People of the Whirlpool From The Experience Book of a Commuter's Wife — A Closer Reading

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Wright, Mabel Osgood, 1859-1934 Project Gutenberg 2004 Not confirmed
Epistolary fiction; Diary fiction; United States -- Social life and customs -- 20th century -- Fiction Readers of public-domain and historical texts
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Words 83,755
Reading time 365 min
Text sections 7

This digital edition of People of the Whirlpool From The Experience Book of a Commuter's Wife — A Closer Reading is described by source-level measurements including 83,755 words, 6 hr 5 min estimated reading time, and 7 detected text sections.

The text analysis averages about 28.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Epistolary fiction,” connecting these edition facts with the source record’s subject description.

An epistolary and diary-style novel from 1903, narrated by a commuter's wife who observes social changes in her suburban community as wealthy New Yorkers move in, unsettling established norms and family dynamics.
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Protestant was greatly agitated, as, being himself the possessor of an overflowing quiverful, his position was difficult. After making sure which was the right side of the fence, and placing himself on it, he tugged painfully at his starved red beard, and made an elaborate address ending in a parallel,--the idea of the complete Bible being in two volumes, the Old and New Testament, each being so necessary to the other, and so inseparable, that they were only comparable to twins!

Father and Evan were present at the time,--I dared not look at either,--and as soon as we were again alone, the room shook with laughter, until Martha Corkle, who was then in temporary residence, popped in to be sure that I was not being unduly agitated.

"The Old and New Testament, I wonder which is which?" gasped father, going upstairs to look at the uninteresting if promising woolly bundles by light of this startling suggestion.

Now, however, the joke has developed a serious side, as their two characters, though in no wise precocious, have become distinctive. Ian represents the Old, primitive and direct, the "sword of the Lord and Gideon" type, while Richard is the New, the reconciler and peacemaker.

The various congratulations that the twins were boys, from my standpoint I took as a matter of course, even though I had always heard that boys gave the most worry and girls were referred to among our friends and neighbours as the greatest comforts in a home unless they did something decidedly unusual, fitting into nooks, and often taking up and bearing burdens the brothers left behind. But when many people who had either daughters or nieces of their own, and might be said to be in that mystic ring called "Society," congratulated me pointedly about the boys, I began to ponder about the matter mother-wise. Then, three years ago the New York Colony seized upon the broad acres along the Bluffs, and dotted two miles with the elaborate stone and brick houses they call cottages; not for permanent summer homes (the very rich, the spenders, have no homes), but merely hotels in series. These, for the spring and fall between seasons and week-end parties and golfing, men and girls gay in red and green coats, replaced the wild flowers in the shorn outlying fields. I watched these girls, and, beginning to understand, wondered if I had grown old before my time, or if I were too young to comprehend their point of view, for, to their strange enlightenment I was practically as yet unborn.

Lavinia Dorman says caustically that I really belong with her in the middle of the last century, and she, born to what father says was really the best society and privilege of New York life, like his college chum Martin Cortright, is now swept quite aside by the swirl.

"Yes, dear child," she insists (how different this use of the word sounds from when the Lady of the Bluffs uses the universal "my dear" impartially to mistress and maid, shopgirl and guest), "you not only belong to the last century, but as far back in it as myself, and I am fifty-five, full measure.

"The new idea among the richer and consequently more privileged classes is, that girls are to be fitted not only to go out into the world and shine in different ways unknown to their grandmothers, but to be superior to home, which of necessity unfits them for a return trip if the excursion is unsuccessful.

"What with high ideas, high rents, and higher education, the home myth is speedily following Santa Claus out of female education, and, argue as one may, New York is the social pace-maker 'East of the Rockies,' as the free delivery furniture companies advertise. I congratulate you anew that the twins are boys!"

I laughed to myself over Miss Lavinia's letter; she is always so deliciously in earnest and so perturbed over any change in the social ways of her dearly beloved New York, that I'm wondering how she finds it, on her return after two years or more abroad (she was becoming agitated before she left), and whether she will ask me down for another of those quaint little visits, where she so faithfully tours me through the shops and a few select teas, when, to wind it up, Evan buys opera box seats so that she may have the satisfaction of having her hair dressed, wearing her point lace bertha and aigret, and showing us who is who, and the remainder who are not. For she is well born, intricately related to the original weavers of the social cobweb, and knows every one by name and sight; but has found lately, I judge, that this knowledge unbacked by money is no longer a social power that carries beyond mixed tea and charity entertainments. Never mind, Lavinia Dorman is a dear! Ah, if she would only come out here, and return my many little visits by a long stay, and act as a key to the riddle the Whirlpool people are to me. But of course she will not; for she frankly detests the country,--that is, except Newport and Staten Island,--is wedded even in summer to her trim back-yard that looks like a picture in a seed catalogue, and, like a faithful spouse, declines to leave it or Josephus for more than a few days. Josephus is a large, sleek, black cat, a fence-top sphinx, who sits all day in summer wearing a silver collar, watching the sparrows and the neighbourhood's wash with impartial interest, while at night he goes on excursions of his own to a stable down a crooked street in "Greenwich Village," where they still keep pigeons. Some day he won't come back!

Yet Martin Cortright, the Bookworm, was a pavement worshipper too, and he came last fall for over a Sunday to wake father up; for I believe men sometimes need the society of others of their own age and past, as much as children need childlife, and Martin stayed a month, and is promising to return next spring. I wonder if the Sylvia Latham who has been travelling with Miss Lavinia is any kin of the Lathams who are building the great colonial home above the Jenks-Smiths. I have never seen any of the family except Mrs. Latham, a tall, colourless blonde, who reminds one of a handsome unlit lamp. She seems to be superintending the work by coming up now and then, and I met her at the butcher's where she was buying sweetbreads--"a trifle for luncheon." Accusation No. 1, against the Whirlpoolers: Since their advent sweetbreads have risen from two pairs for a quarter, and "thank you kindly for taking them off our hands," to fifty cents to a dollar a "set." We no longer care for sweetbreads!

I was therefore amused, but no longer surprised, at the exaggerated way in which the childless Lady of the Bluffs,--her step-daughter having ten years back made a foolish foreign marriage,--gave me her views upon the drawbacks of the daughters of her world, when she made me, on her return from a European trip, a visit upon the twins' first birthday,--bearing, with her usually reckless generosity, a pair of costly gold apostle spoons, as she said, "to cut their teeth on." I admired, but frugally popped them into the applewood treasure chests that father has had made for the boys from the "mother tree," that was finally laid low by a tornado the winter of their birth and is now succeeded by a younger one of Richard's choice.

"My dear woman," she gasped, turning my face toward the light and dropping into a chair at the same time, "how well you look; not a bit upset by the double dose and sitting up nights and all that. But then, maybe, they sleep and you haven't; for it's always the unexpected and unusual that happens in your case, as this proves. But then, they are boys, and that's everything nowadays, the way society's going, especially to people like you, whose husband's trade, though pretty, is too open and above-board to be a well-paying one, and yet you're thoroughbreds underneath." (Poor vulgar soul, she didn't in the least realize how I might take her stricture any more than she saw my desire to laugh.)

"Of course here and there a girl in society does turn out well and rides an elephant or a coronet,--of course I mean wears a coronet,--though ten to one it jams the hairpins into her head, but mostly daughters are regular hornets,--that is, if you're ambitious and mean to keep in society. Of course you're not in it, and, being comfortably poor, so to speak, might be content to see your girls marry their best chance, even if it wasn't worth much a year, and settle down to babies and minding their own business; but then they mightn't agree to that, and where would you and Evan be?

"This nice old house and garden of yours wouldn't hold 'em after they got through with dolls, and some girls don't even have any doll-days now. It would be town and travel and change, and you haven't got the price of that between you all, and to keep this going, too. You'd have to go to N'York, for a couple of months at least, to a hotel, and what would that Evan of yours do trailing round to dances? For you're not built for it, though I did once think you'd be a go in society with that innocent-wise way, and your nose in the air, when you don't like people, would pass for family pride. I'd wager soon, in a few years, he'd stop picking boutonnières in the garden every morning and sailing down to that 8:15 train as cool as if he owned time, if those boys were girls! Though if Jenks-Smith gets the Bluff Colony he's planned under way next spring, there'll soon be some riding and golfing men hereabouts that'll shake things up a bit,--bridge whist, poker, and perhaps red and black to help out in the between-seasons." (I little thought then what this colony and shaking would come to mean.)

"Money or not, it's hard lines with daughters now--work and poor pay for the mothers mostly. You know that Mrs. Townley that used to visit me? He was a banker and very rich; died four years ago, and left his wife with one son, who lived west, and five daughters, four that travelled in pairs and an odd one,--all well fixed and living in a big house in one of those swell streets, east of the park, where never less than ten in help are kept. Well, if you'll believe it, she's living alone with a pet dog and a companion, except in summer, when the Chicago son and his wife and babies make her a good visit down at North East, the only home comfort she has.

"All the girls married to foreigners? Not a blessed one. Two were bookish and called literary, but not enough to break out into anything; they didn't agree with society (had impossible foreheads that ran nearly back to their necks, and thin hair); they went to college just to get the name of it and to kill time, but when they got through they didn't rub along well at home; called taking an interest in the house beneath them and the pair that liked society frivolous; so they took a flat (I mean apartment--a flat is when it's less than a hundred a month and only has one bathroom), and set up for bachelor girls. The younger pair did society for a while, and poor Mrs. Townley chaperoned round after them, as befitted her duty and position, and had gorgeous Worth gowns, all lace and jets, that I do believe shortened her breath, until one night in a slippery music-room she walked up the back of a polar bear rug, fell off his head, and had an awful coast on the floor, that racked her knee so that she could stay at home without causing remark, which she cheerfully did. The two youngest girls were pretty, but they were snobs, and carried their money on their sleeves in such plain sight that they were too suspicious, and seemed to expect every man that said 'good evening' was waiting to grab it. So they weren't popular, and started off for Europe to study art and music. Of course when they came back they had a lot of lingo about the art atmosphere and all that; home was a misfit and impossible, so they went to live in a swell studio with two maids and a Jap butler in costume, and do really give bang-up musicals, with paid talent of course. I went to one.

"That left Georgie, the odd one, who was the eldest, with poor Mrs. Townley. By this time the old lady was kind of broken-spirited, and worried a good deal as to why all her girls left her,--'she'd always tried to do her duty,'--and all that. This discouraged Georgie; she got blue and nervous, had indigestion, and, mistaking it for religion, vamoosed into a high-church retreat. And I call it mighty hard lines for the old lady."

I thought "too much money," but I didn't say it, for this brutally direct but well-meaning woman could not imagine such a thing, and she continued: "Yet Mrs. Townley had a soft snap compared to some, for she was in the right set at the start, with both feet well up on the ladder, and didn't have to climb; but Heaven help those with daughters who have thin purses and have to stretch a long neck and keep it stiff, so, in a crowd at least, nobody'll notice their feet are dangling and haven't any hold.

"Ah, but this isn't the worst yet; that's the clever 'new daughter' kind that sticks by her ma, who was herself once a particular housekeeper, and takes charge of her long before there's any need; regulates her clothes and her food and her callers, drags her around Europe to rheumatism doctors, and pushes her into mud baths; jerks her south in winter and north in summer, for her 'health and amusement,' so she needn't grow narrow, when all the poor soul needs and asks is to be let stay in her nice old-fashioned country house, and have the village children in to make flannel petticoats; entertain the bishop when he comes to confirm, with a clerical dinner the same as she used to; spoil a lot of grandchildren, of which there aren't any; and once in a while to be allowed to go into the pantry between meals, when the butler isn't looking, and eat something out of the refrigerator with her fingers to make sure she's got them!

"No, my dear, rather than that, I choose the lap dog and poor relation, who is generally too dejected to object to anything. Besides, lap dogs are much better now than in the days when the choice lay only between sore-eyed white poodles and pugs. Boston bulls are such darlings that for companions they beat half the people one knows!"

I am doubly glad that the twins are boys! Well, so be it, for women do often frighten me and I misunderstand them, but men are so easy to comprehend and love. While now, when Richard and Ian puzzle me, all I need to do is to point to father and Evan, and say, "Look! ask them, for they can tell you all you need to know!"

Almost sunset, the boys climbing up stairs, and Effie bringing a letter? Yes, and from Lavinia Dorman, pages and pages--the dear soul! I must wait for a light. What is this?--she wishes to see me--will make me a long visit--in May--if I like--has no longer the conscience to ask me to leave the twins to come to her--boys of their age need so much care--then something about Josephus! Yes, Sylvia Latham is the daughter of the new house on the Bluffs, etc. You blessed twins! here is another advantage I owe to you--at last a promised visit from Lavinia Dorman!

Ah, as I push my book into the desk the reason for its title turns up before me, worded in Martin Cortright's precise language:--

"Everything, my dear Barbara, has a precedent in history or the basis of it. It is well known that the Indian tribes have taken their distinctive names chiefly from geographical features, and these often in turn control the pace of the people. The name for the island since called New Amsterdam and York was Mon-ah-tan-uk, a phrase descriptive of the rushing waters of Hell Gate that separated them from their Long Island neighbours, the inhabitants themselves being called by these neighbours Mon-ah-tans, _anglice_ Manhattans, literally, _People of the Whirlpool_, a title which, even though the termagant humour of the waters be abated, it beseems me as aptly fits them at this day."

MISS LAVINIA'S LETTERS TO BARBARA

NEW YORK, "GREENWICH VILLAGE," January 20, 19--.

"So you are glad that I have returned? I wish that I could say so also, in your hearty tone of conviction. Every day of the two years that I have been scattering myself about Europe I have wished myself at home in the house where I was born, and have wandered through the rooms in my dreams; yet now that I am here, I find that I was mixing the past impossibly with the present, in a way common to those over fifty. Yes, you see I no longer pretend, wear unsuitable headgear, and blink obliviously at my age as I did in those trying later forties. I not only face it squarely, but exaggerate it, for it is so much more comfortable to have people say 'Fifty-five! Is it possible?'

"By the way, do you know that you and I share a distinction in common? We are both living in the houses where we were born, for the reason that we wish to and not because we cannot help ourselves. Since I have been away it appears that every one I know, of my own age, has made a change of some sort, and joined the two streams that are flowing steadily upward, east and west of the Park; while the people who were neither my financial nor social equals thirty years ago are dividing the year into quarters, with a house for each. A few months in town, a few of hotel life for 'rest' in the south, then a 'between-season' residence near by, seaside next, mountains in early autumn, and the 'between-season' again before the winter cruise through the Whirlpool.

"I like that name that your Martin Cortright gives to New York. Before I went abroad I should have resented it bitterly, but the two months since my return have convinced me of its truth, which I have fought against for many years; for even the most staid of us who, either of choice or necessity, give the social vortex a wide berth, cannot escape from the unrest of it, or sight of the wreckage it from time to time gives forth. It is strange that I have not met this Cortright, or never even knew that he shared your father's admiration of your mother, though owing to our school tie we were like sisters. Yet it was like her to regret and hold sacred any pain she might have caused, no matter how unwillingly. Did his elder sister marry _a_ Schuyler, though not one of _the_ well-known branch, and did he as a boy live in one of those houses on the west side of Lafayette Place that were later turned into an hotel?

"The worst of it all appears to me to be that the increase of wealth in the upper class is exterminating the home idea, to which I cling, single woman as I am; and consequently the middle classes, as blind copyists, also are tending to throw it over.

"The rich, having no particular reason for remaining in any particular place until they become attached to it, live in half a dozen houses, which seems to have a deteriorating effect upon their domesticity; just as the Sultan, with fifty wives that may be dropped or replaced according to will, cannot prize them as does the husband of only one.

The narrator begins her second volume of social observations on Candlemas, describing her attic writing retreat and the rusty pens she must replace with stubs for straightforward expression. She recalls that Martin Cortright suggested the title "People of the Whirlpool" after discussing the incursion of the Bluff Colony of New Yorkers. The opening establishes a reflective, diary-like voice rooted in domestic detail and seasonal imagery.

A Garden Diary Turns Social Record

The narrator explains how her earlier "Garden Boke"—a reversible signal for gardening mistakes and summer memories—has evolved into a "Social Experience Boke." She writes in the attic, surrounded by letters and papers that blend past, present, and future. The shift from horticultural to human observation is signaled by her preference for stub pens, which she associates with truthful expression, contrasting with fine points that suggest evasion. This material detail ties her writing style to her character.

The Bluff Colony's Disruptive Influence

The narrator reports her father's concern that the Bluff Colony's display of "careless ease" and constant pleasure-seeking is harming the community. He wishes conservative country places could quarantine newcomers before they purchase land and lure the young cityward. She observes that the striving for home and love is being replaced by a desire for novelty. Two examples illustrate this: Cora Blackburn, a merchant's daughter who feels misunderstood after college and seeks independence in New York, and a young woman who sees nursing as a chance to enter a swell family and marry into society, shocking the narrator's father.

A Wayside Encounter and a Blaze of Yellow

During a carriage ride with her father, the narrator stops at Pine Ridge. She walks toward the Bradford farm and is struck by a forsythia bush in full bloom—a "blaze of yellow" that makes her feel as if she is walking into a story-book. This moment of sensory detail contrasts with the earlier social commentary, grounding the narrative in the natural world. The scene also includes the practical details of unhooking horses and baiting them by a bridge, reinforcing the narrator's attentive, observant voice.

Social Unrest and Family Tensions

The narrator notes that the infection of social unrest is spreading downward from the Bluffs, touching the surface of the community if not yet troubling its depths. Her father's encounter with the aspiring nurse—who bluntly admits she is not interested in the sick—leaves him in a rage, and the narrator predicts his social experience will be widened. The episode underscores the clash between traditional values and new ambitions. The narrator's tone remains measured, using concrete incidents rather than broad pronouncements.

The excerpts reveal a narrator who blends domestic observation with social critique, using the diary form to capture the subtle pressures of change. Readers should attend to her recurring metaphors—the whirlpool, the garden, the attic—and her habit of grounding abstract concerns in specific encounters. The incomplete text leaves open how the whirlpool develops, but the early chapters establish a clear tension between old and new, rural and urban, duty and desire.

The rain made the commuter’s wife feel like a stranger in her own parlor, watching new money rearrange the furniture. Later, I found myself reaching for Old Creole Days: A Story of Creole Life — Story, Setting & Ideas, drawn by a similar ache—that quiet unease when a place you love starts speaking in an unfamiliar accent.

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  • ...
    Laura Davis - 4 weeks ago
    While the premise is promising, 'People Of The Whirlpool' becomes repetitive quickly. The anecdotes, while occasionally witty, fail to build into a cohesive story. The protagonist is not particularly compelling, and the book lacks a strong narrative arc. This might be of interest to historians looking for primary sources on the era, but for general readers, it can be a tedious read.

  • ...
    Monica Hodges - 2 weeks ago
    A charming and insightful look at the life of a commuter's wife in the early 20th century. The author's wit and humor shine through as she navigates the ups and downs of suburban life, from social obligations to personal ambitions. The characters are relatable, and the observations on human nature are timeless. A delightful read that left me smiling and feeling more connected to the past.

  • ...
    Adam Elliott - 1 week ago
    This book offers a humorous and realistic portrayal of domestic life in the early 1900s. The writing is engaging, with sharp observations on society. However, the episodic nature of the narrative can feel disjointed at times. Some readers may find the period details charming, while others might wish for a stronger plot. Still, it's a pleasant and often funny read.


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