The Knave of Diamonds — Key Ideas to Explore
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This digital edition of The Knave of Diamonds — Key Ideas to Explore is described by source-level measurements including 121,152 words, 8 hr 47 min estimated reading time, and 12 detected text sections.
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She looked slightly startled. "What do you mean?"
He leaned deliberately forward across the table. "You know what an anaesthetic does, don't you? It cheats the senses of pain. And a little humbug does the same for the mind. Of course you don't believe anything. I don't myself. But you can't stand for ever and contemplate an abyss of utter ignorance. You must weave a little romance about it for the sake of your self-respect."
She looked straight into the challenging eyes. The wistfulness was still in her own. "Then you are offering to weave a little romance for me?" she said, with a faint involuntary sigh.
He made her a brief bow. "If you will permit me to do so."
"To relieve your boredom?" she suggested with a smile.
"And yours," he smiled back, taking up the cards.
She did not contradict him. She only lowered her eyes to the deft hands that were disposing the cards in mystic array upon the table.
There followed a few moments of silence; then in his careless, unmusical drawl the man spoke.
"Do you mind telling me your first name? It is essential to the game, of course, or I shouldn't presume to ask."
"My name is Anne," she said.
The noise below had lessened considerably, and this fact seemed to cause her some relief. The tension had gone out of her bearing. She sat with her chin upon her hand.
Not a beautiful woman by any means, she yet possessed that indescribable charm which attracts almost in spite of itself. There was about her every movement a queenly grace that made her remarkable, and yet she was plainly not one to court attention. Her face in repose had a look of unutterable weariness.
"How old are you please?" said the magician.
He glanced up at her.
"Yes, twenty-five," she repeated. "I am twenty-five to-day."
He looked at her fixedly for a few seconds, then in silence returned to his cards.
She continued to watch him without much interest. The dance-music was quickening to the _finale_. The hubbub of voices had died away. Evidently a good many people had ceased to dance.
Suddenly her companion spoke. "Do you like diamonds?"
She smiled at the question. "Yes, I like them. I haven't a passion for them."
"No," he said, without raising his eyes. "You haven't a passion for anything at present. You will have soon."
"I think it very unlikely," she said.
"Of course you do." He was manoeuvring the cards rapidly with one hand. "Your eyes have not been opened yet. I see an exciting time before you. You are going to have an illness first. That comes in the near future."
"I have never been ill in my life," she said.
"No? It will be an experience for you, then--not a very painful one, I hope. Are you getting nervous?"
"Ah! That's as well, because here comes the King of Diamonds. He has taken a decided fancy to you, and if you have any heart at all, which I can't discover, you ought to end by being the Queen. No, here comes the Knave--confound his impudence!--and, by Jove, yes, followed by the missing heart. I am glad you have got one anyway, even if the King is not in it. It looks as if you will have some trouble with that Knave, so beware of him." He glanced up at her for a moment. "Beware of him!" he repeated deliberately. "He is a dangerous scamp. The King is the man for you."
She received his caution with that faint smile of hers that softened her face but never seemed to reach her eyes.
He continued his contemplation of the cards in silence for some seconds. "Yes," he said finally, "I see an exciting future before you. I hope you will look out for me when you come into your own. I should value your majesty's favour immensely."
"I will give you a place at court as the Queen's jester," she said.
He glanced up again sharply, met her smile, and bowed with much ceremony. "Your majesty's most humble servant!" he declared, "I enter upon my functions from this day forward. You will see my cap and bells in the forefront of the throng when you ride to your coronation."
"You are sure there will be a coronation?" she asked.
"It is quite evident," he replied with conviction.
"Even though I chance to be married already?"
He raised his brows. "That so?" he drawled. "Well, it rather complicates matters, doesn't it? Still--" He looked again at the cards. "It seems pretty certain. If it weren't for that hobgoblin of a Knave I should say it was quite so. He comes between the King and the heart, you see. I shouldn't be too intimate with him if I were you."
She rose, still smiling. "I shall certainly keep him at a respectful distance," she said. "Good-bye."
"Oh, are you going? Let me escort you! Really, I've nothing else to do." He swept the cards together and sprang to his feet. "Where may I take you? Would you like some refreshment?"
She accepted his proffered arm though she instantly negatived his proposal. "Shall we go down to the vestibule? No doubt you have a partner for the next dance."
"Have you?" he questioned keenly.
"That is beside the point," she remarked.
"Not at all. It is the centre and crux of the situation. Do say you are disengaged for the next!" His manner became almost boyishly eager. He had shed his drawl like a garment. "Say it!" he insisted.
She stood in the doorway as one halting between two opinions. "But if I am not disengaged?" she said.
He laughed. "There is a remedy for that, I fancy. And the Queen can do no wrong. Don't be a slave to the great god Convention! He's such a hideous bore."
His bold dark eyes smiled freely into hers. It was evident that he wasted little time before the shrine of the deity he condemned. But for all their mastery, they held a certain persuasive charm as well. She hesitated a moment longer--and was lost.
"Well, where shall we go?"
"I know of an excellent sitting-out place if your majesty will deign to accompany me," he said, "a corner where one can see without being seen--always an advantage, you will allow."
"You seem to know this place rather well," she observed, as she suffered him to lead her away in triumph.
He smiled shrewdly. "A wise general always studies his ground," he said.
The chosen corner certainly had the advantage of privacy. It was an alcove at the end of one of the long narrow passages in which the ancient hostelry abounded, and the only light it boasted filtered through a square aperture in the wall which once had held a window. Through this aperture the curious could spy into the hall below, which just then was thronged with dancers who were crowding out of the ballroom and drifting towards the refreshment-room, the entrance to which was also visible.
An ancient settee had been placed in this coign of vantage, and upon this they established themselves by mutual consent.
The man was laughing a little below his breath. "I feel like a refugee," he said.
His companion leaned her arms upon the narrow row sill and gazed downwards. "A refugee from boredom?" she suggested. "We are all that, more or less."
"I dispute that," he said at once. "It is only the bores who are ever bored."
"And I dispute that," she replied, without turning, "of necessity, in self-defence."
He leaned forward to catch the light upon her profile. "You are bored?"
She smiled faintly in the gloom. "That is why I have engaged the services of a jester."
"By Jove," he said, "I'm glad you pitched on me."
She made a slight movement of impatience. "Isn't it rather futile to say that sort of thing?"
"Because you know quite well it was not a matter of choice."
"Rather a matter of _manque de mieux_?" he suggested coolly.
She turned from her contemplation of the crowd below. "I am not going to contradict you," she said, "I never foster _amour propre_ in a man. It is always a plant of hardy growth."
"'Hardy' is not the word," he declared. "Say 'rank,' and you will be nearer the mark. I fully endorse your opinion. We are a race of conceited, egotistical jackanapeses, and we all think we are going to lick creation till a pretty woman comes along and makes us dance to her piping like a row of painted marionettes. But is the pretty woman any the happier, do you think, for tumbling us thus ruthlessly off our pedestals? I sometimes wonder if the sight of the sawdust doesn't make her wish she hadn't."
The drawl in his voice was very apparent as he uttered the last sentence. His chin was propped upon his hands. He was obviously studying her with a deliberate criticism that observed and considered every detail.
But his scrutiny held without embarrassing her. She met it with no conscious effort.
"I can't bear cynicism," she told him frankly.
He shrugged his shoulders. "Cynics--real cynics--never can."
"But I am not a cynic."
"Are you sure of that?"
"And yet you tell me that you never take the trouble to flatter the inferior male. That's conflicting evidence, you know. Are you a man-hater, by the way?"
She shivered as if at a sudden draught. "I'm not prepared to answer that question off-hand." she said.
"Very prudent of you!" he commented. "Do you know I owe you an apology?"
"I shouldn't have said so."
"No? Well, let me confess. I'm rather good at confessing. I didn't believe you just now when you said you were twenty-five. Now I do. That single streak of prudence was proof absolute and convincing."
"I usually tell the truth," she said somewhat stiffly.
"Yes, it takes a genius to lie properly. I am not so good at it myself as I should like to be. But a woman of twenty-five ought not to look like a princess of eighteen--a tired princess moreover, who ought to have been sent to bed long ago."
Her laugh had in it a note of bitterness. "You certainly are not the sort of genius you aspire to be," she said, "any more than I am a princess of eighteen."
"But you will be a queen at thirty," he said. "Hullo! Here is someone coming! Don't speak, and p'r'aps they won't discover us. They can't stay long."
He rose swiftly with the words and blocked the little spy-hole with his body. Certainly footsteps were approaching, but they ceased before they reached the alcove at the end of the passage. There was another settee midway.
"Oh, this is quite comfortable," said a woman's voice. "Here I am, Major Shirley! It's dark, isn't it, but rather a relief after the glare downstairs. What a crush it is! I am beginning to think the Hunt Ball rather a farce, for it is next to impossible to dance."
"People don't know how to dance nowadays," grumbled Major Shirley in response. "I can't stand these American antics. That young Nap Errol fairly sickens me."
"Oh, but he is a splendid dancer," protested his partner tolerantly.
"Oh course you say so," growled the Major. "All women like that horrid little whipper-snapper. I can't see what in thunder they find to attract them. I call him a downright cad myself, and I'm inclined to think him a blackguard as well. He wouldn't be tolerated if it weren't for his dollars, and they all belong to his brother, I'm told."
"Ah! He is a charming man. Such a pity he is a cripple!"
"He would probably be as insufferable as Nap if he weren't," rejoined the Major gloomily. "I can't think what the County are coming to. They will accept anybody nowadays, it seems to me. I even met that little bounder at the Rifle Club the other day. Heaven knows how he got in. Dollars again, I suppose, confound his audacity!"
His partner made a slight movement of uneasiness. "I wonder where he is. I haven't seen him for some time. I hope he isn't anywhere within earshot."
"Not he! He is stowed away in some corner well out of the way with his latest conquest. He won't turn up again this evening. He never does when once he goes to earth--the wily young fox."
"Who is his latest conquest, I wonder?" mused the woman. "I thought it was Mrs. Damer. But I have just seen her dancing with young Waring."
"Mrs. Damer! Why, that was the day before yesterday!" The Major laughed unpleasantly. "'Anyone for a change, but no one for long,' is his motto. The fellow is an infernal bounder through and through. He will get a sound hiding one of these days, and serve him jolly well right, say I!"
"My dear Major, how you hate him! Anyone would think he had tried to flirt with Violet."
"He'd better," growled the Major.
There came a slight sound from the darkness of the alcove, as though someone faintly chuckled.
"What's that?" asked the woman's voice nervously.
"Nothing--nothing!" said the Major testily. "Somebody laughing in the hall. I wonder where my wife is. I shall clear out soon. I'm tired of this show. Haven't had a decent dance all the evening. Shouldn't think you have either. They ought to build a Town Hall in this place, and do the thing properly."
"There is some talk of it, you know. Now that there is a millionaire in the neighbourhood it really might be done. The Carfaxes would help too, I am sure. Sir Giles is very open-handed."
"Drunken beast!" commented the Major. "A pretty spectacle he has been making of himself to-night. He is sitting in a corner of the refreshment-room now absolutely incapable. He reached the noisy stage very early in the evening. I am not sure that he even came sober."
"No! Isn't it too pitiful for words? That young wife of his! I can't think how she endures it. It must be positive martyrdom."
"Lady Carfax is a fool!" said the Major crossly. "I can't stand these martyrs. If she leads a dog's life it's her own fault. She's a fool to put up with it."
"Perhaps she can't help herself," pleaded the woman.
"Stuff and nonsense! No woman need be the slave of a drunken sot like that. It's a downright offence to me to be in the same room with the fellow. He always reeks of drink. And she has, or professes to have, a certain amount of refinement. Not much, I dare say. She was nothing but his bailiff's daughter, you know, and people of that class don't generally suffer from an exaggerated sense of duty. She probably sticks to the man because she wants to keep in with the County. I don't like the woman, never did. Her airs and graces always rub me up wrong way. Why couldn't Sir Giles have married in his own set? He probably wouldn't be so fond of the whiskey bottle now if he had."
"I must say I like Lady Carfax," broke in the woman with decision. "Whatever her origin, that queenliness of hers is not assumed. I believe her to be intensely reserved, and, perhaps for that very reason, I have a genuine admiration for her."
"My dear Mrs. Randal, you'd find points to admire in a wax candle," grunted the Major. "She always makes me think of one; pale and pure and saintly--I can't stand the type. Let's go downstairs and find Violet."
"Oh, not saintly, I think," protested Mrs. Randal charitably. "Saintly people are so uninteresting."
The Major laughed. He was already on his feet.
"Probably not--probably not. But a show of saintliness is more than enough to frighten me away. A woman who can't understand a wink I invariably strike forthwith off my visiting-list."
"How cruel of you!" laughed Mrs. Randal. They were already moving away down the corridor. Her voice receded as they went. "But I can't understand any man daring to wink at Lady Carfax; I can't, indeed."
"That's just what I complain about," grumbled Major Shirley. "Those wax-candle sort of women never see a joke. What fools they are to leave the place in darkness like this! Can you see where you are going?"
"Yes, we are just at the head of the stairs. It is rather foolish as you say. People might hurt themselves."
"Of course they might. Infernally dangerous. I shall complain."
The voices fell away into distance; the band in the ballroom struck up again, and the woman on the settee in the alcove sat up and prepared to rise.
"Suppose we go down now," she said.
Her companion moved away from the little window as one coming out of a reverie. "Our gallant Major Shirley seems somewhat disgruntled tonight," he said. "Do you know him?"
"Yes, I know him." Her words fell with icy precision.
"So do I." The man's tone was one of sheer amusement. "I had the pleasure of meeting him at the Rifle Club the other day. Someone introduced us. It was great fun. If there were a little more light, I would show you what he looked like. For some reason he wasn't pleased. Do you really want to go downstairs though? It is much nicer here."
She had risen. They were facing one another in the twilight. "Yes," she said, and though still quiet her voice was not altogether even. "I want to go, please."
"Mayn't I tell you something first?" he said.
She stood silent, evidently waiting for his communication.
"It's not of paramount importance," he said. "But I think you may as well know it for your present edification and future guidance. Madam, I am that wicked, wanton, wily fox, that whipper-snapper, that unmitigated bounder--Nap Errol!"
He made the announcement with supreme complacence. It was evident that he felt not the faintest anxiety as to how she would receive it. There was even a certain careless hauteur about him as though the qualities he thus frankly enumerated were to him a source of pride.
She heard him with no sign of astonishment. "I knew it," she said quietly. "I have known you by sight for some time."
"And you were not afraid to speak to such a dangerous scoundrel?" he said.
"You don't strike me as being very formidable," she answered. "Moreover, if you remember, it was you who spoke first."
"To be sure," he said. "It was all of a piece with my habitual confounded audacity. Shall I tell you something more? I wonder whether I dare."
"Wait!" she said imperatively. "It is my turn to tell you something, though it is more than possible that you know it already. Mr. Errol, I am--Lady Carfax!"
He bowed low. "I did know," he said, in a tone from which all hint of banter had departed. "But I thank you none the less for telling me. I much doubted if you would. And that brings me to my second--or is it my third?--confession. I did not take you for Mrs. Damer in the card-room a little while ago. I took you for no one but yourself. No man of ordinary intelligence could do otherwise. But I had been wanting to make your acquaintance all the evening, and no one would be kind enough to present me. So I took the first opportunity that occurred, trusting to the end to justify the means."
"But why have you told me?" she said.
"Because I think you are a woman who appreciates the truth."
"I am," she said. "But I do not often hear it as I have heard it to-night"
He put out his hand to her impulsively. "Say, Lady Carfax, let me go and kick that old scandal-monger into the middle of next week!"
Involuntarily almost she gave her hand in return. "No, you mustn't," she said, laughing faintly. "The fault was ours. You know the ancient adage about listeners. We deserved it all."
"Don't talk about deserts!" he exclaimed, with unexpected vehemence. "He doesn't deserve to have a whole bone left in his body for speaking of you so. Neither do I for suffering it in my presence!"
She freed her hand gently. "You could not have done otherwise. Believe me, I am not altogether sorry that you were with me when it happened. It is just as well that you should know the truth, and I could not have told it you myself. Come, shall we go down?"
"Wait a minute!" he said. "Let me know how I stand with you first. Have you decided to pass over that lie of mine, or are you going to cut me next time we meet?"
The novel opens with a woman alone at an open window, her gloved hands pressed against the woodwork as music blares from the ballroom below. The scene establishes a pattern of physical constraint and emotional tension that recurs throughout the excerpts. The woman, Lady Carfax, shivers involuntarily but seems barely aware of the cold, a detail that signals her inner preoccupation. The room behind her is empty, the card tables untouched, suggesting a retreat from social performance. This initial image of a figure poised between interior and exterior spaces becomes a visual motif for the characters' divided loyalties and concealed distress.
Voice and the Weight of Unspoken Words
The dialogue in the excerpts carries a deliberate, almost formal rhythm, with characters often speaking in measured clauses that reveal more through what is withheld than what is said. When Lucas asks Lady Carfax whether she can trust his brother Nap, he does not press for an immediate answer; instead, he waits, looking beyond her. Her reply—'I do not feel that I know him as I once did'—is delivered in a voice so low it suggests reluctance. The narrative voice mirrors this restraint, describing Anne's 'shrinking' and the way she 'put her shrinking from her' before speaking. The effect is a layered tension: the reader senses the gap between the characters' controlled speech and their inner turmoil.
Pace and the Sudden Intrusion of Crisis
The pacing in the excerpts alternates between extended, static scenes of conversation and abrupt, visceral moments of revelation. In the opening chapter, the woman's stillness at the window is broken only by a 'slight, involuntary shiver.' Later, the rhythm shifts sharply when Anne opens a letter from an asylum doctor: the narrative slows to track her eyes moving along the page, then accelerates as her hands begin to shake 'so much that the paper rattled and quivered like a living thing.' The letter falls from her grasp, and she sits 'huddled in her chair—a trembling, stricken woman.' This sudden collapse of composure is a structural device Dell uses to puncture the surface of social decorum.
Recurring Motifs of Restraint and Release
Throughout the excerpts, physical details repeatedly signal emotional states. Anne's gloved hands on the window frame, her 'uncovered neck' exposed to the cold, and later her hands pressed over her eyes 'as if to shut out some dread vision' all suggest a body under siege. The motif of restraint extends to the male characters: Lucas speaks of holding his brother in check, of a 'savage' that might 'gallop to destruction.' The language of taming and shaping—'you've tamed him, shaped him, made a man of him'—frames human relationships as a struggle between wildness and control. These recurring images create a consistent sensory vocabulary that anchors the emotional drama.
Readers attentive to Dell's use of physical gesture and pacing will find a narrative that works through implication rather than explicit statement. The excerpts offer no resolution, only a series of poised moments that threaten to break. The novel rewards close attention to the spaces between dialogue—the trembling hand, the averted gaze—where the true drama unfolds.
In The Knave of Diamonds, that shivering restraint always reminded me of pain kept politely behind lace curtains. Years later, I found the same trembled composure in The Coryston Family A Novel — Context and Discussion, where a mother’s iron will hides its own fractures. Both books whisper that we never truly know the quietest people in the room.
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Timothy Richardson - 1 month ago
The Knave Of Diamonds offers an engaging story with a charming hero and a cunning villain. The narrative is well-paced, and the romantic elements are sweet. However, some middle chapters felt a bit slow, and the resolution seemed rushed. Still, it's an enjoyable read for those who appreciate turn-of-the-century fiction. -
David Chen - 1 month ago
The Knave Of Diamonds is a delightful tale of love, deception, and self-discovery. The protagonist's journey is captivating, and the plot twists kept me guessing until the very end. The author's vivid descriptions and character development make this a standout read. I couldn't put it down and was sad to see it end. Highly recommended for fans of classic romance and intrigue. -
Emily Mendoza - 1 week ago
Despite its promising premise, The Knave Of Diamonds fails to deliver. The plot is predictable, and the characters lack depth, making it hard to connect with their struggles. The writing style feels dated, and the dialogue is often stilted. I struggled to finish it and was ultimately disappointed. There are better books from this era that I'd recommend instead.
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