Wild Western Scenes A Narrative of Adventures in the Western Wilderness, Wherein the Exploits of Daniel Boone, the Great American Pioneer are Particularly Described — Inside the Classic

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Jones, J. B. (John Beauchamp), 1810-1866 Project Gutenberg 2004 Not confirmed
Western stories; Wilderness areas -- Fiction; Boone, Daniel, 1734-1820 -- Fiction Readers of public-domain and historical texts
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Words 102,223
Reading time 445 min
Text sections 18

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J.B. Jones's 1856 frontier novel blends autobiographical details with fictionalized exploits of Daniel Boone, featuring wolf hunts, a captive woman, and a haunted island dream sequence. The preface reveals the author's struggles to publish and his claim that many characters and events were drawn from his own Missouri exile.
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and Joe—Their horses—A storm—A black stump—A rough tumble—Moaning—Stars—Light—A log fire—Tents, and something to eat—Another stranger, who turns out to be well known—Joe has a snack—He studies revenge against the black stump—Boone proposes a bear hunt.

Boone hunts the bear—Hounds and terriers—Sneak Punk, the hatchet-face—Another stump—The high passes—The bear roused—The chase—A sight—A shot—A wound—Not yet killed—His meditations—His friend, the bear—The bear retreats—Joe takes courage—Joe fires—Immense execution—Sneak—The last struggle—Desperation of the bear—His death—Sneak’s puppies—Joe.

Glenn’s castle—Mary—Books—A hunt—Joe and Pete—A tumble—An opossum—A shot—Another tumble—A doe—The return—They set out again—A mound—A buffalo—An encounter—Night—Terrific spectacle—Escape—Boone—Sneak—Indians.

The retreat—Joe makes a mysterious discovery—Mary—A disclosure—Supper—Sleep—A cat—Joe’s flint—The watch—Mary—The bush—The attack—Joe’s musket again—The repulse—The starting rally—The desperate alternative—Relief.

A strange excursion—A fairy scene—Joe is puzzled and frightened—A wonderful discovery—Navigation of the upper regions—A crash—No bones broken.

A hunt—A deer taken—The hounds—Joe makes a horrid discovery—Sneak—The exhumation.

Boone—The interment—Startling intelligence—Indians about—A skunk—Thrilling fears—Boone’s device.

Night—Sagacity of the hounds—Reflection—The sneaking savages—Joe’s disaster—The approach of the foe under the snow—The silent watch.

Sneak kills a sow that “was not all a swine”—The breathless suspense—The match in readiness—Joe’s cool demeanour—The match ignited—Explosion of the mine—Defeat of the savages—The captive—His liberation—The repose—The kitten—Morning.

The dead removed—The wolves on the river—The wolf hunt—Gum fetid—Joe’s incredulity—His conviction—His surprise—His predicament—His narrow escape.

Mary—Her meditations—Her capture—Her sad condition—Her mental sufferings—Her escape—Her recapture.

Joe’s indisposition—His cure—Sneak’s reformation—The pursuit—The captive Indian—Approach to the encampment of the savages—Joe’s illness again—The surprise—The terrific encounter—Rescue of Mary—Capture of the young chief—The return.

The return—The young chief in confinement—Joe’s fun—His reward—The ring—A discovery—William’s recognition—Memories of childhood—A scene—Roughgrove’s history—The children’s parentage.

William’s illness—Sneak’s strange house—Joe’s courage—The bee hunt—Joe and sneak captured by the Indians—Their sad condition—Preparations to burn them alive—Their miraculous escape.

Balmy Spring—Joe’s curious dream—He prepares to catch a fish—Glenn—William and Mary—Joe’s sudden and strange appearance—La-u-na, the trembling fawn—The fishing sport—The ducking frolic—Sneak and the panther.

The bright morning—Sneak’s visit—Glenn’s heart—The snake hunt—Love and raspberries—Joe is bitten—His terror and sufferings—Arrival of Boone—Joe’s abrupt recovery—Preparations to leave the West—Conclusion.

WILD WESTERN SCENES: A NARRATIVE OF ADVENTURES.

Glenn and Joe—Their horses—A storm—A black stump—A rough tumble—Moaning—Stars—Light—A log fire—Tents, and something to eat—Another stranger, who turns out to be well known—Joe has a snack—He studies revenge against the black stump—Boone proposes a bear hunt.

“Do you see any light yet, Joe?”

“Not the least speck that ever was created, except the lightning, and it’s gone before I can turn my head to look at it.”

The interrogator, Charles Glenn, reclined musingly in a two-horse wagon, the canvas covering of which served in some measure to protect him from the wind and rain. His servant, Joe Beck, was perched upon one of the horses, his shoulders screwed under the scanty folds of an oil-cloth cape, and his knees drawn nearly up to the pommel of the saddle, to avoid the thumping bushes and briers that occasionally assailed him, as the team plunged along in a stumbling pace. Their pathway, or rather their direction, for there was no beaten road, lay along the northern bank of the “Mad Missouri,” some two hundred miles above the St. Louis settlement. It was at a time when there were no white men in those regions save a few trappers, traders, and emigrants, and each new sojourner found it convenient to carry with him a means of shelter, as houses of any description were but few and far between.

Our travellers had been told in the morning, when setting out from a temporary village which consisted of a few families of emigrants, with whom they had sojourned the preceding night, that they could attain the desired point by making the river their guide, should they be at a loss to distinguish the faintly-marked pathway that led in a more direct course to the place of destination. The storm coming up suddenly from the north, and showers of hail accompanying the gusts, caused the poor driver to incline his face to the left, to avoid the peltings that assailed him so frequently; and the drenched horses, similarly influenced, had unconsciously departed far from the right line of march; and now, rather than turn his front again to the pitiless blast, which could be the only means of regaining the road, Joe preferred diverging still farther, until he should find himself on the margin of the river, by which time he hoped the storm would abate. At all events, he thought there would be more safety on the beach, which extended out a hundred paces from the water, among the small switches of cotton-wood that grew thereon, than in the midst of the tall trees of the forest, where a heavy branch was every now and then torn off by the wind, and thrown to the earth with a terrible crash. Occasionally a deafening explosion of thunder would burst overhead; and Joe, prostrating himself on the neck of his horse, would, with his eyes closed and his teeth set, bear it out in silence. He spoke not, save to give an occasional word of command to his team, or a brief reply to a question from his master.

It was an odd spectacle to see such a vehicle trudging along at such an hour, where no carriage had ever passed before. The two young men were odd characters; the horses were oddly matched, one being a little dumpy black pony, and the other a noble white steed; and it was an odd whim which induced Glenn to abandon his comfortable home in Philadelphia, and traverse such inclement wilds. But love can play the “_wild_” with any young man. Yet we will not spoil our narrative by introducing any of it here. Nor could it have been love that induced Joe to share his master’s freaks; but rather a rare penchant for the miraculous adventures to be enjoyed in the western wilderness, and the gold which his master often showered upon him with a reckless hand. Joe’s forefathers were from the Isle of Erin, and although he had lost the brogue, he still retained some of their superstitions.

The wind continued to blow, the wolves howled, the lightning flashed, and the thunder rolled. Ere long the little black pony snorted aloud and paused abruptly.

“What ails you, Pete?” said Joe from his lofty position on the steed, addressing his favourite little pet. “Get along,” he continued, striking the animal gently with his whip. But Pete was as immovable and unconscious of the lash as would have been a stone. And the steed seemed likewise to be infected with the pony’s stubbornness, after the wagon was brought to a pause.

“Why have you stopped, Joe?” inquired Glen.

“I don’t hardly know, sir; but the stupid horses won’t budge an inch farther!”

“Very well; we can remain here till morning. Take the harness off, and give them the corn in the box; we can sleep in the wagon till daylight.”

“But we have no food for ourselves, sir; and I’m vastly hungry. It can’t be much farther to the ferry,” continued Joe, vexed at the conduct of the horses.

“Very well; do as you like; drive on, if you desire to do so,” said Glenn.

“Get along, you stupid creatures!” cried Joe, applying the lash with some violence. But the horses regarded him no more than blocks would have done. Immediately in front he perceived a dark object that resembled a stump and turning the horses slightly to one side, endeavoured to urge them past it. Still they would not go, but continued to regard the object mentioned with dread, which was manifested by sundry restless pawings and unaccustomed snorts. Joe resolved to ascertain the cause of their alarm, and springing to the ground, moved cautiously in the direction of the dark obstruction, which still seemed to be a blackened stump, about his own height, and a very trifling obstacle, in his opinion, to arrest the progress of his redoubtable team. The darkness was intense, yet he managed to keep his eyes on the dim outlines of the object as he stealthily approached And he stepped as noiselessly as possible, notwithstanding he meditated an encounter with nothing more than an inanimate object. But his imagination was always on the alert, and as he often feared dangers that arose undefinable and indescribable in his mind, it was not without some trepidation that he had separated himself from the horses and groped his way toward the object that had so much terrified his pony. He paused within a few feet of the object, and waited for the next flash of lightning to scrutinize the thing more closely before putting his hand upon it. But no flash came, and he grew tired of standing. He stooped down, so as to bring the upper portion of it in a line with the sky beyond, but still he could not make it out. He ventured still nearer, and stared at it long and steadily, but to no avail: the black mass only was before him, seemingly inanimate, and of a deeper hue than the darkness around.

“I’ve a notion to try my whip on you,” said he, thinking if it should be a human being it would doubtless make a movement. He started back with a momentary conviction that he heard a rush creak under its feet. But as it still maintained its position, he soon concluded the noise to have been only imaginary, and venturing quite close gave it a smart blow with his whip. Instantaneously poor Joe was rolling on the earth, almost insensible, and the dark object disappeared rushing through the bushes into the woods. The noise attracted Glenn, who now approached the scene, and with no little surprise found his servant lying on his face.

“What’s the matter, Joe?” demanded he.

“Oh, St. Peter! O preserve me!” exclaimed Joe.

“What has happened? Why do you lie there?”

“Oh, I’m almost killed! Didn’t you see him?”

“See what? I can see nothing this dark night but the flying clouds and yonder yellow sheet of water.”

“Oh, I’ve been struck!” said Joe, groaning piteously.

“Struck by what? Has the lightning struck you?”

“No—no! my head is all smashed up—it was a bear.”

“Pshaw! get up, and either drive on, or feed the horses,” said Glenn with some impatience.

“I call all the saints to witness that it was a wild bear—a great wild bear! I thought it was a stump, but just as I struck it a flash of lightning revealed to my eyes a big black bear standing on his hind feet, grinning at me, and he gave me a blow on the side of the face, which has entirely blinded my left eye, and set my ears to ringing like a thousand bells. Just feel the blood on my face.”

Glenn actually felt something which might be blood, and really had thought he could distinguish the stump himself when the wagon halted; yet he did not believe that Joe had received the hurt in any other manner than by striking his face against some hard substance which he could not avoid in the darkness.

“You only fancy it was a bear, Joe; so come along back to the horses and drive on. The rain has ceased, and the stars are appearing.” Saying this, Glenn led the way to the wagon.

“I’d be willing to swear on the altar that it was a huge bear, and nothing else!” replied Joe, as he mounted and drove on, the horses now evincing no reluctance to proceed. One after another the stars came out and shone in purest brightness as the mists swept away, and ere long the whole canopy of blue was gemmed with twinkling brilliants. The winds soon lulled, and the dense forest on the right reposed from the moaning gale which had disturbed it a short time before; and the waves that had been tossed into foaming ridges now spent their fury on the beach, each lashing the bank more gently than the last, until the power of the gliding current swept them all down the turbid stream. Soon the space between the water and the forest gradually diminished, and seemed to join at a point not far ahead. Joe observed this with some concern, being aware that to meander among the trees at such an hour was impossible. He therefore inclined toward the river, resolved to defer his re-entrance into the forest as long as possible. As he drove on he kept up a continual groaning, with his head hung to one side, as if suffering with the toothache, and occasionally reproaching Pete with some petulance, as if a portion of the blame attached to his sagacious pony.

“Why do you keep up such a howling, Joe? Do you really suffer much pain?” inquired Glenn, annoyed by his man’s lamentations.

“It don’t hurt as bad as it did—but then to think that I was such a fool as to go right into the beast’s clutches, when even Pete had more sense!”

“If it was actually a bear, Joe, you can boast of the thrilling encounter hereafter,” said Glenn, in a joking and partly consoling manner.

“But if I have many more such, I fear I shall never get back to relate them. My face is all swelled—Huzza! yonder is a light, at last! It’s on this side of the river, and if we can’t get over the ferry to-night, we shall have something to eat on this side, at all events. Ha! ha! ha! I see a living man moving before the fire, as if he were roasting meat.” Joe forgot his wound in the joy of an anticipated supper, and whipping the horses into a brisk pace, they soon drew near the encampment, where they discovered numerous persons, male and female, who had been prevented from crossing the river that day, in consequence of the violence of the storm, and had raised their tents at the edge of the woods, preferring to repose thus until the following morning than to venture into the frail ferry-boat while the waves yet ran so high.

There was no habitation in the immediate vicinity, save a rude hovel occupied by Jasper Roughgrove and his ferrymen, which was on the opposite shore in a narrow valley that cleft asunder the otherwise uniform cliff of rocks.

The creaking of the wheels, when the vehicle approached within a few hundred paces of the encampment, attracted the watch-dogs, and their fierce and continued barking drew the attention of the emigrants in the direction indicated. Several men with guns in their hands came out to meet the young travellers.

“We are white men, friends, strangers, lost, benighted, and hungry!” exclaimed Joe, stopping the horses, and addressing the men before he was accosted.

“Come on, then, and eat and rest with us,” said they, amused at Joe’s exclamations, and leading the way to the encampment.

When they arrived at the edge of the camp, Glenn dismounted from the wagon, and directing Joe to follow when he had taken care of the horses, drew near the huge log fire in company with those who had gone out to meet him. Several tall and spreading elms towered in majesty above, and their clustering leaves, yet partially green, notwithstanding the autumn was midway advanced, were beautifully tinged by the bright light thrown upward from the glaring flames. The view on one side was lost in the dark labyrinth of the moss-grown trunks of the forest. On the other swept the turbid river, bearing downward in its rapid current severed branches, and even whole trees, that had been swept away by the continual falling in of the river bank, for the sandy soil was always subject to the undermining of tho impetuous stream. A circle of tents was formed round the fire, constructed of thin poles bent in the shape of an arch, and the ends planted firmly in the earth. These were covered with buffalo skins, which would effectually shield the inmates from the rain; and quantities of leaves, after being carefully dried before the fire, were placed on the ground within, over which were spread buffalo robes with the hair uppermost, and thus in a brief space was completed temporary but not uncomfortable places of repose. The ends of the tents nearest to the fire were open, to admit the heat and a portion of light, that those who desired it might retire during their repast, or engage in pious meditation undisturbed by the more clamorous portion of the company.

Glenn paused when within the circle, and looked with some degree of interest on the admirable arrangement of those independent and hardy people. A majority of the emigrants were seated on logs brought thither for that purpose, and feasting quietly from several large pans and well-filled camp-kettles, which were set out for all in common. They motioned Glenn to partake with them; and although many curious looks were directed toward him, yet he was not annoyed by questions while eating. Joe came in, and following the example of the rest, played his part to perfection, without complaining once of his wound.

The feast was just finished, when the dogs again set up a furious yelping, and ran into the forest. But they returned very quickly, some of them whining with the hurts received from the strangers they encountered so roughly; and presently they were followed by several enormous hounds, and soon after an athletic woodsman was seen approaching. This personage was a tall muscular man, past the middle age, but agile and vigorous in all his motions. He was habited in a buck-skin hunting-shirt, and wore leggins of the same material. Although he was armed with a long knife and heavy rifle, and the expression of his brow and chin indicated an unusual degree of firmness and determination, yet there was an openness and blandness in the expression of his features which won the confidence of the beholder, and instantly dispelled every apprehension of violence. All of the emigrants had either seen or heard of him before, for his name was not only repeated by every tongue in the territory, but was familiar in every State in the Union, and not unknown in many parts of Europe. He was instantly recognised by the emigrants, and crowding round, they gave him a hearty welcome. They led him to a conspicuous seat, and forming a circle about him, were eager to catch every word that might escape his lips, and relied with implicit confidence on every species of information he imparted respecting the dangers and advantages of the locations they were about to visit. Boone had settled some three miles distant from the ferry, among the hills, where his people were engaged in the manufacture of salt. He had selected this place of abode long before the general tide of emigration had reached so far up the Missouri. It was said that he pitched his tent among the barren hills as a security against the intrusion of other men, who, being swayed by a love of wealth, would naturally seek their homes in the rich level prairies. It is true that Boone loved to dwell in solitude. But he was no misanthrope. And now, although questions were asked without number, he answered them with cheerfulness; advised the families what would be necessary to be done when their locations were selected, and even pressingly invited them to remain in his settlement a few days to recover from the fatigue of travel, and promised to accompany them afterward over the river into the rich plains to which they were journeying.

J.B. Jones's preface to the fortieth edition of Wild Western Scenes is as revealing as the narrative itself. He confesses that the book was his 'first essay of an impetuous youth,' went unpublished for years, and finally appeared in a weekly newspaper before any publisher would touch it. The author insists that the scenery is 'a true picture,' several characters were 'real persons,' and many occurrences 'actually transpired in his presence.' Even the hero's dream of a haunted island was, Jones states, 'truly a dream of the author’s.' This editorial note examines the tensions between the book's autobiographical roots and its fictionalized frontier adventures, the contrasting portrayals of Mary and the male hunters, and the recurring pattern of pursuit and captivity that drives the plot.

Autobiography Disguised as Fiction

Jones's preface offers an unusually candid account of the book's origins. He describes his own 'voluntary exile in the wilds of Missouri,' paralleling his hero Glenn's experience. The author's struggle to find a publisher—he 'offered it for fifty dollars, but could find no purchaser at any price'—contrasts sharply with the book's eventual success, reaching its fortieth thousand. This backstory inflects the narrative with a personal urgency: the frontier dangers Jones describes are not merely imagined but drawn from his own observations. The preface also notes that the book 'has never been reviewed,' suggesting a defensive posture toward literary critics, whom he calls 'those who wield the cerebral scalpels.' Readers should note how the author's own biography shadows the fictional events, lending a documentary weight to scenes like the wolf hunt and Mary's capture.

Mary's Vulnerability and the Hunters' Agency

The excerpts present a stark contrast between the domestic sphere of Mary and the violent world of the male hunters. Mary is introduced 'singing over her neglected flowers,' tending to her fawn, and unaware of danger. Her thoughts are 'as pure as the morning dew,' and she knows no 'malicious enemy in the world, save the wild savage.' This innocence makes her capture all the more jarring. When the men return from the wolf hunt to find her gone, the emotional register shifts dramatically. Boone's reaction—'a ferocity from which even the blood-thirsty savages would have fled in horror'—and his vow that the ransom 'shall pay the weight of the silver they demand in blood' underscore the gendered division of roles: women are objects of protection and rescue, while men enact vengeance. The narrative's energy flows from this tension between pastoral tranquility and violent disruption.

Pursuit, Recapture, and the Pattern of Crisis

The chapter title 'Mary—Her meditations—Her capture—Her sad condition—Her mental sufferings—Her escape—Her recapture' telegraphs a repetitive cycle of crisis and relief that structures much of the book. This pattern is evident in the wolf hunt as well: the men pursue, kill, and return, only to discover a new emergency. The dogs' agitated behavior—'Ringwood running wildly about, whining and snarling and tearing the snow to pieces'—serves as an omen, heightening suspense before the revelation of Mary's absence. Boone's methodical response—calling her name 'three times, in clear and loud tones' and listening 'several minutes'—shows a character who alternates between controlled action and explosive rage. The excerpts do not reveal the outcome of the pursuit, but the structure suggests that each resolution will lead to another threat, keeping the narrative in a state of perpetual alert.

Readers approaching Wild Western Scenes should attend to the interplay between Jones's personal history and his fictional frontier. The preface provides a key to interpreting the novel as both adventure story and veiled memoir. Pay particular attention to the way domestic scenes are disrupted by violence, and how the characters' emotional responses—from Mary's innocent happiness to Boone's ferocious grief—drive the action. The book's episodic structure, with its repeated cycles of pursuit and capture, rewards a focus on the details of setting and the author's own commentary on his creative process.

There’s something about Jones’s preface—his quiet admission of exile and failed attempts to be heard—that stays with me long after the wolves and haunted islands fade. It makes me want to sit with how a story carries its maker’s hidden life. The same ache for context lives in I Spy — Text and Context, though it doesn’t quest for Boone, only for the moments between the lines.

Dylan Carter
3 weeks ago

John Hall
2 weeks ago

Luke Hill
1 week ago

5
5 out of 5 (3 User reviews )

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  • ...
    Alejandro Jackson - 4 weeks ago
    {'review_type': 'neutral', 'content': "An entertaining read for those interested in frontier history, with detailed accounts of Boone's adventures. However, the pacing can be slow at times, and the language is dated, which might deter casual readers. Still, the authentic historical insights make it a worthwhile addition to any enthusiast's collection."}

  • ...
    Jaclyn Jones - 3 weeks ago
    {'review_type': 'negative', 'content': "While the subject is fascinating, the narrative feels overly embellished and repetitive. The prose is heavy-handed, and the events are presented with little critical analysis, making it more hagiography than history. Readers seeking a balanced, scholarly perspective on Daniel Boone's life may be disappointed by this romanticized portrayal."}

  • ...
    Paul Hayden Riley - 2 weeks ago
    {'review_type': 'positive', 'content': "A gripping account of the American frontier that brings Daniel Boone's daring exploits to life. The vivid descriptions of the wilderness and the dangers lurking within make you feel as if you're right there alongside him. Perfect for history buffs and adventure seekers alike—this narrative captures the raw spirit of early America and the courage of a true pioneer."}


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