A Bicycle of Cathay — Text and Context
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I. THE DOCTOR'S DAUGHTER
III. THE DUKE'S DRESSING-GOWN
V. THE LADY AND THE CAVALIER
VI. THE HOLLY SPRIG INN
VII. MRS. CHESTER IS TROUBLED
X. THE LARRAMIE FAMILY
XI. THE THREE MCKENNAS
XII. BACK TO THE HOLLY SPRIG
XIII. A MAN WITH A LETTER
XIV. MISS EDITH IS DISAPPOINTED
XVII. A FORECASTER OF HUMAN PROBABILITIES
XVIII. REPENTANCE AVAILS NOT
XIX. BEAUTY, PURITY, AND PEACE
THE DOCTOR'S DAUGHTER
"THE RAIN WAS COMING DOWN HARD"
"ON MY RIGHT A LIGHTED DOORWAY"
"THE BEAUTY OF HER TEETH"
"I KICKED OFF MY EMBROIDERED SLIPPERS"
"IT WOULD BE WELL FOR ME TO SWALLOW A CAPSULE"
"AS SOON AS I HAD SPOKEN THESE WORDS"
"I DISMOUNTED AND APPROACHED THE WALL"
"I THOUGHT FOR A FEW MOMENTS"
"I WENT OUT FOR A WALK"
"SHE BEGAN TO TALK ABOUT WALFORD"
"BUT WE WERE NOT ALONE"
"TO MY LEFT I SAW A LINE OF TREES"
"HE WAS RUNNING AWAY"
"HE SOON FELT THAT HE WAS UNDER CONTROL"
"A LITTLE ARMY HAD THROWN ITSELF UPON ME"
"'WOULD IT BE EASIER TO MANAGE A BOY OR A BEAR?'"
"I TAPPED MY LEFT PALM"
"THERE WAS A SUDDEN FLUSH UPON HER FACE"
"THE SCENE VIVIDLY RECURRED TO MY MIND"
DECIPHERING THE DAGO'S LETTER
"'I DON'T THINK YOU OUGHT TO TAKE THIS LETTER'"
"'DO YOU THINK YOU COULD HIT IT WITH AN APPLE?'"
"TALKING ABOUT BABY BEARS"
"I HELD THAT PICTURE A GOOD WHILE"
"'NO, SIR,' SHE SAID"
THE DOCTOR'S DAUGHTER
It was a beautiful summer morning when slowly I wheeled my way along the principal street of the village of Walford. A little valise was strapped in front of my bicycle; my coat, rolled into a small compass, was securely tied under the seat, and I was starting out to spend my vacation.
I was the teacher of the village school, which useful institution had been closed for the season the day before, much to the gratification of pedagogue and scholars. This position was not at all the summit of my youthful ambition. In fact, I had been very much disappointed when I found myself obliged to accept it, but when I left college my financial condition made it desirable for me to do something to support myself while engaged in some of the studies preparatory to a professional career.
I have never considered myself a sentimental person, but I must admit that I did not feel very happy that morning, and this state of mind was occasioned entirely by the feeling that there was no one who seemed to be in the least sorry that I was going away. My boys were so delighted to give up their studies that they were entirely satisfied to give up their teacher, and I am sure that my vacation would have been a very long one if they had had the ordering of it. My landlady might have been pleased to have me stay, but if I had agreed to pay my board during my absence I do not doubt that my empty room would have occasioned her no pangs of regret. I had friends in the village, but as they knew it was a matter of course that I should go away during the vacation, they seemed to be perfectly reconciled to the fact.
As I passed a small house which was the abode of my laundress, my mental depression was increased by the action of her oldest son. This little fellow, probably five years of age, and the condition of whose countenance indicated that his mother's art was seldom exercised upon it, was playing on the sidewalk with his sister, somewhat younger and much dirtier.
As I passed the little chap he looked up and in a sharp, clear voice, he cried: "Good-bye! Come back soon!" These words cut into my soul. Was it possible that this little ragamuffin was the only one in that village who was sorry to see me depart and who desired my return? And the acuteness of this cut was not decreased by the remembrance that on several occasions when he had accompanied his mother to my lodging I had given him small coins.
I was beginning to move more rapidly along the little path, well worn by many rubber tires, which edged the broad roadway, when I perceived the doctor's daughter standing at the gate of her father's front yard. As I knew her very well, and she happened to be standing there and looking in my direction, I felt that it would be the proper thing for me to stop and speak to her, and so I dismounted and proceeded to roll my bicycle up to the gate.
As the doctor's daughter stood looking over the gate, her hands clasped the tops of the two central pickets.
"Good-morning," said she. "I suppose, from your carrying baggage, that you are starting off for your vacation. How far do you expect to go on your wheel, and do you travel alone?"
"My only plan," I answered, "is to ride over the hills and far away! How far I really do not know; and I shall be alone except for this good companion." And as I said this I patted the handle-bar of my bicycle.
"Your wheel does seem to be a sort of a companion," she said; "not so good as a horse, but better than nothing. I should think, travelling all by yourself in this way, you would have quite a friendly feeling for it. Did you ever think of giving it a name?"
"Oh yes," said I. "I have named it. I call it a 'Bicycle of Cathay.'"
"Is there any sense in such a name?" she asked. "It is like part of a quotation from Tennyson, isn't it? I forget the first of it."
"You are right," I said. "'Better fifty years of Europe than a cycle of Cathay.' I cannot tell you exactly why, but that seems to suggest a good name for a bicycle."
"But your machine has two wheels," said she. "Therefore you ought to say, 'Better one hundred years of Europe than two cycles of Cathay.'"
"I bow to custom," said I. "Every one speaks of a bicycle as a wheel, and I shall not introduce the plural into the name of my good steed."
"And you don't know where your Cathay is to be?" she asked.
I smiled and shook my head. "No," I answered, "but I hope my cycle will carry me safely through it."
The doctor's daughter looked past me across the road. "I wish I were a man," said she, "and could go off as I pleased, as you do! It must be delightfully independent."
I was about to remark that too much independence is not altogether delightful, but she suddenly spoke:
"You carry very little with you for a long journey," and as she said this she grasped the pickets of the gate more tightly. I could see the contraction of the muscles of her white hands. It seemed as if she were restraining something.
"Oh, this isn't all my baggage," I replied. "I sent on a large bag to Waterton. I suppose I shall be there in a couple of days, and then I shall forward the bag to some other place."
"I do not suppose you have packed up any medicine among your other things?" she asked. "You don't look as if you very often needed medicine."
I laughed as I replied that in the course of my life I had taken but little.
"But if your cycle starts off rolling early in the morning," she said, "or keeps on late in the evening, you ought to be able to defend yourself against malaria. I do not know what sort of a country Cathay may be, but I should not be a bit surprised if you found it full of mists and morning vapors. Malaria has a fancy for strong people, you know. Just wait here a minute, please," and with that she turned and ran into the house.
I had liked the doctor's daughter ever since I had begun to know her, although at first I had found it a little hard to become acquainted with her.
She was the treasurer of the literary society of the village, and I was its secretary. We had to work together sometimes, and I found her a very straightforward girl in her accounts and in every other way.
In about a minute she returned, carrying a little pasteboard box.
"Here are some one-grain quinine capsules," she said. "They have no taste, and I am quite sure that if you get into a low country it would be a good thing for you to take at least one of them every morning. People may have given you all sorts of things for your journey, but I do not believe any one has given you this." And she handed me the box over the top of the gate.
I did not say that her practical little present was the only thing that anybody had given me, but I thanked her very heartily, and assured her that I would take one every time I thought I needed it. Then, as it seemed proper to do so, I straightened up my bicycle as if I would mount it. Again her fingers clutched the top of the two palings.
"When father comes home," she said, "he will be sorry to find that he had not a chance to bid you good-bye. And, by-the-way," she added, quickly, "you know there will be one more meeting of the society. Did you write out any minutes for the last evening, and would you like me to read them for you?"
"Upon my word!" I exclaimed. "I have forgotten all about it. I made some rough notes, but I have written nothing."
"Well, it doesn't matter in the least," said she, quickly. "I remember everything that happened, and I will write the minutes and read them for you; that is, if you want me to."
I assured her that nothing would please me better, and we talked a little about the minutes, after which I thought I ought not to keep her standing at the gate any longer. So I took leave of her, and we shook hands over the gate. This was the first time I had ever shaken hands with the doctor's daughter, for she was a reserved girl, and hitherto I had merely bowed to her.
As I sped away down the street and out into the open country my heart was a good deal lighter than it had been when I began my journey. It was certainly pleasant to leave that village, which had been my home for the greater part of a year, without the feeling that there was no one in it who cared for me, even to the extent of a little box of quinine capsules.
It was about the middle of the afternoon that I found myself bowling along a smooth highway, bordered by trees and stretching itself almost upon a level far away into the distance. Had I been a scorcher, here would have been a chance to do a little record-breaking, for I was a powerful and practised wheelman. But I had no desire to be extravagant with my energies, and so contented myself with rolling steadily on at a speed moderate enough to allow me to observe the country I was passing through.
There were not many people on the road, but at some distance ahead of me I saw a woman on a wheel. She was not going rapidly, and I was gaining on her. Suddenly, with no reason whatever that I could see, her machine gave a twist, and, although she put out her foot to save herself, she fell to the ground. Instantly I pushed forward to assist her, but before I could reach her she was on her feet. She made a step towards her bicycle, which lay in the middle of the road, and then she stopped and stood still. I saw that she was hurt, but I could not help a sort of inward smile. "It is the old way of the world," I thought. "Would the Fates have made that young woman fall from her bicycle if there had been two men coming along on their wheels?"
As I jumped from my machine and approached her she turned her head and looked at me. She was a pale girl, and her face was troubled. When I asked her if she had hurt herself, she spoke to me without the slightest embarrassment or hesitation.
"I twisted my foot in some way," she said, "and I do not know what I am going to do. It hurts me to make a step, and I am sure I cannot work my wheel."
"Have you far to go?" I asked.
"I live about two miles from here," she answered. "I do not think I have sprained my ankle, but it hurts. Perhaps, however, if I rest for a little while I may be able to walk."
"I would not try to do that," said I. "Whatever has happened to your foot or ankle, you would certainly make it very much worse by walking such a distance. Perhaps I can ride on and get you a conveyance?"
"You would have to go a long way to get one," she answered. "We do not keep a horse and I really--"
"Don't trouble yourself in the least," I said. "I can take you to your home without any difficulty whatever. If you will mount your machine I can push you along very easily."
"But then you would have to walk yourself," she said, quickly, "and push your wheel too."
Of course it would not have been necessary for me to walk, for I could have ridden my bicycle and have pushed her along on her own, but under the circumstances I did not think it wise to risk this. So I accepted her suggestion of walking as if nothing else could be done.
"Oh, I do not mind walking a bit," said I. "I am used to it, and as I have been riding for a long time, it would be a relief to me."
She stood perfectly still, apparently afraid to move lest she should hurt her foot, but she raised her head and fixed a pair of very large blue eyes upon me. "It is too kind in you to offer to do this! But I do not see what else is to be done. But who is going to hold up my wheel while you help me to get on it?"
"Oh, I will attend to all that," said I, and picking up her bicycle, I brought it to her. She made a little step towards it, and then stopped.
"You mustn't do that," said I. "I will put you on." And holding her bicycle upright with my left hand, I put my right arm around her and lifted her to the seat. She was such a childlike, sensible young person that I did not think it necessary to ask any permission for this action, nor even to allude to its necessity.
"Now you might guide yourself with the handle-bar," I said. "Please steer over to that tree where I have left my machine." I easily pushed her over to the tree, and when I had laid hold of my bicycle with my left hand, we slowly proceeded along the smooth road.
"I think you would better take your feet from the pedals," said I, "and put them on the coasters--the motion must hurt you. It is better to have your injured foot raised, anyway, as that will keep the blood from running down into it and giving you more pain."
She instantly adopted my suggestion, and presently said, "That is a great deal more pleasant, and I am sure it is better for my foot to keep it still. I do hope I haven't sprained my ankle! It is possible to give a foot a bad twist without spraining it, isn't it?"
I assented, and as I did so I thought it would not be difficult to give a bad twist to any part of this slenderly framed young creature.
"How did you happen to fall?" I asked--not that I needed to inquire, for my own knowledge of wheelcraft assured me that she had tumbled simply because she did not know how to ride.
"I haven't the slightest idea," she answered. "The first thing I knew I was going over, and I wish I had not tried to save myself. It would have been better to go down bodily."
As we went on she told me that she had not had much practice, as it had been but a few weeks since she had become the possessor of a wheel, and that this was the first trip she had ever taken by herself. She had always gone in company with some one, but to-day she had thought she was able to take care of herself, like other girls. Finding her so entirely free from conventional embarrassment, I made bold to give her a little advice on the subject of wheeling in general, and she seemed entirely willing to be instructed. In fact, as I went on with my little discourse I began to think that I would much rather teach girls than boys. At first sight the young person under my charge might have been taken for a school-girl, but her conversation would have soon removed that illusion.
We had not proceeded more than a mile when suddenly I felt a very gentle tap on the end of my nose, and at the same moment the young lady turned her head towards me and exclaimed: "It's going to rain! I felt a drop!"
"I will walk faster," I said, "and no doubt I will get you to your house before the shower is upon us. At any rate, I hope you won't be much wet."
"Oh, it doesn't matter about me in the least," she said. "I shall be at home and can put on dry clothes, but you will be soaked through and have to go on. You haven't any coat on!"
If I had known there was any probability of rain I should have put on my coat before I started out on this somewhat unusual method of travelling, but there was no help for it now, and all I could do was to hurry on. From walking fast I began to trot. The drops were coming down quite frequently.
"Won't that tire you dreadfully?" she said.
"Not at all," I replied. "I could run like this for a long distance."
She looked up at me with a little smile. I think she must have forgotten the pain in her foot.
"It must be nice to be strong like that," she said.
Now the rain came down faster, and my companion declared that I ought to stop and put on my coat. I agreed to this, and when I came to a suitable tree by the road-side, I carefully leaned her against it and detached my coat from my bicycle. But just as I was about to put it on I glanced at the young girl. She had on a thin shirt-waist, and I could see that the shoulders of it were already wet. I advanced towards her, holding out my coat. "I must lay this over you," I said. "I am afraid now that I shall not get you to your home before it begins to rain hard."
She turned to me so suddenly that I made ready to catch her if her unguarded movement should overturn her machine. "You mustn't do that at all!" she said. "It doesn't matter whether I am wet or not. I do not have to travel in wet clothes, and you do. Please put on your coat and let us hurry!"
I obeyed her, and away we went again, the rain now coming down hard and fast. For some minutes she did not say anything; but I did not wonder at this, for circumstances were not favorable to conversation. But presently, in spite of the rain and our haste, she spoke:
"It must seem dreadfully ungrateful and hard-hearted in me to say to you, after all you have done for me, that you must go on in the rain. Anybody would think that I ought to ask you to come into our house and wait until the storm is over. But, really, I do not see how I can do it."
I urged her not for a moment to think of me. I was hardy, and did not mind rain, and when I was mounted upon my wheel the exercise would keep me warm enough until I reached a place of shelter.
The narrator wheels his bicycle through Walford on a summer morning, a teacher released from duties and feeling that no one is sorry to see him go. This opening establishes a voice that is self-aware, slightly rueful, and observant of small social slights. The bicycle itself is not merely transport but a prop for the journey ahead, strapped with a valise and rolled coat. Stockton's prose moves at a measured pace, letting the narrator's reflections on his disappointed ambitions and the indifference of others set a tone of gentle irony.
Within the first pages, the reader senses that the bicycle tour will be less a physical challenge than a series of social encounters. The narrator's eye for detail—the boys' delight at the school's closing, his landlady's ambiguous feelings—hints at a story built on character reactions rather than dramatic incident.
A Voice That Measures Its Words
The narrator's first-person account is marked by deliberate understatement. He admits to disappointment but quickly qualifies: "I have never considered myself a sentimental person." This self-correction recurs throughout the excerpts, as when he describes his horror at a boy carrying a rifle: "I am not a coward, but a boy with a gun is a terror to me." The humor lies in the precise, almost legalistic phrasing. Stockton gives his narrator a habit of stating the obvious in a way that defuses tension. When the bear is missing, he reports: "I stood aghast, and in a moment the rest of the party were clustered around me." The word "aghast" is strong, but the sentence structure is calm, creating a comic gap between emotion and expression.
This voice also reveals a man who observes others closely. He notes that Genevieve "wished she were a boy so that she could go too," and that Miss Edith "looked as if she would like to go, but she did not say so." The narrator's attention to unspoken desires suggests he is more perceptive than he lets on.
The Bicycle as a Stage Prop
Though the title promises a bicycle, the excerpts show the machine fading into the background once the journey begins. The opening paragraph describes its loading with precision—"a little valise was strapped in front; my coat, rolled into a small compass, was securely tied under the seat"—but thereafter the bicycle is rarely mentioned. It becomes a pretext for encounters rather than a focus. The narrator's identity as a cyclist matters less than his identity as a stranger passing through.
This shift mirrors the structure of picaresque travel: the vehicle enables movement, but the story dwells on the people met along the way. The bear episode, for instance, unfolds on foot. The bicycle is left behind when the narrator goes to retrieve the animal. Stockton uses the bicycle to get his character into situations, then lets the situations take over. Readers should note that the bicycle's role may be more symbolic than mechanical.
Bears, Guns, and Social Comedy
The extended bear episode in the later excerpt showcases Stockton's talent for comic set-pieces. The narrator has chained a bear to a tree; when he returns with the Larramie family, the bear is gone. The scene builds through dialogue and small actions: Percy brings a rifle, Walter objects, Genevieve wishes she could go, and the father mediates. Each character speaks in a distinct register—Percy eager, Walter cautious, Genevieve impulsive. The narrator's internal commentary adds another layer: "A boy with a gun is a terror to me."
The comedy depends on the contrast between the potential danger and the characters' casual attitudes. Mr. Larramie's remark that "we are all out-of-door people and sportsmen" normalizes the situation, while the narrator's silent anxiety keeps the humor alive. The missing bear is anticlimactic, but the journey to find it becomes the real event. Stockton uses the bear as a MacGuffin, drawing characters together and revealing their personalities.
The Art of the Unfinished Journey
The excerpts end before the narrator retrieves the bear or completes his tour, leaving the reader with a sense of ongoing movement. This is consistent with the picaresque tradition: the journey matters more than the destination. Stockton's narrator is a passive protagonist, reacting to events rather than driving them. He accepts invitations, follows suggestions, and agrees to propositions: "as for me, I agreed to every proposition." This passivity makes him a lens for observing others.
The structure of the novel, with twenty chapters and numerous illustrations, suggests a series of such encounters. The list of illustrations—"The Doctor's Daughter," "Deciphering the Dago's Letters," "Talking About Baby Bears"—hints at a variety of episodes. Readers should expect a loose, episodic narrative held together by the narrator's consistent voice and his bicycle's slow progress through a landscape of social comedy.
Stockton's novel rewards readers who enjoy quiet humor and character observation over plot momentum. The narrator's voice is the key: his dry, self-deprecating remarks and his attention to small social cues create a world where a missing bear matters less than how people react to its absence. Pay attention to what the narrator notices but does not say aloud—those gaps are where the comedy lives.
The rain drummed on the windowsill as I finished A Bicycle of Cathay, lingering on its quiet, dry humor. That same wry voice stayed with me, oddly restless, until I stumbled upon another older tale of a wanderer, one less gentle. It was Frank Mildmay; Or, The Naval Officer — A Reader’s Guide, and the afternoon seemed to fold into itself, another journey begun.
Matthew Sanchez
4 weeks agoMila Moore
1 week agoJack Lopez
4 weeks ago-
James Russell - 2 weeks ago
A Bicycle Of Cathay is a whimsical and charming journey through turn-of-the-century America. The narrator's adventures on his bicycle are filled with quirky characters and delightful encounters. The prose is witty and engaging, and the romantic subplot adds a touch of warmth. This book is a hidden gem that will transport you to a simpler time. A truly delightful read. -
Carrie Martin - 2 weeks ago
A Bicycle Of Cathay is a pleasant read with a unique concept of exploring the country on a bicycle. The narrator's observations are insightful, and the characters he meets are memorable. However, the episodic structure makes it feel a bit disjointed at times, and the pacing is uneven. Still, it's a charming period piece that offers a nostalgic glimpse into America. -
Randy Cooley - 2 weeks ago
A Bicycle Of Cathay promised an exciting travelogue, but it turned out to be dull and meandering. The narrator's adventures lack excitement, and the prose is overly ornate without saying much. The characters are forgettable, and the romance is unconvincing. I found myself skimming pages just to get to the end. Not worth the time unless you're researching early 20th-century literature.
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Leo Nguyen
1 month ago