Mr. Hawkins' Humorous Adventures — A Closer Reading
Edition facts
For Mr. Hawkins' Humorous Adventures — A Closer Reading, the stored edition analysis reports 42,128 words, 3 hr 4 min estimated reading time, and 7 detected text sections.
The text analysis averages about 12.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Humorous stories,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Hawkins is part inventor and part idiot.
Hawkins has money, which generally mitigates idiocy; but in his case it also allows free rein to his inventive genius, and that is a bad thing.
When I decided to build a nice, quiet summer home in the Berkshires, I paid for the ground before discovering that the next villa belonged to Hawkins.
Had I known then what I know now, my country-seat would be located somewhere in central Illinois or western Oregon; but at that time my knowledge of Hawkins extended no farther than the facts that he resided a few doors below me in New York, and that we exchanged a kindly smile every morning on the L.
One day last August, having mastered the mechanism of our little steam runabout, my wife ventured out alone, to call upon Mrs. Hawkins.
I am not a worrying man, but automobile repairs are expensive, and when she had been gone an hour or so I strolled toward our neighbors.
The auto I was relieved to find standing before the door, apparently in good health, and I had already turned back when Hawkins came trotting along the drive from the stable.
“Just in time, Griggs, just in time!” he cried, exuberantly.
“The first trial of--”
“Now, see here, Hawkins--” I began, preparing to flee, for I knew too well the meaning of that light in his eyes.
“The Hawkins Horse-brake!”, he finished, triumphantly.
“Hawkins,” I said, solemnly, “far be it from me to disparage your work; but I recall most distinctly the Hawkins Aero-motor, which moted you to the top of that maple tree and dropped you on my devoted head. I also have some recollection of your gasolene milker, the one that exploded and burned every hair off the starboard side of my best Alderney cow. If you are bent on trying something new, hold it off until I can get my poor wife out of harm's way.”
Hawkins favored me with a stare that would have withered a row of hardy sunflowers and turned his eyes to the stable.
Something was being led toward us from that direction.
The foundation of the something I recognized as Hawkins' aged work horse, facetiously christened Maud S. The superstructure was the most remarkable collection of mechanism I ever saw.
Four tall steel rods stuck into the air at the four corners of the animal. They seemed to be connected in some way to a machine strapped to the back of the saddle.
I presume the machine was logical enough if you understood it, but beyond noting that it bore striking resemblance to the vital organs of a clock, I cannot attempt a description.
“That will do, Patrick,” said Hawkins, taking the bridle and regarding his handiwork with an enraptured smile. “Well, Griggs, frankly, what do you think of it?”
“Frankly,” I said, “when I look at that thing, I feel somehow incapable of thought.”
“I rather imagined that it would take your eye,” replied Hawkins, complacently. “Now, just see the simplicity of the thing, Griggs. Drop your childish prejudices for a minute and examine it.
“Let us suppose that this brake is fitted to a fiery saddle-horse. The rider has lost all control. In another minute, unless he can stop the beast, he will be dashed to the ground and kicked into pulp. What does he do? Simply pulls this lever--thus! The animal can't budge!”
An uncanny clankety-clankety-clank accompanied his words, and the rods dropped suddenly. In their descent they somehow managed to gather two steel cuffs apiece.
When they ceased dropping, Maud S. had a steel bar down the back of each leg, with a cuff above and a cuff below the knee. Hawkins was quite right--so far as I could see; Maud was anchored until some well-disposed person brought a hack-saw and cut off her shackles.
“You see how it acts when she is standing still?” chuckled the inventor, replacing the rods. “Just keep your eyes open and note the suddenness with which she stops running.”
“Hawkins,” I cried, despairingly, as he led the animal up the road, “don't go to all that trouble on my account. I can see perfectly that the thing is a success. Don't try it again.”
“My dear Griggs,” said Hawkins, coldly, “this trial trip is for my own personal satisfaction, not yours. To tell the truth, I had no idea that you or any one else would be here to witness my triumph.”
He went perhaps three or four hundred feet up the road; then he turned Maud's nose homeward and clambered to her back.
As I waited behind the hedge, I grieved for the old mare. Hawkins evidently intended urging her into something more rapid than the walk she had used for so many years, and I feared that at her advanced age the excitement might prove injurious.
But Maud broke into such a sedate canter when Hawkins had thumped her ribs a few times with his heels, and her kindly old face seemed to wear such a gentle expression as she approached, that I breathed easier.
“Now, Griggs!” cried Hawkins, coming abreast. “Watch--now!”
He thrust one hand behind, grasped the lever, and gave it a tug. The little rods remained in the air.
A puzzled expression flitted over Hawkins' face, and as he cantered by he appeared to tug a trifle harder.
This time something happened.
I heard a whir like the echo of a sawmill, and saw several yards of steel spring shoot out of the inwards of the machine. I heard a sort of frantic shriek from Maud S. I saw a sudden cloud of pebbles and dust in the road, such as I should imagine would be kicked up by an exploding shell--and that was all.
Hawkins, Maud, and the infernal machine were making for the county town with none of the grace, but nearly all the speed, of a shooting star.
For a few seconds I stood dazed.
Then it occurred to me that Hawkins' wife would later wish to know what his dying words had been, and I went into the auto with a flying leap, sent it about in its own length, almost jumped the hedge, and thus started upon a race whose memory will haunt me when greater things have faded into the forgotten past.
My runabout, while hardly a racer, is supposed to have some pretty speedy machinery stored away in it, but the engine had a big undertaking in trying to overhaul that old mare.
It was painfully apparent that something--possibly righteous indignation at being the victim of one of Hawkins' experiments--had roused a latent devil within Maud S. Her heels were viciously threshing up the dirt at the foot of the hill before I began my blood-curdling coast at the top.
How under the sun anything could go faster than did that automobile is beyond my conception; yet when I reached the level ground again and breathed a little prayer of thanks that an all-wise Providence had spared my life on the hill, Hawkins seemed still to have the same lead.
That he was traveling like a hurricane was evidenced by the wake of fear-maddened chickens and barking dogs that were just recovering their senses when I came upon them.
I put my lever back to the last notch.
Heavens, how that auto went! It rocked from one side of the road to the other. It bounded over great stones and tried to veer into ditches, with the express purpose of hurling me to destruction.
It snorted and puffed and rattled and skidded; but above all, it went!
There is no use attempting a record of my impressions during that first half mile--in fact, I am not aware that I had any. But after a time I drew nearer to Hawkins, and at last came within thirty feet of the galloping Maud.
Hawkins' face was white and set, he bounced painfully up and down, risking his neck at every bounce, but one hand kept a death-like grip on the lever of the horse-brake.
“Jump!” I screamed. “Throw yourself off!”
Hawkins regarded me with much the expression the early Christians must have worn when conducted into the arena.
“No,” he shouted. “It's”--bump--“it's all right. It'll”--bump--“work in a minute.”
“No, it won't! Jump, for Heaven's sake, jump!”
I think that Hawkins had framed a reply, but just then a particularly hard bump appeared to knock the breath out of his body. He took a better grip on the bridle and said no more.
I hardly knew what to do. Every minute brought us nearer to the town, where traffic is rather heavy all day.
Up to now we had had a clear track, but in another five minutes a collision would be almost as inevitable as the sunset.
I endeavored to recall the “First Aid to the Injured” treatment for fractured skulls and broken backs, and I thanked goodness that there would be only one auto to complete the mangling of Hawkins' remains, should they drop into the road after the smash.
Would there? I glanced backward and gasped. Others had joined the pursuit, and I was merely the vanguard of a procession.
Twenty feet to the rear loomed the black muzzle of Enos Jackson's trotter, with Jackson in his little road-cart. Behind him, three bicyclists filled up the gap between the road-cart and Dr. Brotherton's buggy.
I felt a little better at seeing Brotherton there. He set my hired man's leg two years ago, and made a splendid job.
There was more of the cavalcade behind Brotherton, although the dust revealed only glimpses of it; but I had seen enough to realize that if Hawkins' brake did work, and Hawkins' mare stopped suddenly, there was going to be a piled-up mass of men and things in the road that for sheer mixed-up-edness would pale the average freight wreck.
Maud maintained her pace, and I did my best to keep up.
By this time I could see the reason for her mad flight. When the explosion, or whatever it was, took place in the brake machinery, a jagged piece of brass had been forced into her side, and there it remained, stabbing the poor old beast with conscientious regularity at every leap.
I was still trying to devise some way of pulling loose the goad and persuading Maud to slow down when we entered town.
At first the houses whizzed past at intervals of two or three seconds; but it seemed hardly half a minute before we came in sight of the square and the court house. We were creating quite an excitement, too. People screamed frantically at us from porches and windows and the sidewalk.
Occasionally a man would spring into the road to stop Maud, think better of it, and spring out again.
One misguided individual hurled a fence-rail across the path. It didn't worry Maud in the slightest, for she happened to be all in the air while passing over that particular point, but when the auto went over the rail it nearly jarred out my teeth.
Another fellow pranced up, waving a many-looped rope over his head. I think Maud must have transfixed him with her fiery eye, for before he could throw it his nerve failed and he scuttled back to safety.
Those who had teams hitched in the square were hurrying them out of danger, and when we whirled by the court-house only one buggy remained in the road.
That buggy belonged to Burkett, the constable. The town pays Burkett a percentage on the amount of work he does, and Burkett is keen on looking up new business.
“Stop, there!” he shouted, as we came up. “Stop!”
“Stop, or I'll arrest the whole danged lot of ye fer fast drivin'!” roared Burkett, gathering up reins and whip.
And with that he dashed into the place behind Enos Jackson and crowded the bicyclists to the side of the road.
Our county town is a small one, and at the pace set by Maud it didn't take us long to reach the far side and sweep out on the highway which leads, eventually, to Boston.
I began to wonder dimly whether Maud's wind and my water and gasolene would carry us to the Hub, and, if so, what would happen when we had passed through the city.
Just beyond Boston, you know, is the Atlantic Ocean.
At this point in my meditations we started down the slope to the big creamery.
The building is located to the right of the road. On the left, a rather steep grassy embankment drops perhaps thirty feet to the little river.
On this beautiful sunny afternoon, the creamery's milk cans, something like a hundred in number, were airing by the roadside, just on the edge of the embankment; and as we thundered down I smiled grimly to think of the attractive little frill Maud might add to her performance by kicking a dozen or two of the milk cans into the river as she passed.
Maud, however, as she approached the cans, kept fairly in the middle of the road--and stopped!
Heavens! She stopped so short that I gasped for breath. All in a twinkling the steel rods dropped into position beside her legs, the cuffs snapped, and the Hawkins Horse-brake had worked at last!
Poor old Maud! She slid a few yards with rigid limbs, squealing in terror, and then crashed to the ground like an overturned toy horse.
Hawkins shot off into space, and at the moment I didn't care greatly where he landed. I was vaguely conscious that he collided head-on with the row of milk-cans, but my main anxiety was to shut off my power, set the brake, point the auto into the ditch, and jump.
And I did it all in about one second.
After the jump, my recollection grows hazy. I know that one of my feet landed in an open milk-can, and that I grabbed wildly at several others. Then the cans and I toppled headlong over the embankment and went down, down, down, while, fainter and fainter, I could hear something like:
“Whoa! Whoa! Gol darn ye! Ow! Stop that hoss! Bang! Rattle! Rattle! Bang! Whoa! Stop, can't ye?”
Then a peculiarly unyielding milk-can landed on my head and I seemed to float away.
I have reason to believe that I sat up about two minutes later. The crash was over and peace had settled once more upon the face of nature.
From far away came the sound of galloping hoofs, belonging, no doubt, to some of the horses who had participated in the late excitement.
The embankment was strewn with men and milk-cans, chiefly the latter. No one seemed to be wholly dead, although one or two looked pretty near it.
A few feet away, Burkett, the constable, was having a convulsion in his vain endeavour to extricate his cranium from a milk-can. The sounds that issued from that can made me blush.
Jackson was sitting up and staring dully at the river, while Dr. Brotherton, with his frock-coat split to the collar, was fishing fragments of his medicine case out of another can.
Others of the erstwhile procession were distributed about the embankment in various conditions, but, as I have said, nobody seemed to have parted company with the vital spark.
Hawkins alone was invisible, and as I struggled to my feet this fact puzzled me considerably.
A pile of milk-cans balanced on the river's edge, and on the chance of finding the inventor's remains, I tipped them into the stream. Underneath, stretched on the cold, unsympathetic ground, his feet dabbling idly in the water, his clothes in a hundred shreds, a great lump on his brow, was Hawkins, stunned and bleeding!
As I turned to summon Brotherton, Hawkins opened his eyes.
I am not one to cherish a grudge. I felt that Hawkins' invention had been its own terrible punishment. So I helped him to his feet as gently as possible, and waited for apologetic utterances.
“You see, Griggs,” began Hawkins, uncertainly--“you see, the--the ratchet on the big wheel--stuck. I'll put a new--a new ratchet there, and oil--lots of oil--on the--the----”
“That's enough, Hawkins,” I said.
“Yes, but don't you see,” he groaned, holding fast to his battered skull as I helped him back to the road, “if I get that one little point perfected--it--it will revol----”
“Let it!” I snapped. “Sit here until I see what's left of my automobile.”
Ten minutes later, Patrick having appeared to take charge of Maud S., Hawkins and I were making our homeward way in the runabout, which had mercifully been spared.
Something in my face must have forbidden conversation, for Hawkins wrapped the soiled fragments of his raiment about him in offended dignity, and was silent on the subject of horse-brake.
Nor have I ever heard of the thing since. Possibly Mrs. Hawkins succeeded in demonstrating the fallacy of the whole horse-brake theory; in fact, from the expression on her face when we reached the house, I am inclined to think that she did.
Mrs. Hawkins can be strong-minded on occasion, and her tongue is in no way inadequate to the needs of her mind. At any rate, a friend of mine in the patent office, whom I asked about the matter some time ago, tells, me that the Hawkins Horse-brake has never been patented, so that I presume the invention is in its grave. As a public spirited citizen, I venture to add that this is a blessing.
My wife is averse to widowhood. Lately she exacted my solemn pledge not to assist Hawkins with any more of his diabolical inventions.
For a similar reason, his own good lady drew me aside a few evenings since, and insisted upon my promising to use every means, physical force included, which might prevent her “Herbert” from experimenting further with his motor.
Hawkins hadn't favored me with any confidences about the motor, and at the first opportunity I indicated with brutal directness that none was desired.
Hawkins inquired with frigid asperity as to my meaning; but the very iciness of his manner satisfied me that he understood perfectly, and, believing that he was sufficiently offended to keep entirely to himself all details of his machine--whatever it might be--I breathed more easily.
Some of these days one of Hawkins' inventions is going to take him on a personally conducted tour to a quiet little grave, and I have no wish to learn the itinerary beforehand.
Now, bitter experience has taught me that eternal vigilance is the price of freedom from complicity with the mechanical contrivances of Hawkins, and I should have been suspicious. Yet when Hawkins appeared Sunday morning and asked me to go for a little jaunt up the Hudson in his launch, I accepted with guileless good faith.
His launch was--perhaps it is still--the neatest of neat little pleasure boats, and when we left the house I anticipated several hours of keen enjoyment.
Crossing Riverside Drive, it struck me that Hawkins was hurrying, but the balmy air, the sunshine, and the beautiful sweep of the river filled my mind with infinite peace, and it was not until we had descended to the little dock that I smelled anything suggestive of rat.
Hawkins climbed into the launch, and I smiled benignly on him as I handed down the lunch and our overcoats. I had just finished passing them over when I stopped smiling so suddenly that it jarred my facial muscles.
“Where has the engine gone?” I demanded.
“That engine, Griggs,” responded Hawkins, pleasantly, “has gone where all other steam engines will go within the next two years--into the scrap heap.”
“Which very cheerful prophecy means----”
“It means, my dear boy, that before you stands the first full-sized working model of the Hawkins A. P. motor, patent applied for!”
The inventor flicked off a waterproof cover and exposed to view in the stern of the launch what looked like an inverted wash-boiler. At first glance it appeared to be merely a dome of heavy steel, bolted to a massive bed-plate, but I didn't spend much time examining the thing.
“There, Griggs,” began Hawkins, triumphantly, “in that small----”
“Hawkins,” I cried, desperately, “you get out of that boat! Get out of it, I say! Come home with me at once. I'm not going to be mixed up in any more of your wretched trial-trips. Come on, or I'll drag you out!”
Hawkins eyed me coldly for a minute, admonished me not to be an ass, and went on untying the launch.
He is stronger and heavier than I. Frankly, had I meditated such a course seriously, I couldn't have hoisted him out of his boat.
The narrator, Griggs, introduces Hawkins as 'part inventor and part idiot,' a judgment that sets the tone for the entire work. The opening chapter establishes a pattern: Hawkins' enthusiasm for his latest contraption—here, the 'Hawkins Horse-brake'—collides with Griggs' weary skepticism, grounded in past disasters like the 'gasolene milker' that burned a cow. The prose moves briskly from domestic setup to mechanical chaos, with Hawkins' inventions always teetering between absurdity and genuine danger.
A Voice of Exasperated Reason
The narrative is filtered entirely through Griggs, whose first-person account blends complaint, understatement, and vivid physical description. His voice is that of a sensible man repeatedly dragged into lunacy: 'I am not a worrying man, but automobile repairs are expensive.' This dry humor pervades even moments of crisis. When Hawkins unveils the horse-brake, Griggs catalogs previous failures with a lawyer's precision, yet he cannot resist being drawn into each new experiment. The contrast between his measured tone and the escalating absurdity of events—such as being hoisted aloft in a clothes-basket—generates the book's central comic tension.
Pacing from Calm to Catastrophe
The excerpts reveal a deliberate rhythm: a mundane opening (Griggs strolling to check on his wife) gives way to sudden, improbable action. Hawkins' inventions appear without warning, and the narrative accelerates accordingly. In the flying-machine episode, the shift from 'sailing over Union Square' to dangling above New York Harbor is abrupt, with the wind as an unpredictable antagonist. The prose mirrors this change—short, breathless sentences replace longer, reflective ones. Notably, the humor often depends on timing: a long, happy sigh is 'premature' because the contraption is not yet wrecked. The reader learns to distrust any pause.
Recurring Details and Mechanical Specificity
Franklin grounds the fantastical in concrete, often comically precise detail. The horse-brake's superstructure is 'the most remarkable collection of mechanism I ever saw,' with 'four tall steel rods' and a machine 'bearing striking resemblance to the vital organs of a clock.' The flying machine's basket is suspended from 'a thin, steel frame' with 'several dozen stout cords.' These descriptions lend plausibility to the absurd. Hawkins himself is a creature of technical jargon—'the construction of these wings is such'—which Griggs repeatedly dismisses. The interplay between technical specificity and practical disaster is a recurring motif, as when the wind 'pulled at the wings with a mighty pull' and the basket stays while the men rise.
Readers should attend to the rhythm of Griggs' narration: his exasperation is a reliable index of impending chaos. The book rewards attention to mechanical descriptions, which often foreshadow how the invention will fail. Because the excerpts cover only the first chapters, the full arc of Hawkins' experiments remains unknown, but the pattern of setup, escalation, and near-disaster is firmly established. The humor lies less in the inventions themselves than in the collision between Hawkins' boundless confidence and Griggs' hard-won caution.
Reading about Griggs bracing himself for Hawkins’ next brilliant folly, I remembered my own neighbor’s solar-powered lawnmower incident, and how I sat afterward with The Visits of Elizabeth — Reading Notes, feeling that same fond, tired affection for someone whose chaos quietly becomes home.
Mia Carter
3 weeks agoCharlotte Garcia
3 weeks agoJohn Jones
1 month agoCharlotte Hernandez
2 weeks agoBefore you leave, reflect on the book
Use these questions to collect your thoughts before moving on.
Mila Lopez
1 week ago