Scott darlint, for the Lord's sake, don't ye go upsetting her!" warned Biddy in a sibilant whisper. "I had trouble enough last night. If it hadn't been for the draught, she wouldn't have slept at all, at all."

Scott did not look at her. "You should have called me," he said, and leaning forward took his sister's hand. "Isabel, wouldn't you like to come out and see the skaters? There is some wonderful luging going on too."

She did not raise her eyes; her whole demeanour had changed. She seemed to droop as if all animation had gone; "I don't know," she said listlessly. "I think I would almost as soon stay here."

"Have your tay, darlint!" coaxed Biddy, on her other side.

"Eustace will be coming to look for you if you don't," said Scott.

She started at that, and gave a quick shiver. "Oh no, I don't want Eustace! Don't let him come here, Stumpy, will you?"

"Shall I go and tell him you are coming then?" asked Scott, his eyes still steadily watching her.

She nodded. "Yes, yes. But I don't want to be made. Basil never made me do things."

Scott rose. "I will wait for you downstairs. Thank you, Biddy. Yes, I'll drink that first. No tea in the world ever tastes like your brew."

"Get along with your blarney, Master Scott!" protested Biddy. "And you and Sir Eustace mustn't tire Miss Isabel out. Remember, she's just come a long journey, and it's not wonderful at all that she don't feel like exerting herself."

A red fire of resentment smouldered in the old woman's eyes, but Scott paid no attention to it. "You'd better get some sleep yourself, Biddy, if you can," he said. "No more, thanks. You will be out in an hour then, Isabel?"

He paused, standing beside her. "If you are not out in an hour I shall come and fetch you," he said.

She put forth an appealing hand like a child. "I will come out, Stumpy. I will come out," she said tremulously.

He pressed the hand for a moment. "In an hour then, I want to show you everything. There is plenty to be seen."

He turned to the door, looked back with a parting smile, and went out.

Isabel did not see the smile. She was staring moodily downwards with eyes that only looked within.

Down on the skating-rink below the hotel, a crowd of people were making merry. The ice was in splendid condition. It sparkled in the sun like a sheet of frosted glass, and over it the skaters glided with much mirth and laughter.

Scott stood on the road above and watched them. There were a good many accomplished performers among them, and there were also several beginners. But all seemed alike infected with the gaiety of the place. There was not one face that did not wear a smile.

It was an invigorating scene. From a slope of the white mountain-side beyond the rink the shouts and laughter of higers came through the crystal air. A string of luges was shooting down the run, and even as Scott caught sight of it the foremost came to grief, and a dozen people rolled ignominiously in the snow. He smiled involuntarily. He seemed to have stepped into an atmosphere of irresponsible youth. The air was full of the magic fluid. It stirred his pulses like a draught of champagne.

Then his eyes returned to the rink, and almost immediately singled out the best skater there. A man in a white sweater, dark, handsome, magnificently made, supremely sure of himself, darted with the swift grace of a swallow through the throng. His absolute confidence and splendid physique made him conspicuous. He executed elaborate figures with such perfect ease and certainty of movement that many turned to look at him in astonished admiration.

"Great Scott!" said a cracked voice at Scott's shoulder.

He turned sharply, and met the frank regard of a rosy-faced schoolboy a little shorter than himself.

"Look at that bloomin' swell!" said the new-comer in tones of deep disgust. "He seems to have sprouted in the night. I've no use for these star skaters myself. They're all so beastly sidey."

He addressed Scott as an equal, and as an equal Scott made reply. "P'raps when you're a star skater yourself, you'll change your mind about 'em."

The boy grinned. "Ah! P'raps! You're a new chum, aren't you?"

"Very new," said Scott.

"Can you skate?" asked the lad. "But of course you can. I suppose you're another dark horse. It's too bad, you know; just as Dinah and I are beginning to fancy ourselves at it. We began right at the beginning too."

"Consider yourself lucky!" said Scott rather briefly.

"What do you mean?" The boy's eyes flashed over him intelligently, green eyes humorously alert.

Scott glanced downwards. "I mean my legs are not a pair, so I can't even begin."

"Oh, bad luck, sir!" The equality vanished from the boy's voice. He became suddenly almost deferential, and Scott realized that he was no longer regarded as a comrade. "Still"--he hesitated--"you can luge, I suppose?"

"I don't quite see myself," said Scott, looking across once more to the merry group on the distant run.

"Any idiot can do that," the boy protested, then turned suddenly a deep red. "Oh, lor, I didn't mean that! Hi, Dinah!" He turned to cover his embarrassment and sent a deafening yell at the sun-bathed _façade_ of the hotel. "Are you never coming, you cuckoo? Half the morning's gone already!"

"Coming, Billy!" at once a clear gay voice made answer, and the merriest face that Scott had ever seen made a sudden appearance at an open window. "Darling Billy, do keep your hair on for just two minutes longer! Yvonne has been trying on my fancy dress, but she's nearly done."

The neck and shoulders below the laughing face were bare and a bare arm waved in a propitiatory fashion ere it vanished.

"Looks as if the fancy dress is a minus quantity," observed Billy to his companion with a grin. "I didn't see any of it, did you?"

Scott tried not to laugh. "Your sister?" he asked.

Billy nodded affirmation. "She ain't a bad urchin," he observed, "as sisters go. We're staying here along with the de Vignes. Ever met 'em? Lady Grace is a holy terror. Her husband is a horrible stuck-up bore of an Anglo-Indian,--thinks himself everybody, and tells the most awful howlers. Rose--that's the daughter--is by way of being very beautiful. There she goes now; see? That golden-haired girl in red! She's another of your beastly star skaters. I'll bet she'll have that big bounder cutting capers with her before the day's out."

"Think so?" said Scott.

Billy nodded again. "I suppose he's a prince at least. My word, doesn't he fancy himself? Look at that now? Side--sheer side!"

The skater under discussion had just executed a most intricate figure not far from them. Having accomplished it with that unerring and somewhat blatant confidence that so revolted Billy's schoolboy soul, he straightened his tall figure, and darted in a straight line for the end of the rink above which they stood. His hands were in his pockets. His bearing was superb. He described a complete circle below them before he brought himself to a stand. Then he lifted his dark arrogant face. He wore a short clipped moustache which by no means hid the strength of a well-modelled though slightly sneering mouth. His eyes were somewhat deeply set, and shone extraordinarily blue under straight black brows that met. The man's whole expression was one of dominant self-assertion. He bore himself like a king.

"Well, Stumpy," he said, "where's Isabel?"

Scott's companion jumped, and beat a swift retreat. Scott smiled a little as he made reply.

"I have been up to see her. She will be out presently. Biddy had to give her a sleeping-draught last night."

"Damn!" said the other in a fierce undertone. "Did she call you first?"

"Then why the devil didn't she? I shall sack that woman. Isabel hasn't a chance to get well with a mischievous old hag like that always with her."

"I think Isabel would probably die without her," Stumpy responded in his quiet voice which presented a vivid contrast to his brother's stormy utterance. "And Biddy would probably die too--if she consented to go, which I doubt."

"Oh, damn Biddy! The sooner she dies the better. She's nothing but a perpetual nuisance. What is Isabel like this morning?"

Scott hesitated, and his brother frowned.

"That's enough. What else could any one expect? Look here, Scott! This thing has got to end. I shall take that sleeping-stuff away."

"If you can get hold of it," put in Scott drily.

"You must get hold of it. You have ample opportunity. It's all very well to preach patience, but she has been taking slow poison for seven years. I am certain of it. It's ridiculous! It's monstrous! It's got to end." He spoke with impatient finality, his blue eyes challenging remonstrance.

Scott made none. Only after a moment he said, "If you take away one prop, old chap, you must provide another. A broken thing can't stand alone. But need we discuss it now? As I told you, she is coming out presently, and this glorious air is bound to make a difference to her. It tastes like wine."

It was at this point that the golden-haired girl in red suddenly glided up and sat down on the bank a few yards away to adjust a skate.

Sir Eustace turned his head, and a sparkle came into his eyes. He watched her for a moment, then left his brother without further words.

"Can I do that for you?" he asked.

She lifted a flushed face. "Oh, how kind of you! But I have just managed it. How lovely the ice is this morning!"

She rose with the words, balancing herself with a grace as finished as his own, and threw him a dazzling smile of gratitude. Scott, from his post of observation on the bank, decided that she certainly was beautiful. Her face was almost faultless. And yet it seemed to him that there was infinitely more of witchery in the face that had laughed from the window a few minutes before. Almost unconsciously he was waiting to see the owner of that face emerge.

He watched the inevitable exchange of commonplaces between his brother and the beautiful Miss de Vigne whose graciousness plainly indicated her willingness for a nearer acquaintance, and presently he saw them move away side by side.

"What did I tell you?" said Billy's voice at his shoulder. "But you might have said that chap belonged to you. How was I to know?"

"Oh, quite so," said Scott. "Pray don't apologize! He doesn't belong to me either. It is I who belong to him."

Billy's green eyes twinkled appreciatively. "You're his brother, aren't you?"

Scott looked at him. "Now how on earth did you know that?"

He looked back with his frank, engaging grin. "Oh, there's the same hang about you. I can't tell you what it is. Dinah would know directly. You'd better ask her."

"I don't happen to have the pleasure of your sister's acquaintance," observed Scott, with his quiet smile.

"Oh, I'll soon introduce you if that's what you want," said Billy. "Come along! There she is now, just crossing the road. By the way, I don't think you told me your name."

"My name is Studley--Scott Studley, Stumpy to my friends," said Scott, in his whimsical, rather weary fashion.

Billy laughed. "You're a sport," he said. "When I know you a bit better, I shall remember that. Hi, Dinah! What a deuce of a time you've been. This is Mr. Studley, and he saw you at the window without anything on."

"I'm sure he didn't! Billy, how dare you?" Dinah's brown face burned an indignant red; she looked at Scott with instant hostility.

"Oh, please!" he protested mildly. "That's not quite fair on me."

"Serves you right," declared Billy with malicious delight. "You played me a shabby trick, you know."

Dinah's brow cleared. She smiled upon Scott. "Isn't he a horrid little pig? How do you do? Isn't it a ripping day? It makes you want to climb, doesn't it? I wish I'd got an alpenstock."

"Can't you get one anywhere?" asked Scott. "I thought they were always to be had."

"Yes, but they cost money," sighed Dinah. "And I haven't got any. It doesn't really matter though. There are lots of other things to do. Are you keen on luging? I am."

Her bright eyes smiled into his with the utmost friendliness, and he knew that she would not commit Billy's mistake and ask him if he skated.

Her smile was infectious. The charm of it lingered after it had passed. Her eyes were green like Billy's, only softer. They had a great deal of sweetness in them, and a spice--just a spice of devilry as well. The rest of the face would have been quite unremarkable, but the laughter-loving mouth and pointed chin wholly redeemed it from the commonplace. She was a little brown thing like a woodland creature, and her dainty air and quick ways put Scott irresistibly in mind of a pert robin.

In reply to her question he told her that he had arrived only the night before. "And I am quite a tyro," he added. "I have been watching the luging on that slope, and thanking all the stars that control my destiny that I wasn't there."

She laughed, showing a row of small white teeth. "Oh, you'd love it once you started. It's a heavenly sport if the run isn't bumpy. Isn't this a glorious atmosphere? It makes one feel so happy."

She came and stood by his side to watch the skaters. Billy was seated on the bank, impatiently changing his boots.

"I'm not going to wait for you any longer, Dinah," he said. "I'm fed up."

"Don't then!" she retorted. "I never asked you to."

"What a lie!" said Billy, with all a brother's gallantry.

She threw him a sister's look of scorn and deigned no rejoinder. But in a moment the incident was forgotten. "Oh, look there!" she suddenly exclaimed. "Isn't that just like Rose de Vigne? She's always sure to appropriate the most handsome man within sight. I've been watching that man from my window. He is a perfect Apollo, and skates divinely. And now she's got him!"

Deep disgust was audible in her voice. Billy looked up with a sideways grin. "You don't suppose he'd look at a sparrow like you, do you?" he said. "He prefers a swan, you bet."

"Be quiet, Billy!" commanded Dinah, making an ineffectual dig at him with her foot. "I don't want him to look at me. I hate men. But it is too bad the way Rose always chooses the best. It's just the same with everything. And I long--oh, I do long sometimes--to cut her out!"

"I should myself," said Scott unexpectedly. "But why don't you. I'm sure you could."

She threw him a whimsical smile. "I!" she said. "Why that's about as likely as--" she stopped short in some confusion.

He laughed a little. "You mean I might as soon hope to cut out Apollo? But the cases are not parallel, I assure you. Besides, Apollo happens to be my brother, which makes a difference."

From its first sentence, Greatheart announces a distinctive narrative voice through Biddy Maloney, the maid who 'surveyed the world with eyes of stern disapproval.' Biddy's idiom—'dacency,' 'darlint,' 'sure it's meself'—dominates the opening, giving the story a comic, opinionated filter. The novel quickly establishes a love triangle: Sir Eustace, the impulsive brother who 'had always been hard to manage,' and Master Scott, the steadier one who 'worshipping the little fairy feet' of the same woman. The epigraph from The Pilgrim's Progress signals allegorical intent, and chapter titles like 'The Wanderer,' 'The Looker-On,' and 'The Broken Spell' reinforce a moral framework. Yet the prose is grounded in sensory detail—the 'flyaway French cap' of a rival maid, the 'drenching rain' of a February dusk—that keeps the story tethered to physical reality.

Biddy's Voice and the Servant's Perspective

Biddy Maloney is not a minor character but a narrative lens. Her 'stern disapproval' of the French maid, her muttered complaints about Sir Eustace's selfishness ('Always the one thing someone else wanted he must grab for himself'), and her prayer to 'open the dear young lady's eyes' give the reader access to events that the principals keep hidden. Dell uses Biddy's dialect—'ye didn't ought to allow it,' 'the dear lamb'—to create a voice that is both comic and morally earnest. When Biddy clasps her 'old worn hands' and prays, the narrator calls it 'the most impressive prayer that Biddy had ever uttered,' a rare moment of direct authorial judgment. This servant's perspective provides a running commentary on the romance plot, undercutting the protagonists' self-justifications with blunt common sense.

Alpine and English Settings as Emotional Markers

The novel shifts between two distinct landscapes. Part I opens in a 'winter paradise in the Alps,' a hotel setting where social hierarchies are visible in the allocation of suites—Lady Grace de Vigne occupies 'the best suite,' a fact that rankles Biddy. The mountain setting suggests both escape and confinement. Part II moves to an English February: 'the early dusk of February was falling, together with a fine, drenching rain,' with trees 'beating their stark branches together as though in despair.' This weather matches Bathurst's mood after a poor day's hunting. The hunter Rupert, a 'dapple grey with powerful hindquarters,' is described with a knowing ear that Dinah calls 'his smile'—a small anthropomorphic detail that humanizes the animal world. These settings are not mere backdrops; they mirror the characters' emotional states, from the crisp tension of the Alpine hotel to the sodden weariness of the English countryside.

Pace Shifts Between Dialogue and Description

Dell varies the novel's pace through contrasting modes. The opening chapters are dialogue-heavy, with Biddy's rapid-fire complaints and Isabel's gentle reproofs creating a quick, conversational rhythm. 'May I come in?' says Scott's voice at the door, and the scene shifts abruptly from private anxiety to public composure. Later, in Part II, the pace slows for descriptive passages: 'The west wind that raced across the brown fields had the sharpness of snow in its train.' This sentence, with its long vowels and measured syntax, contrasts with the clipped exchanges of the earlier scene. The hunting sequence—'riding home at a jog-trot in that driving rain'—moves at the horse's pace, a deliberate deceleration that allows reflection. These shifts prevent the narrative from becoming monotonous, alternating between the urgency of spoken conflict and the stillness of observed nature.

Readers attentive to voice will notice how Dell uses Biddy's Irish dialect as a choral device, commenting on action without advancing it. The chapter titles borrowed from The Pilgrim's Progress—'Doubting Castle,' 'The Valley of Humiliation'—invite allegorical reading, but the novel's strength lies in its concrete details: the 'flyaway French cap,' the hunter's 'knowing ear,' the 'old worn hands' clasped in prayer. Approach Greatheart as a study in how servants and landscapes frame a romance, rather than as a straightforward love story.

Sometimes a story stays with me less for its plot than for its quiet insistence on brotherhood. That sense of kinship under strain lingered after Greatheart, where the Alpine air and Biddy’s sharp voice frame two brothers circling each other. It made me think, gently, of the frontier world in Wells Brothers: The Young Cattle Kings — Reading Notes — there, too, family ties shape every hard choice. Two very different landscapes, yet the same steady pulse underneath.

Wyatt Hill
3 weeks ago

Daniel Lewis
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John Jackson
2 weeks ago

Henry Adams
1 month ago

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    Sarah Schmidt - 3 weeks ago
    Greatheart is an adventurous novel with a strong central character and a compelling plot. The pacing is generally good, with plenty of twists and turns. However, the writing can be overly descriptive, slowing down the action in some parts. Also, the romance feels underdeveloped. Still, for a classic adventure story, this is a solid choice.

  • ...
    Jennifer Wilson - 3 weeks ago
    Greatheart is a gripping tale of loyalty, betrayal, and redemption. The protagonist's journey is both heart-wrenching and inspiring, and the author masterfully weaves together action and emotion. The supporting characters are well-drawn, and the historical backdrop adds depth. This is a powerful story that will stay with you long after you've finished reading. A must-read for fans of epic adventure.

  • ...
    Travis Dougherty - 3 weeks ago
    Greatheart is a tedious read that tries to be an epic but falls flat. The characters are one-dimensional, and the plot is predictable. The author spends too much time on irrelevant details and not enough on building tension or emotional depth. The dialogue is archaic, and the pacing is glacial. I forced myself to finish it, but I regretted the time spent.


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