The Lady of the Aroostook — Reading Notes
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which she regarded at arm's-length, from time to time, with her head aslant.
“I suppose it's the latest style?” pursued the boy.
“Yes, it is,” said Lydia. “We sent to Boston for the pattern. I hate to pack it into one of those drawers,” she mused.
“You needn't,” replied Thomas. “There's a whole row of hooks.”
“I want to know!” cried Lydia. She followed Thomas into her state-room. “Well, well! They do seem to have thought of everything!”
“I should say so,” exulted the boy. “Look here!” He showed her a little niche near the head of the berth strongly framed with glass, in which a lamp was made fast. “Light up, you know, when you want to read, or feel kind of lonesome.” Lydia clasped her hands in pleasure and amaze. “Oh, I tell you Captain Jenness meant to have things about right. The other state-rooms don't begin to come up to this.” He dashed out in his zeal, and opened their doors, that she might triumph in the superiority of her accommodations without delay. These rooms were cramped together on one side; Lydia's was in a comparatively ample corner by itself.
She went on unpacking her trunk, and the boy again took his place near her, in the same attitude as before. “I tell you,” he said, “I shall like to see you with that silk on. Have you got any other nice ones?”
“No; only this I'm wearing,” answered Lydia, half amused and half honest in her sympathy with his ardor about her finery. “They said not to bring many clothes; they would be cheaper over there.” She had now reached the bottom of her trunk. She knew by the clock that her grandfather could hardly have left the city on his journey home, but the interval of time since she had parted with him seemed vast. It was as if she had started to Boston in a former life; the history of the choosing and cutting and making of these clothes was like a dream of preëxistence. She had never had so many things new at once, and it had been a great outlay, but her aunt Maria had made the money go as far as possible, and had spent it with that native taste, that genius for dress, which sometimes strikes the summer boarder in the sempstresses of the New England hills. Miss Latham's gift was quaintly unrelated to herself. In dress, as in person and manner, she was uncompromisingly plain and stiff. All the more lavishly, therefore, had it been devoted to the grace and beauty of her sister's child, who, ever since she came to find a home in her grandfather's house, had been more stylishly dressed than any other girl in the village. The summer boarders, whom the keen eye of Miss Latham studied with unerring sense of the best new effects in costume, wondered at Lydia's elegance, as she sat beside her aunt in the family pew, a triumph of that grim artist's skill. Lydia knew that she was well dressed, but she knew that after all she was only the expression of her aunt's inspirations. Her own gift was of another sort. Her father was a music-teacher, whose failing health had obliged him to give up his profession, and who had taken the traveling agency of a parlor organ manufactory for the sake of the out-door life. His business had brought him to South Bradfield, where he sold an organ to Deacon Latham's church, and fell in love with his younger daughter. He died a few years after his marriage, of an ancestral consumption, his sole heritage from the good New England stock of which he came. His skill as a pianist, which was considerable, had not descended to his daughter, but her mother had bequeathed her a peculiarly rich and flexible voice, with a joy in singing which was as yet a passion little affected by culture. It was this voice which, when Lydia rose to join in the terrible hymning of the congregation at South Bradfield, took the thoughts of people off her style and beauty; and it was this which enchanted her father's sister when, the summer before the date of which we write, that lady had come to America on a brief visit, and heard Lydia sing at her parlor organ in the old homestead.
Mrs. Erwin had lived many years abroad, chiefly in Italy, for the sake of the climate. She was of delicate health, and constantly threatened by the hereditary disease that had left her the last of her generation, and she had the fastidiousness of an invalid. She was full of generous impulses which she mistook for virtues; but the presence of some object at once charming and worthy was necessary to rouse these impulses. She had been prosperously married when very young, and as a pretty American widow she had wedded in second marriage at Naples one of those Englishmen who have money enough to live at ease in Latin countries; he was very fond of her, and petted her. Having no children she might long before have thought definitely of poor Henry's little girl, as she called Lydia, but she had lived very comfortably indefinite in regard to her ever since the father's death. Now and then she had sent the child a handsome present or a sum of money. She had it on her conscience not to let her be wholly a burden to her grandfather; but often her conscience drowsed. When she came to South Bradfield, she won the hearts of the simple family, which had been rather hardened against her, and she professed an enthusiasm for Lydia. She called her pretty names in Italian, which she did not pronounce well; she babbled a great deal about what ought to be done for her, and went away without doing anything; so that when a letter finally came, directing Lydia to be sent out to her in Venice, they were all surprised, in the disappointment to which they had resigned themselves.
Mrs. Erwin wrote an epistolary style exasperatingly vacuous and diffuse, and, like many women of that sort, she used pencil instead of ink, always apologizing for it as due now to her weak eyes, and now to her weak wrist, and again to her not being able to find the ink. Her hand was full of foolish curves and dashes, and there were no spaces between the words at times. Under these conditions it was no light labor to get at her meaning; but the sum of her letter was that she wished Lydia to come out to her at once, and she suggested that, as they could have few opportunities or none to send her with people going to Europe, they had better let her come the whole way by sea. Mrs. Erwin remembered--in the space of a page and a half--that nothing had ever done _her_ so much good as a long sea voyage, and it would be excellent for Lydia, who, though she looked so strong, probably needed all the bracing up she could get. She had made inquiries,--or, what was the same thing, Mr. Erwin had, for her,--and she found that vessels from American ports seldom came to Venice; but they often came to Trieste, which was only a few hours away; and if Mr. Latham would get Lydia a ship for Trieste at Boston, she could come very safely and comfortably in a few weeks. She gave the name of a Boston house engaged in the Mediterranean trade to which Mr. Latham could apply for passage; if they were not sending any ship themselves, they could probably recommend one to him.
This was what happened when Deacon Latham called at their office a few days after Mrs. Erwin's letter came. They directed him to the firm dispatching the Aroostook, and Captain Jenness was at their place when the deacon appeared there. The captain took cordial possession of the old man at once, and carried him down to the wharf to look at the ship and her accommodations. The matter was quickly settled between them. At that time Captain Jenness did not know but he might have other passengers out; at any rate he would look after the little girl (as Deacon Latham always said in speaking of Lydia) the same as if she were his own child.
Lydia knelt before her trunk, thinking of the remote events, the extinct associations of a few minutes and hours and days ago; she held some cuffs and collars in her hand, and something that her aunt Maria had said recurred to her. She looked up into the intensely interested face of the boy, and then laughed, bowing her forehead on the back of the hand that held these bits of linen.
The boy blushed. “What are you laughing at?” he asked, half piteously, half indignantly, like a boy used to being badgered.
“Oh, nothing,” said Lydia. “My aunt told me if any of these things should happen to want doing up, I had better get the stewardess to help me.” She looked at the boy in a dreadfully teasing way, softly biting her lip.
“Oh, if you're going to begin _that_ way!” he cried in affliction.
“I'm not,” she answered, promptly. “I like boys. I've taught school two winters, and I like boys first-rate.”
Thomas was impersonally interested again. “Time! _You_ taught school?”
“You look pretty young for a school-teacher!”
“Now you're making fun of me,” said Lydia, astutely.
The boy thought he must have been, and was consoled. “Well, you began it,” he said.
“I oughtn't to have done so,” she replied with humility; “and I won't any more. There!” she said, “I'm not going to open my bag now. You can take away the trunk when you want, Thomas.”
“Yes, ma'am,” said the boy. The idea of a school-mistress was perhaps beginning to awe him a little. “Put your bag in your state-room first.” He did this, and when he came back from carrying away her trunk he began to set the table. It was a pretty table, when set, and made the little cabin much cosier. When the boy brought the dishes from the cook's galley, it was a barbarously abundant table. There was cold boiled ham, ham and eggs, fried fish, baked potatoes, buttered toast, tea, cake, pickles, and watermelon; nothing was wanting. “I tell you,” said Thomas, noticing Lydia's admiration, “the captain lives well lay-days.”
“Lay-days?” echoed Lydia.
“The days we're in port,” the boy explained.
“Well, I should think as much!” She ate with the hunger that tranquillity bestows upon youth after the swift succession of strange events, and the conflict of many emotions. The captain had not returned in time, and she ate alone.
After a while she ventured to the top of the gangway stairs, and stood there, looking at the novel sights of the harbor, in the red sunset light, which rose slowly from the hulls and lower spars of the shipping, and kindled the tips of the high-shooting masts with a quickly fading splendor. A delicate flush responded in the east, and rose to meet the denser crimson of the west; a few clouds, incomparably light and diaphanous, bathed themselves in the glow. It was a summer sunset, portending for the land a morrow of great heat. But cool airs crept along the water, and the ferry-boats, thrust shuttlewise back and forth between either shore, made a refreshing sound as they crushed a broad course to foam with their paddles. People were pulling about in small boats; from some the gay cries and laughter of young girls struck sharply along the tide. The noise of the quiescent city came off in a sort of dull moan. The lamps began to twinkle in the windows and the streets on shore; the lanterns of the ships at anchor in the stream showed redder and redder as the twilight fell. The homesickness began to mount from Lydia's heart in a choking lump to her throat; for one must be very happy to endure the sights and sounds of the summer evening anywhere. She had to shield her eyes from the brilliancy of the kerosene when she went below into the cabin.
Lydia did not know when the captain came on board. Once, talking in the cabin made itself felt through her dreams, but the dense sleep of weary youth closed over her again, and she did not fairly wake till morning. Then she thought she heard the crowing of a cock and the cackle of hens, and fancied herself in her room at home; the illusion passed with a pang. The ship was moving, with a tug at her side, the violent respirations of which were mingled with the sound of the swift rush of the vessels through the water, the noise of feet on the deck, and of orders hoarsely shouted.
The girl came out into the cabin, where Thomas was already busy with the breakfast table, and climbed to the deck. It was four o'clock of the summer's morning; the sun had not yet reddened the east, but the stars were extinct, or glimmered faint points immeasurably withdrawn in the vast gray of the sky. At that hour there is a hovering dimness over all, but the light on things near at hand is wonderfully keen and clear, and the air has an intense yet delicate freshness that seems to breathe from the remotest spaces of the universe,--a waft from distances beyond the sun. On the land the leaves and grass are soaked with dew; the densely interwoven songs of the birds are like a fabric that you might see and touch. But here, save for the immediate noises on the ship, which had already left her anchorage far behind, the shouting of the tug's escape-pipes, and the huge, swirling gushes from her powerful wheel, a sort of spectacular silence prevailed, and the sounds were like a part of this silence. Here and there a small fishing schooner came lagging slowly in, as if belated, with scarce wind enough to fill her sails; now and then they met a steamboat, towering white and high, a many-latticed bulk, with no one to be seen on board but the pilot at his wheel, and a few sleepy passengers on the forward promenade. The city, so beautiful and stately from the bay, was dropping, and sinking away behind. They passed green islands, some of which were fortified: the black guns looked out over the neatly shaven glacis; the sentinel paced the rampart.
“Well, well!” shouted Captain Jenness, catching sight of Lydia where she lingered at the cabin door. “You are an early bird. Glad to see you up! Hope you rested well! Saw your grandfather off all right, and kept him from taking the wrong train with my own hand. He's terribly excitable. Well, I suppose I shall be just so, at his age. Here!” The captain caught up a stool and set it near the bulwark for her. “There! You make yourself comfortable wherever you like. You're at home, you know.” He was off again in a moment. Lydia cast her eye over at the tug. On the deck, near the pilot-house, stood the young man who had stopped the afternoon before, while she sat at the warehouse door, and asked her grandfather if she were not ill. At his feet was a substantial valise, and over his arm hung a shawl. He was smoking, and seated near him, on another valise, was his companion of the day before, also smoking. In the instant that Lydia caught sight of them, she perceived that they both recognized her and exchanged, as it were, a start of surprise. But they remained as before, except that he who was seated drew out a fresh cigarette, and without looking up reached to the other for a light. They were both men of good height, and they looked fresh and strong, with something very alert in their slight movements,--sudden turns of the head and brisk nods, which were not nervously quick. Lydia wondered at their presence there in an ignorance which could not even conjecture. She knew too little to know that they could not have any destination on the tug, and that they would not be making a pleasure-excursion at that hour in the morning. Their having their valises with them deepened the mystery, which was not solved till the tug's engines fell silent, and at an unnoticed order a space in the bulwark not far from Lydia was opened and steps were let down the side of the ship. Then the young men, who had remained, to all appearance, perfectly unconcerned, caught up their valises and climbed to the deck of the Aroostook. They did not give her more than a glance out of the corners of their eyes, but the surprise of their coming on board was so great a shock that she did not observe that the tug, casting loose from the ship, was describing a curt and foamy semicircle for her return to the city, and that the Aroostook, with a cloud of snowy canvas filling overhead, was moving over the level sea with the light ease of a bird that half swims, half flies, along the water. A sudden dismay, which was somehow not fear so much as an overpowering sense of isolation, fell upon the girl. She caught at Thomas, going forward with some dishes in his hand, with a pathetic appeal.
“Where are you going, Thomas?”
“I'm going to the cook's galley to help dish up the breakfast.”
“What's the cook's galley?”
“Don't you know? The kitchen.”
“Let me go with you. I should like to see the kitchen.” She trembled with eagerness. Arrived at the door of the narrow passage that ran across the deck aft of the forecastle, she looked in and saw, amid a haze of frying and broiling, the short, stocky figure of a negro, bow-legged, and unnaturally erect from the waist up. At sight of Lydia, he made a respectful duck forward with his uncouth body. “Why, are you the cook?” she almost screamed in response to this obeisance.
“Yes, miss,” said the man, humbly, with a turn of the pleading black eyes of the negro.
Lydia grew more peremptory: “Why--why--I thought the cook was a woman!”
“Very sorry, miss,” began the negro, with a deprecatory smile, in a slow, mild voice.
Thomas burst into a boy's yelling laugh: “Well, if that ain't the best joke on Gabriel! He'll never hear the last of it when I tell it to the second officer!”
“Thomas!” cried Lydia, terribly, “you shall _not_!” She stamped her foot. “Do you hear me?”
The boy checked his laugh abruptly. “Yes, ma'am,” he said submissively.
“Well, then!” returned Lydia. She stalked proudly back to the cabin gangway, and descending shut herself into her state-room.
A few hours later Deacon Latham came into the house with a milk-pan full of pease. He set this down on one end of the kitchen table, with his straw hat beside it, and then took a chair at the other end and fell into the attitude of the day before, when he sat in the parlor with Lydia and Miss Maria waiting for the stage; his mouth was puckered to a whistle, and his fingers were held above the board in act to drub it. Miss Maria turned the pease out on the table, and took the pan into her lap. She shelled at the pease in silence, till the sound of their pelting, as they were dropped on the tin, was lost in their multitude; then she said, with a sharp, querulous, pathetic impatience, “Well, father, I suppose you're thinkin' about Lyddy.”
“Yes, Maria, I be,” returned her father, with uncommon plumpness, as if here now were something he had made up his mind to stand to. “I been thinkin' that Lyddy's a woman grown, as you may say.”
“Yes,” admitted Miss Maria, “she's a woman, as far forth as that goes. What put it into your head?”
“Well, I d'know as I know. But it's just like this: I got to thinkin' whether she mightn't get to feelin' rather lonely on the voyage, without any other woman to talk to.”
“I guess,” said Miss Maria, tranquilly, “she's goin' to feel lonely enough at times, any way, poor thing! But I told her if she wanted advice or help about anything just to go to the stewardess. That Mrs. Bland that spent the summer at the Parkers' last year was always tellin' how they went to the stewardess for most everything, and she give her five dollars in gold when they got into Boston. I shouldn't want Lyddy should give so much as that, but I should want she should give something, as long's it's the custom.”
Howells opens The Lady of the Aroostook with a static domestic scene: three people in a farm-house parlor, the elderly woman rocking, the old man drumming his fingers, the young girl staring out at hens burrowing under lilac bushes. The dialogue that follows—hesitant, colloquial, marked by phrases like “I d'know as I can express it”—establishes a deliberate, unhurried rhythm. This pacing contrasts sharply with later sections aboard the ship, where the narrative accelerates into terse exchanges and interior turmoil. The shift from the farm-house’s constrained setting to the open sea mirrors a change in narrative tempo, from measured observation to compressed, emotionally charged scenes.
The Weight of Unspoken Words
Howells frequently lets silence carry meaning. In the opening, the young girl Lydia “propping her averted face on her hand” and putting her handkerchief to her eyes conveys distress without direct statement. Later, aboard the Aroostook, Staniford’s estrangement from Lydia is registered through “the glance which Lydia gave him” and his “hardened heart.” The narrative often withholds characters’ inner thoughts, forcing readers to infer from gestures and truncated dialogue. When Staniford asks if Lydia will “grieve a little for my loss,” her reply is not to his question but to a separate concern about lending a book. This indirection creates a layered tension, where what is unsaid weighs as heavily as spoken words.
Shifts in Narrative Tempo
The novel’s pacing is not uniform. Early chapters move slowly, with extended descriptions of the farm-house and the characters’ hesitant speech. Once the voyage begins, the tempo quickens. Dialogue becomes more clipped, and scenes are shorter. The storm sequence is introduced abruptly: “The foreboded storm did not come so soon as had been feared, but the beautiful weather… was lost in a thickened sky and a sullen sea.” Howells compresses time, moving from calm to crisis in a single paragraph. The captain’s fretful pacing and the “livid waves racing before the wind” heighten urgency. This acceleration reflects Staniford’s internal turmoil, as his coldness toward Lydia gives way to a sudden approach on deck, the emotional pace matching the meteorological one.
Dialogue as a Vehicle for Character
Howells uses dialogue to reveal character without authorial commentary. The elderly woman Maria’s speech is marked by rural idioms: “eatin' up everything on your plate keeps it from wastin'.” The old man’s “high, husky treble” and his struggle to articulate (“I d'know as I can express it”) suggest a man accustomed to silence. In contrast, Staniford’s language is more polished but equally revealing. His cold “We have had our last walk for the present, Miss Blood” masks jealousy and hurt. Hicks’s “companionable ease” and jocose tone mark him as a foil. The dialogue is never merely expository; it advances character and conflict, as when Lydia’s careful question about lending a book exposes the unspoken rivalry between Staniford and Hicks.
Readers attentive to Howells’ handling of pace and voice will notice how the novel’s rhythm mirrors its emotional arc. The early stillness gives way to the ship’s confined, charged atmosphere, where every glance and pause carries weight. Pay particular attention to moments when characters speak at cross-purposes or fall silent—these are where the narrative’s true tensions reside. The storm, when it comes, is as much psychological as meteorological.
That rainy afternoon, I lost myself in Howells’ measured prose aboard the Aroostook, the dialogue swaying like the ship itself. When the pacing slowed, I drifted—almost by accident—to a forgotten shelf and pulled down Jack Ranger's Western Trip; Or, from Boarding School to Ranch and Range — Key Ideas to Explore. Both voyages, I noticed, were less about destinations than the quiet shifting of selves.
Mila Davis
4 weeks ago-
Nathan Fernandez - 4 weeks ago
{'review_type': 'negative', 'content': 'I struggled to connect with this book. The plot is thin and predictable, with the romance progressing in a very expected manner. The characters are one-dimensional, and the female lead often comes across as naive rather than strong. The writing is overly descriptive without adding depth, making it tedious to read. I expected more from a classic, but this was disappointing.'} -
Kimberly Brett Ramirez - 2 weeks ago
{'review_type': 'positive', 'content': "The Lady of the Aroostook is a captivating Victorian romance that will sweep you off your feet. The story follows a young American woman traveling alone on a ship, and the developing relationship with a fellow passenger is beautifully drawn. The character development is superb, and the prose is elegant. It's a lovely mix of romance, social commentary, and travel adventure. A timeless classic."} -
Robert White - 1 week ago
{'review_type': 'neutral', 'content': "This is a charming romance set in the 19th century, with a strong female protagonist. The interaction between the main characters is engaging, and the social dynamics are interesting. However, the story moves slowly at times, and the modern reader might find the etiquette and dialogue a bit stilted. Still, it's a pleasant read for those who enjoy classic literature."}
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Benjamin Scott
4 weeks ago