The Adventures of Sally — Story, Setting & Ideas
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CHAPTER I. SALLY GIVES A PARTY
Sally looked contentedly down the long table. She felt happy at last. Everybody was talking and laughing now, and her party, rallying after an uncertain start, was plainly the success she had hoped it would be. The first atmosphere of uncomfortable restraint, caused, she was only too well aware, by her brother Fillmore's white evening waistcoat, had worn off; and the male and female patrons of Mrs. Meecher's select boarding-house (transient and residential) were themselves again.
At her end of the table the conversation had turned once more to the great vital topic of Sally's legacy and what she ought to do with it. The next best thing to having money of one's own, is to dictate the spending of somebody else's, and Sally's guests were finding a good deal of satisfaction in arranging a Budget for her. Rumour having put the sum at their disposal at a high figure, their suggestions had certain spaciousness.
“Let me tell you,” said Augustus Bartlett, briskly, “what I'd do, if I were you.” Augustus Bartlett, who occupied an intensely subordinate position in the firm of Kahn, Morris and Brown, the Wall Street brokers, always affected a brisk, incisive style of speech, as befitted a man in close touch with the great ones of Finance. “I'd sink a couple of hundred thousand in some good, safe bond-issue--we've just put one out which you would do well to consider--and play about with the rest. When I say play about, I mean have a flutter in anything good that crops up. Multiple Steel's worth looking at. They tell me it'll be up to a hundred and fifty before next Saturday.”
Elsa Doland, the pretty girl with the big eyes who sat on Mr. Bartlett's left, had other views.
“Buy a theatre, Sally, and put on good stuff.”
“And lose every bean you've got,” said a mild young man, with a deep voice across the table. “If I had a few hundred thousand,” said the mild young man, “I'd put every cent of it on Benny Whistler for the heavyweight championship. I've private information that Battling Tuke has been got at and means to lie down in the seventh...”
“Say, listen,” interrupted another voice, “lemme tell you what I'd do with four hundred thousand...”
“If I had four hundred thousand,” said Elsa Doland, “I know what would be the first thing I'd do.”
“What's that?” asked Sally.
“Pay my bill for last week, due this morning.”
Sally got up quickly, and flitting down the table, put her arm round her friend's shoulder and whispered in her ear:
“Elsa darling, are you really broke? If you are, you know, I'll...”
“You're an angel, Sally. There's no one like you. You'd give your last cent to anyone. Of course I'm not broke. I've just come back from the road, and I've saved a fortune. I only said that to draw you.”
Sally returned to her seat, relieved, and found that the company had now divided itself into two schools of thought. The conservative and prudent element, led by Augustus Bartlett, had definitely decided on three hundred thousand in Liberty Bonds and the rest in some safe real estate; while the smaller, more sporting section, impressed by the mild young man's inside information, had already placed Sally's money on Benny Whistler, doling it out cautiously in small sums so as not to spoil the market. And so solid, it seemed, was Mr. Tuke's reputation with those in the inner circle of knowledge that the mild young man was confident that, if you went about the matter cannily and without precipitation, three to one might be obtained. It seemed to Sally that the time had come to correct certain misapprehensions.
“I don't know where you get your figures,” she said, “but I'm afraid they're wrong. I've just twenty-five thousand dollars.”
The statement had a chilling effect. To these jugglers with half-millions the amount mentioned seemed for the moment almost too small to bother about. It was the sort of sum which they had been mentally setting aside for the heiress's car fare. Then they managed to adjust their minds to it. After all, one could do something even with a pittance like twenty-five thousand.
“If I'd twenty-five thousand,” said Augustus Bartlett, the first to rally from the shock, “I'd buy Amalgamated...”
“If I had twenty-five thousand...” began Elsa Doland.
“If I'd had twenty-five thousand in the year nineteen hundred,” observed a gloomy-looking man with spectacles, “I could have started a revolution in Paraguay.”
He brooded sombrely on what might have been.
“Well, I'll tell you exactly what I'm going to do,” said Sally. “I'm going to start with a trip to Europe... France, specially. I've heard France well spoken of--as soon as I can get my passport; and after I've loafed there for a few weeks, I'm coming back to look about and find some nice cosy little business which will let me put money into it and keep me in luxury. Are there any complaints?”
“Even a couple of thousand on Benny Whistler...” said the mild young man.
“I don't want your Benny Whistler,” said Sally. “I wouldn't have him if you gave him to me. If I want to lose money, I'll go to Monte Carlo and do it properly.”
“Monte Carlo,” said the gloomy man, brightening up at the magic name. “I was in Monte Carlo in the year '97, and if I'd had another fifty dollars... just fifty... I'd have...”
At the far end of the table there was a stir, a cough, and the grating of a chair on the floor; and slowly, with that easy grace which actors of the old school learned in the days when acting was acting, Mr. Maxwell Faucitt, the boarding-house's oldest inhabitant, rose to his feet.
“Ladies,” said Mr. Faucitt, bowing courteously, “and...” ceasing to bow and casting from beneath his white and venerable eyebrows a quelling glance at certain male members of the boarding-house's younger set who were showing a disposition towards restiveness, “... gentlemen. I feel that I cannot allow this occasion to pass without saying a few words.”
His audience did not seem surprised. It was possible that life, always prolific of incident in a great city like New York, might some day produce an occasion which Mr. Faucitt would feel that he could allow to pass without saying a few words; but nothing of the sort had happened as yet, and they had given up hope. Right from the start of the meal they had felt that it would be optimism run mad to expect the old gentleman to abstain from speech on the night of Sally Nicholas' farewell dinner party; and partly because they had braced themselves to it, but principally because Miss Nicholas' hospitality had left them with a genial feeling of repletion, they settled themselves to listen with something resembling equanimity. A movement on the part of the Marvellous Murphys--new arrivals, who had been playing the Bushwick with their equilibristic act during the preceding week--to form a party of the extreme left and heckle the speaker, broke down under a cold look from their hostess. Brief though their acquaintance had been, both of these lissom young gentlemen admired Sally immensely.
And it should be set on record that this admiration of theirs was not misplaced. He would have been hard to please who had not been attracted by Sally. She was a small, trim, wisp of a girl with the tiniest hands and feet, the friendliest of smiles, and a dimple that came and went in the curve of her rounded chin. Her eyes, which disappeared when she laughed, which was often, were a bright hazel; her hair a soft mass of brown. She had, moreover, a manner, an air of distinction lacking in the majority of Mrs. Meecher's guests. And she carried youth like a banner. In approving of Sally, the Marvellous Murphys had been guilty of no lapse from their high critical standard.
“I have been asked,” proceeded Mr. Faucitt, “though I am aware that there are others here far worthier of such a task--Brutuses compared with whom I, like Marc Antony, am no orator--I have been asked to propose the health...”
“Who asked you?” It was the smaller of the Marvellous Murphys who spoke. He was an unpleasant youth, snub-nosed and spotty. Still, he could balance himself with one hand on an inverted ginger-ale bottle while revolving a barrel on the soles of his feet. There is good in all of us.
“I have been asked,” repeated Mr. Faucitt, ignoring the unmannerly interruption, which, indeed, he would have found it hard to answer, “to propose the health of our charming hostess (applause), coupled with the name of her brother, our old friend Fillmore Nicholas.”
The gentleman referred to, who sat at the speaker's end of the table, acknowledged the tribute with a brief nod of the head. It was a nod of condescension; the nod of one who, conscious of being hedged about by social inferiors, nevertheless does his best to be not unkindly. And Sally, seeing it, debated in her mind for an instant the advisability of throwing an orange at her brother. There was one lying ready to her hand, and his glistening shirt-front offered an admirable mark; but she restrained herself. After all, if a hostess yields to her primitive impulses, what happens? Chaos. She had just frowned down the exuberance of the rebellious Murphys, and she felt that if, even with the highest motives, she began throwing fruit, her influence for good in that quarter would be weakened.
She leaned back with a sigh. The temptation had been hard to resist. A democratic girl, pomposity was a quality which she thoroughly disliked; and though she loved him, she could not disguise from herself that, ever since affluence had descended upon him some months ago, her brother Fillmore had become insufferably pompous. If there are any young men whom inherited wealth improves, Fillmore Nicholas was not one of them. He seemed to regard himself nowadays as a sort of Man of Destiny. To converse with him was for the ordinary human being like being received in audience by some more than stand-offish monarch. It had taken Sally over an hour to persuade him to leave his apartment on Riverside Drive and revisit the boarding-house for this special occasion; and, when he had come, he had entered wearing such faultless evening dress that he had made the rest of the party look like a gathering of tramp-cyclists. His white waistcoat alone was a silent reproach to honest poverty, and had caused an awkward constraint right through the soup and fish courses. Most of those present had known Fillmore Nicholas as an impecunious young man who could make a tweed suit last longer than one would have believed possible; they had called him “Fill” and helped him in more than usually lean times with small loans: but to-night they had eyed the waistcoat dumbly and shrank back abashed.
“Speaking,” said Mr. Faucitt, “as an Englishman--for though I have long since taken out what are technically known as my 'papers' it was as a subject of the island kingdom that I first visited this great country--I may say that the two factors in American life which have always made the profoundest impression upon me have been the lavishness of American hospitality and the charm of the American girl. To-night we have been privileged to witness the American girl in the capacity of hostess, and I think I am right in saying, in asseverating, in committing myself to the statement that this has been a night which none of us present here will ever forget. Miss Nicholas has given us, ladies and gentlemen, a banquet. I repeat, a banquet. There has been alcoholic refreshment. I do not know where it came from: I do not ask how it was procured, but we have had it. Miss Nicholas...”
Mr. Faucitt paused to puff at his cigar. Sally's brother Fillmore suppressed a yawn and glanced at his watch. Sally continued to lean forward raptly. She knew how happy it made the old gentleman to deliver a formal speech; and though she wished the subject had been different, she was prepared to listen indefinitely.
“Miss Nicholas,” resumed Mr. Faucitt, lowering his cigar, “... But why,” he demanded abruptly, “do I call her Miss Nicholas?”
“Because it's her name,” hazarded the taller Murphy.
Mr. Faucitt eyed him with disfavour. He disapproved of the marvellous brethren on general grounds because, himself a resident of years standing, he considered that these transients from the vaudeville stage lowered the tone of the boarding-house; but particularly because the one who had just spoken had, on his first evening in the place, addressed him as “grandpa.”
“Yes, sir,” he said severely, “it is her name. But she has another name, sweeter to those who love her, those who worship her, those who have watched her with the eye of sedulous affection through the three years she has spent beneath this roof, though that name,” said Mr. Faucitt, lowering the tone of his address and descending to what might almost be termed personalities, “may not be familiar to a couple of dud acrobats who have only been in the place a week-end, thank heaven, and are off to-morrow to infest some other city. That name,” said Mr. Faucitt, soaring once more to a loftier plane, “is Sally. Our Sally. For three years our Sally has flitted about this establishment like--I choose the simile advisedly--like a ray of sunshine. For three years she has made life for us a brighter, sweeter thing. And now a sudden access of worldly wealth, happily synchronizing with her twenty-first birthday, is to remove her from our midst. From our midst, ladies and gentlemen, but not from our hearts. And I think I may venture to hope, to prognosticate, that, whatever lofty sphere she may adorn in the future, to whatever heights in the social world she may soar, she will still continue to hold a corner in her own golden heart for the comrades of her Bohemian days. Ladies and gentlemen, I give you our hostess, Miss Sally Nicholas, coupled with the name of our old friend, her brother Fillmore.”
Sally, watching her brother heave himself to his feet as the cheers died away, felt her heart beat a little faster with anticipation. Fillmore was a fluent young man, once a power in his college debating society, and it was for that reason that she had insisted on his coming here tonight.
She had guessed that Mr. Faucitt, the old dear, would say all sorts of delightful things about her, and she had mistrusted her ability to make a fitting reply. And it was imperative that a fitting reply should proceed from someone. She knew Mr. Faucitt so well. He looked on these occasions rather in the light of scenes from some play; and, sustaining his own part in them with such polished grace, was certain to be pained by anything in the nature of an anti-climax after he should have ceased to take the stage. Eloquent himself, he must be answered with eloquence, or his whole evening would be spoiled.
Fillmore Nicholas smoothed a wrinkle out of his white waistcoat; and having rested one podgy hand on the table-cloth and the thumb of the other in his pocket, glanced down the table with eyes so haughtily drooping that Sally's fingers closed automatically about her orange, as she wondered whether even now it might not be a good thing...
It seems to be one of Nature's laws that the most attractive girls should have the least attractive brothers. Fillmore Nicholas had not worn well. At the age of seven he had been an extraordinarily beautiful child, but after that he had gone all to pieces; and now, at the age of twenty-five, it would be idle to deny that he was something of a mess. For the three years preceding his twenty-fifth birthday, restricted means and hard work had kept his figure in check; but with money there had come an ever-increasing sleekness. He looked as if he fed too often and too well.
All this, however, Sally was prepared to forgive him, if he would only make a good speech. She could see Mr. Faucitt leaning back in his chair, all courteous attention. Rolling periods were meat and drink to the old gentleman.
“I'm sure,” said Fillmore, “you don't want a speech... Very good of you to drink our health. Thank you.”
The effect of these few simple words on the company was marked, but not in every case identical. To the majority the emotion which they brought was one of unmixed relief. There had been something so menacing, so easy and practised, in Fillmore's attitude as he had stood there that the gloomier-minded had given him at least twenty minutes, and even the optimists had reckoned that they would be lucky if they got off with ten. As far as the bulk of the guests were concerned, there was no grumbling. Fillmore's, to their thinking, had been the ideal after-dinner speech.
Far different was it with Mr. Maxwell Faucitt. The poor old man was wearing such an expression of surprise and dismay as he might have worn had somebody unexpectedly pulled the chair from under him. He was feeling the sick shock which comes to those who tread on a non-existent last stair. And Sally, catching sight of his face, uttered a sharp wordless exclamation as if she had seen a child fall down and hurt itself in the street. The next moment she had run round the table and was standing behind him with her arms round his neck. She spoke across him with a sob in her voice.
“My brother,” she stammered, directing a malevolent look at the immaculate Fillmore, who, avoiding her gaze, glanced down his nose and smoothed another wrinkle out of his waistcoat, “has not said quite--quite all I hoped he was going to say. I can't make a speech, but...” Sally gulped, “... but, I love you all and of course I shall never forget you, and... and...”
Here Sally kissed Mr. Faucitt and burst into tears.
“There, there,” said Mr. Faucitt, soothingly. The kindest critic could not have claimed that Sally had been eloquent: nevertheless Mr. Maxwell Faucitt was conscious of no sense of anti-climax.
Sally had just finished telling her brother Fillmore what a pig he was. The lecture had taken place in the street outside the boarding-house immediately on the conclusion of the festivities, when Fillmore, who had furtively collected his hat and overcoat, had stolen forth into the night, had been overtaken and brought to bay by his justly indignant sister. Her remarks, punctuated at intervals by bleating sounds from the accused, had lasted some ten minutes.
As she paused for breath, Fillmore seemed to expand, like an indiarubber ball which has been sat on. Dignified as he was to the world, he had never been able to prevent himself being intimidated by Sally when in one of these moods of hers. He regretted this, for it hurt his self-esteem, but he did not see how the fact could be altered. Sally had always been like that. Even the uncle, who after the deaths of their parents had become their guardian, had never, though a grim man, been able to cope successfully with Sally. In that last hectic scene three years ago, which had ended in their going out into the world, together like a second Adam and Eve, the verbal victory had been hers. And it had been Sally who had achieved triumph in the one battle which Mrs. Meecher, apparently as a matter of duty, always brought about with each of her patrons in the first week of their stay. A sweet-tempered girl, Sally, like most women of a generous spirit, had cyclonic potentialities.
As she seemed to have said her say, Fillmore kept on expanding till he had reached the normal, when he ventured upon a speech for the defence.
“What have I done?” demanded Fillmore plaintively.
“Do you want to hear all over again?”
“No, no,” said Fillmore hastily. “But, listen, Sally, you don't understand my position. You don't seem to realize that all that sort of thing, all that boarding-house stuff, is a thing of the past. One's got beyond it. One wants to drop it. One wants to forget it, darn it! Be fair. Look at it from my viewpoint. I'm going to be a big man...”
“You're going to be a fat man,” said Sally, coldly.
Fillmore refrained from discussing the point. He was sensitive.
The novel opens with Sally Nicholas surveying a party she has thrown at her boarding house, feeling 'happy at last' after an uncertain start. The conversation quickly turns to her recent inheritance, with guests freely proposing how she should spend it—from bonds to theatre investments to betting on a fixed boxing match. This scene establishes Sally as a generous but level-headed figure amid a cast of vivid, self-interested characters.
Wodehouse’s dialogue-driven comedy emerges immediately: Augustus Bartlett speaks in brisk financial jargon, while a mild young man advocates betting on a fighter who has been 'got at.' The party’s success, despite the initial restraint caused by her brother Fillmore’s white evening waistcoat, sets up a pattern of social friction and reconciliation that runs through the excerpts.
Sally’s Inheritance and the Boarding-House World
The opening chapter introduces Sally’s legacy as a catalyst for action and a lens for character. Guests treat her money as a communal resource, proposing budgets with 'spaciousness' because rumour has inflated the sum. Sally herself remains quiet during these debates, observing rather than directing. Her contentment at the party suggests she values social harmony over wealth.
The boarding house, run by Mrs. Meecher, serves as a microcosm of New York striving. Residents include a Wall Street clerk, a young actress, and a man with inside information on boxing. Their schemes—financial, theatrical, sporting—are presented with affectionate satire. Wodehouse uses their dialogue to reveal personality: Augustus Bartlett’s briskness, Elsa Doland’s theatrical dreams, and the mild young man’s deadpan confidence in a fixed fight.
Readers should note how Sally’s passivity in the first chapter contrasts with later excerpts where she takes decisive action, such as confronting Fillmore. The boarding house setting recurs as a stable base amid her adventures.
Fillmore’s Schemes and the Theatre Subplot
Fillmore, Sally’s brother, emerges as a comic antagonist driven by grand but flawed visions. In a later excerpt, he has made Elsa Doland a star overnight and now plans to do the same with Gladys Winch, a boarding-house acquaintance. Gladys, however, resists, insisting her only talent is cooking—specifically chicken casserole and English pork pies. She delivers a long, witty speech explaining why she cannot act, calling herself a 'heaven-born cook' who only went on the stage for fun.
Fillmore’s reaction—thumping the desk, shouting about 'broad vision,' and storming out—is pure Wodehouse farce. Sally observes his tantrum with 'stunned' sympathy, while Gladys calmly unwraps chewing gum and predicts he will return with candy. This scene showcases Wodehouse’s technique of deflating melodrama with mundane details.
The theatre subplot introduces themes of ambition and self-knowledge. Gladys knows her limits; Fillmore does not. Sally, caught between them, begins to assert herself, though the excerpts leave her ultimate role unclear.
Culinary Metaphors and Character Voice
Food and cooking recur as motifs and metaphors throughout the excerpts. Gladys Winch’s claim to be a 'heaven-born cook' is the most explicit example, but the pattern begins earlier. At the opening party, guests treat Sally’s inheritance like a menu to be arranged. Later, Fillmore’s tantrum is followed by Gladys’s speculation that he will return 'with a box of candy'—a deflationary image that undercuts his rage.
Wodehouse uses food to reveal character: Gladys’s detailed description of her pork pies conveys her practicality and pride, while Fillmore’s theatrical hunger for success is contrasted with his sister’s more grounded tastes. The author avoids direct narration of inner states, instead letting dialogue and small actions—like unwrapping gum—speak for themselves.
Readers may watch for how this culinary thread continues. Does Sally herself cook or eat in significant moments? The excerpts do not say, but the motif suggests a world where appetites, both literal and figurative, drive the plot.
The Rhythm of Conflict and Reconciliation
A pattern emerges across the excerpts: a conflict arises, escalates through comic bluster, and then resolves—or is deferred—by a mundane gesture or a shift in tone. The opening party recovers from the 'uncomfortable restraint' of Fillmore’s waistcoat. Later, Fillmore’s rage at Gladys ends with him storming out, but Gladys predicts his return with candy, implying a cycle of argument and peace offering.
Sally’s role in these rhythms is often that of observer or mediator. She feels 'sorry for Fillmore' after his outburst, but does not intervene. This passivity may change as the novel progresses; the chapter titles hint at her taking action ('Sally Runs Away,' 'Sally Lays a Ghost'). The excerpts, however, show her primarily reacting to others’ schemes.
Wodehouse’s pacing relies on rapid dialogue and abrupt scene shifts. Arguments are resolved not by deep insight but by a character’s exit or a change of subject. This keeps the tone light even when tensions run high.
The excerpts present a world where money, theatre, and cooking intersect, and where characters reveal themselves through what they say and how they say it. Sally remains an intriguingly quiet centre—observant, sympathetic, but not yet fully in control. Readers may find it useful to track her decisions as the story unfolds, noting when she moves from watching to acting. The novel’s humour depends on timing and voice; paying attention to who speaks last in a scene often reveals the punchline.
That rainy afternoon, Sally’s boarding-house chaos felt almost cozy against the drumming window. Her brother’s schemes, the theatrical flailing—it made me crave a quieter voice, one less concerned with fortunes and more with small kindnesses. So I wandered into Pomona's Travels A Series of Letters to the Mistress of Rudder Grange from her Former Handmaiden — A Reader’s Guide, and the rain seemed to soften, listening with me.
Emma Lopez
1 week ago-
Chad Lopez - 1 month ago
{'review_type': 'Positive', 'text': "The Adventures Of Sally is a delightful romp through the Jazz Age, full of wit and charm. P.G. Wodehouse's signature humor shines in this tale of love, mistaken identity, and a plucky heroine who navigates the chaos of high society with unwavering spirit. The characters are vibrant and the plot is a whirlwind of comedic mishaps that leave you smiling. A perfect escape into a world of laughter and heart."} -
Mark Aaron Castaneda - 4 weeks ago
{'review_type': 'Negative', 'text': "Sally is charming but the plot feels like a rehash of Wodehouse's usual formula with less spark. The misunderstandings and coincidences become tiresome, and the jokes feel recycled. The characters lack depth, and the romance is shallow. For a seasoned Wodehouse fan, this is disappointing; for a new reader, there are better starting points. It's an average read at best."} -
Curtis Dixon - 4 weeks ago
{'review_type': 'Neutral', 'text': 'A classic Wodehouse comedy of manners that delivers plenty of laughs and a satisfying, if predictable, romantic plot. Sally herself is endearing, but some supporting characters feel a bit one-dimensional. The pacing lags in the middle, yet the witty dialogue and charming setting keep you engaged. Not his best, but a solid, enjoyable read.'}
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Grace Taylor
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