Children of the Ghetto: A Study of a Peculiar People — Context and Discussion
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THE BREAD OF AFFLICTION.
A dead and gone wag called the street "Fashion Street," and most of the people who live in it do not even see the joke. If it could exchange names with "Rotten Row," both places would be more appropriately designated. It is a dull, squalid, narrow thoroughfare in the East End of London, connecting Spitalfields with Whitechapel, and branching off in blind alleys. In the days when little Esther Ansell trudged its unclean pavements, its extremities were within earshot of the blasphemies from some of the vilest quarters and filthiest rookeries in the capital of the civilized world. Some of these clotted spiders'-webs have since been swept away by the besom of the social reformer, and the spiders have scurried off into darker crannies.
There were the conventional touches about the London street-picture, as Esther Ansell sped through the freezing mist of the December evening, with a pitcher in her hand, looking in her oriental coloring like a miniature of Rebecca going to the well. A female street-singer, with a trail of infants of dubious maternity, troubled the air with a piercing melody; a pair of slatterns with arms a-kimbo reviled each other's relatives; a drunkard lurched along, babbling amiably; an organ-grinder, blue-nosed as his monkey, set some ragged children jigging under the watery rays of a street-lamp. Esther drew her little plaid shawl tightly around her, and ran on without heeding these familiar details, her chilled feet absorbing the damp of the murky pavement through the worn soles of her cumbrous boots. They were masculine boots, kicked off by some intoxicated tramp and picked up by Esther's father. Moses Ansell had a habit of lighting on windfalls, due, perhaps, to his meek manner of walking with bent head, as though literally bowed beneath the yoke of the Captivity. Providence rewarded him for his humility by occasional treasure-trove. Esther had received a pair of new boots from her school a week before, and the substitution, of the tramp's foot-gear for her own resulted in a net profit of half-a-crown, and kept Esther's little brothers and sisters in bread for a week. At school, under her teacher's eye, Esther was very unobtrusive about the feet for the next fortnight, but as the fear of being found out died away, even her rather morbid conscience condoned the deception in view of the stomachic gain.
They gave away bread and milk at the school, too, but Esther and her brothers and sisters never took either, for fear of being thought in want of them. The superiority of a class-mate is hard to bear, and a high-spirited child will not easily acknowledge starvation in presence of a roomful of purse-proud urchins, some of them able to spend a farthing a day on pure luxuries. Moses Ansell would have been grieved had he known his children were refusing the bread he could not give them. Trade was slack in the sweating dens, and Moses, who had always lived from hand to mouth, had latterly held less than ever between the one and the other. He had applied for help to the Jewish Board of Guardians, but red-tape rarely unwinds as quickly as hunger coils itself; moreover, Moses was an old offender in poverty at the Court of Charity. But there was one species of alms which Moses could not be denied, and the existence of which Esther could not conceal from him as she concealed that of the eleemosynary breakfasts at the school. For it was known to all men that soup and bread were to be had for the asking thrice a week at the Institution in Fashion Street, and in the Ansell household the opening of the soup-kitchen was looked forward to as the dawn of a golden age, when it would be impossible to pass more than one day without bread. The vaguely-remembered smell of the soup threw a poetic fragrance over the coming winter. Every year since Esther's mother had died, the child had been sent to fetch home the provender, for Moses, who was the only other available member of the family, was always busy praying when he had nothing better to do. And so to-night Esther fared to the kitchen, with her red pitcher, passing in her childish eagerness numerous women shuffling along on the same errand, and bearing uncouth tin cans supplied by the institution. An individualistic instinct of cleanliness made Esther prefer the family pitcher. To-day this liberty of choice has been taken away, and the regulation can, numbered and stamped, serves as a soup-ticket. There was quite a crowd of applicants outside the stable-like doors of the kitchen when Esther arrived, a few with well-lined stomachs, perhaps, but the majority famished and shivering. The feminine element swamped the rest, but there were about a dozen men and a few children among the group, most of the men scarce taller than the children--strange, stunted, swarthy, hairy creatures, with muddy complexions illumined by black, twinkling eyes. A few were of imposing stature, wearing coarse, dusty felt hats or peaked caps, with shaggy beards or faded scarfs around their throats. Here and there, too, was a woman of comely face and figure, but for the most part it was a collection of crones, prematurely aged, with weird, wan, old-world features, slip-shod and draggle-tailed, their heads bare, or covered with dingy shawls in lieu of bonnets--red shawls, gray shawls, brick-dust shawls, mud-colored shawls. Yet there was an indefinable touch of romance and pathos about the tawdriness and witch-like ugliness, and an underlying identity about the crowd of Polish, Russian, German, Dutch Jewesses, mutually apathetic, and pressing forwards. Some of them had infants at their bare breasts, who drowsed quietly with intervals of ululation. The women devoid of shawls had nothing around their necks to protect them from the cold, the dusky throats were exposed, and sometimes even the first hooks and eyes of the bodice were unnecessarily undone. The majority wore cheap earrings and black wigs with preternaturally polished hair; where there was no wig, the hair was touzled.
At half-past five the stable-doors were thrown open, and the crowd pressed through a long, narrow white-washed stone corridor into a barn-like compartment, with a white-washed ceiling traversed by wooden beams. Within this compartment, and leaving but a narrow, circumscribing border, was a sort of cattle-pen, into which the paupers crushed, awaiting amid discomfort and universal jabber the divine moment. The single jet of gas-light depending from the ceiling flared upon the strange simian faces, and touched them into a grotesque picturesqueness that would have delighted Doré.
They felt hungry, these picturesque people; their near and dear ones were hungering at home. Voluptuously savoring in imagination the operation of the soup, they forgot its operation as a dole in aid of wages; were unconscious of the grave economical possibilities of pauperization and the rest, and quite willing to swallow their independence with the soup. Even Esther, who had read much, and was sensitive, accepted unquestioningly the theory of the universe that was held by most people about her, that human beings were distinguished from animals in having to toil terribly for a meagre crust, but that their lot was lightened by the existence of a small and semi-divine class called _Takeefim_, or rich people, who gave away what they didn't want. How these rich people came to be, Esther did not inquire; they were as much a part of the constitution of things as clouds and horses. The semi-celestial variety was rarely to be met with. It lived far away from the Ghetto, and a small family of it was said to occupy a whole house. Representatives of it, clad in rustling silks or impressive broad-cloth, and radiating an indefinable aroma of superhumanity, sometimes came to the school, preceded by the beaming Head Mistress; and then all the little girls rose and curtseyed, and the best of them, passing as average members of the class, astonished the semi-divine persons by their intimate acquaintance with the topography of the Pyrenees and the disagreements of Saul and David, the intercourse of the two species ending in effusive smiles and general satisfaction. But the dullest of the girls was alive to the comedy, and had a good-humored contempt for the unworldliness of the semi-divine persons who spoke to them as if they were not going to recommence squabbling, and pulling one another's hair, and copying one another's sums, and stealing one another's needles, the moment the semi-celestial backs were turned.
To-night, semi-divine persons were to be seen in a galaxy of splendor, for in the reserved standing-places, behind the white deal counter, was gathered a group of philanthropists. The room was an odd-shaped polygon, partially lined with eight boilers, whose great wooden lids were raised by pulleys and balanced by red-painted iron balls. In the corner stood the cooking-engine. Cooks in white caps and blouses stirred the steaming soup with long wooden paddles. A tradesman besought the attention of the Jewish reporters to the improved boiler he had manufactured, and the superintendent adjured the newspaper men not to omit his name; while amid the soberly-clad clergymen flitted, like gorgeous humming-birds through a flock of crows, the marriageable daughters of an east-end minister.
When a sufficient number of semi-divinities was gathered together, the President addressed the meeting at considerable length, striving to impress upon the clergymen and other philanthropists present that charity was a virtue, and appealing to the Bible, the Koran, and even the Vedas, for confirmation of his proposition. Early in his speech the sliding door that separated the cattle-pen from the kitchen proper had to be closed, because the jostling crowd jabbered so much and inconsiderate infants squalled, and there did not seem to be any general desire to hear the President's ethical views. They were a low material lot, who thought only of their bellies, and did but chatter the louder when the speech was shut out. They had overflowed their barriers by this time, and were surging cruelly to and fro, and Esther had to keep her elbows close to her sides lest her arms should be dislocated. Outside the stable doors a shifting array of boys and girls hovered hungrily and curiously. When the President had finished, the Rabbinate was invited to address the philanthropists, which it did at not less length, eloquently seconding the proposition that charity was a virtue. Then the door was slid back, and the first two paupers were admitted, the rest of the crowd being courageously kept at bay by the superintendent. The head cook filled a couple of plates with soup, dipping a great pewter pot into the cauldron. The Rabbinate then uplifted its eyes heavenwards, and said the grace:
"Blessed art Thou, O Lord, King of the Universe, according to whose word all things exist."
It then tasted a spoonful of the soup, as did also the President and several of the visitors, the passage of the fluid along the palate invariably evoking approving ecstatic smiles; and indeed, there was more body in it this opening night than there would be later, when, in due course, the bulk of the meat would take its legitimate place among the pickings of office. The sight of the delighted deglutition of the semi-divine persons made Esther's mouth water as she struggled for breathing space on the outskirts of Paradise. The impatience which fretted her was almost allayed by visions of stout-hearted Solomon and gentle Rachel and whimpering little Sarah and Ikey, all gulping down the delicious draught. Even the more stoical father and grandmother were a little in her thoughts. The Ansells had eaten nothing but a slice of dry bread each in the morning. Here before her, in the land of Goshen, flowing with soup, was piled up a heap of halves of loaves, while endless other loaves were ranged along the shelves as for a giant's table. Esther looked ravenously at the four-square tower built of edible bricks, shivering as the biting air sought out her back through a sudden interstice in the heaving mass. The draught reminded her more keenly of her little ones huddled together in the fireless garret at home. Ah! what a happy night was in store. She must not let them devour the two loaves to-night; that would be criminal extravagance. No, one would suffice for the banquet, the other must be carefully put by. "To-morrow is also a day," as the old grandmother used to say in her quaint jargon. But the banquet was not to be spread as fast as Esther's fancy could fly; the doors must be shut again, other semi-divine and wholly divine persons (in white ties) must move and second (with eloquence and length) votes of thanks to the President, the Rabbinate, and all other available recipients; a French visitor must express his admiration of English charity. But at last the turn of the gnawing stomachs came. The motley crowd, still babbling, made a slow, forward movement, squeezing painfully through the narrow aperture, and shivering a plate glass window pane at the side of the cattle-pen in the crush; the semi-divine persons rubbed their hands and smiled genially; ingenious paupers tried to dodge round to the cauldrons by the semi-divine entrance; the tropical humming-birds fluttered among the crows; there was a splashing of ladles and a gurgling of cascades of soup into the cans, and a hubbub of voices; a toothless, white-haired, blear-eyed hag lamented in excellent English that soup was refused her, owing to her case not having yet been investigated, and her tears moistened the one loaf she received. In like hard case a Russian threw himself on the stones and howled. But at last Esther was running through the mist, warmed by the pitcher which she hugged to her bosom, and suppressing the blind impulse to pinch the pair of loaves tied up in her pinafore. She almost flew up the dark flight of stairs to the attic in Royal Street. Little Sarah was sobbing querulously. Esther, conscious of being an angel of deliverance, tried to take the last two steps at once, tripped and tumbled ignominiously against the garret-door, which flew back and let her fall into the room with a crash. The pitcher shivered into fragments under her aching little bosom, the odorous soup spread itself in an irregular pool over the boards, and flowed under the two beds and dripped down the crevices into the room beneath. Esther burst into tears; her frock was wet and greased, her hands were cut and bleeding. Little Sarah checked her sobs at the disaster. Moses Ansell was not yet returned from evening service, but the withered old grandmother, whose wizened face loomed through the gloom of the cold, unlit garret, sat up on the bed and cursed her angrily for a _Schlemihl_. A sense of injustice made Esther cry more bitterly. She had never broken anything for years past. Ikey, an eerie-looking dot of four and a half years, tottered towards her (all the Ansells had learnt to see in the dark), and nestling his curly head against her wet bodice, murmured:
"Neva mind, Estie, I lat oo teep in my new bed."
The consolation of sleeping in that imaginary new bed to the possession of which Ikey was always looking forward was apparently adequate; for Esther got up from the floor and untied the loaves from her pinafore. A reckless spirit of defiance possessed her, as of a gambler who throws good money after bad. They should have a mad revelry to-night--the two loaves should be eaten at once. One (minus a hunk for father's supper) would hardly satisfy six voracious appetites. Solomon and Rachel, irrepressibly excited by the sight of the bread, rushed at it greedily, snatched a loaf from Esther's hand, and tore off a crust each with their fingers.
"Heathen," cried the old grandmother. "Washing and benediction."
Solomon was used to being called a "heathen" by the _Bube_. He put on his cap and went grudgingly to the bucket of water that stood in a corner of the room, and tipped a drop over his fingers. It is to be feared that neither the quantity of water nor the area of hand covered reached even the minimum enjoined by Rabbinical law. He murmured something intended for Hebrew during the operation, and was beginning to mutter the devout little sentence which precedes the eating of bread when Rachel, who as a female was less driven to the lavatory ceremony, and had thus got ahead of him, paused in her ravenous mastication and made a wry face. Solomon took a huge bite at his crust, then he uttered an inarticulate "pooh," and spat out his mouthful.
There was no salt in the bread.
The catastrophe was not complete. There were some long thin fibres of pale boiled meat, whose juices had gone to enrich the soup, lying about the floor or adhering to the fragments of the pitcher. Solomon, who was a curly-headed chap of infinite resource, discovered them, and it had just been decided to neutralize the insipidity of the bread by the far-away flavor of the meat, when a peremptory knocking was heard at the door, and a dazzling vision of beauty bounded into the room.
"'Ere! What are you doin', leavin' things leak through our ceiling?"
Becky Belcovitch was a buxom, bouncing girl, with cherry cheeks that looked exotic in a land of pale faces. She wore a mass of black crisp ringlets aggressively suggestive of singeing and curl-papers. She was the belle of Royal Street in her spare time, and womanly triumphs dogged even her working hours. She was sixteen years old, and devoted her youth and beauty to buttonholes. In the East End, where a spade is a spade, a buttonhole is a buttonhole, and not a primrose or a pansy. There are two kinds of buttonhole--the coarse for slop goods and the fine for gentlemanly wear. Becky concentrated herself on superior buttonholes, which are worked with fine twist. She stitched them in her father's workshop, which was more comfortable than a stranger's, and better fitted for evading the Factory Acts. To-night she was radiant in silk and jewelry, and her pert snub nose had the insolence of felicity which Agamemnon deprecated. Seeing her, you would have as soon connected her with Esoteric Buddhism as with buttonholes.
The _Bube_ explained the situation in voluble Yiddish, and made Esther wince again under the impassioned invective on her clumsiness. The old beldame expended enough oriental metaphor on the accident to fit up a minor poet. If the family died of starvation, their blood would be upon their granddaughter's head.
"Well, why don't you wipe it up, stupid?" said Becky. "'Ow would you like to pay for Pesach's new coat? It just dripped past his shoulder."
"I'm so sorry, Becky," said Esther, striving hard to master the tremor in her voice. And drawing a house-cloth from a mysterious recess, she went on her knees in a practical prayer for pardon.
Becky snorted and went back to her sister's engagement-party. For this was the secret of her gorgeous vesture, of her glittering earrings, and her massive brooch, as it was the secret of the transformation of the Belcovitch workshop (and living room) into a hall of dazzling light. Four separate gaunt bare arms of iron gas-pipe lifted hymeneal torches. The labels from reels of cotton, pasted above the mantelpiece as indexes of work done, alone betrayed the past and future of the room. At a long narrow table, covered with a white table-cloth spread with rum, gin, biscuits and fruit, and decorated with two wax candles in tall, brass candlesticks, stood or sat a group of swarthy, neatly-dressed Poles, most of them in high hats. A few women wearing wigs, silk dresses, and gold chains wound round half-washed necks, stood about outside the inner circle. A stooping black-bearded blear-eyed man in a long threadbare coat and a black skull cap, on either side of which hung a corkscrew curl, sat abstractedly eating the almonds and raisins, in the central place of honor which befits a _Maggid_. Before him were pens and ink and a roll of parchment. This was the engagement contract.
Zangwill begins not with a panoramic description but with a specific, sensory crisis: Esther Ansell, a child, discovers her Passover money has been stolen in the crowded fish market. The prose moves from the haggling over plaice—where curses fly in Yiddish-inflected English—to Esther's sudden, hollow realization. The loss is not merely financial; it threatens the ritual order of the Seder table, and the narrator notes that nothing since her brother Benjamin's death had given her so sharp a sense of life's uncertainty. This early scene establishes the novel's method: it embeds large questions of faith and survival in the texture of daily bargaining, domestic anxiety, and the weight of tradition.
Dialect and the Texture of Speech
The excerpts are dense with transliterated Yiddish and Hebrew phrases—Gonof (thief), Yontov (holiday), Shemah, beni (Hear, my son)—that are neither glossed in the text nor italicized for distance. Zangwill treats this language as natural to the environment, not as exotic decoration. Mrs. Shmendrik's string of curses, called by the narrator “the mere imaginative exuberance of a race whose early poetry consisted in saying things twice over,” is presented with a mixture of anthropological detachment and comic sympathy. The effect is to make the reader a listener in a multilingual space where English, Yiddish, and Hebrew shift without warning. Readers unfamiliar with these terms will need to infer meaning from context or consult the glossary Zangwill added to later editions.
The Seder as Narrative Anchor
Passover preparation drives the opening crisis, and the excerpts return to the Seder as a recurring touchstone. Esther's lost money threatens to leave the family with “a barren Seder table,” and the grandmother's folktale—about a poor Russian Jew who trusts God will provide for the festival—echoes Esther's own predicament. The Seder is not merely a religious observance; it is the measure of a household's viability and honor. Zangwill uses it to link economic vulnerability with spiritual expectation. The reader should note how the ritual frame recurs across the novel's two books, connecting the older generation's piety with the grandchildren's more skeptical or assimilated attitudes.
The Shift from Book I to Book II
The table of contents reveals a structural break: Book I is titled “The Children of the Ghetto,” Book II “The Grandchildren of the Ghetto.” The excerpts from Book I center on Esther Ansell's childhood loss and the crowded, quarrelsome life of the market. Book II introduces new characters—Raphael Leon, an editor of “The Flag of Judah”—and a more intellectual, institutional setting. This generational shift suggests that the novel will trace not only continuity but change: the younger characters grapple with Zionism, journalism, and the question of how to define Jewish identity outside the enclosed world of the ghetto. The reader should watch for how the same motifs (the dead monkey story, the Passover table) reappear in altered form.
The Dead Monkey as Embedded Fable
Chapter XXIII is titled “The Dead Monkey,” and the excerpt shows an old Maaseh (story) returning to Esther's “fevered brain.” The tale—of a starving Russian Jew who insists his Seder will be provided—is interrupted by the text break, leaving its conclusion unknown. This embedded fable works as a miniature of the novel's method: it offers a traditional narrative of faith tested, set against the modern, urban reality of pickpockets and fishmongers. The reader cannot know from the excerpt whether the fable's promise is fulfilled or ironized. The technique invites attention to how Zangwill uses folk material not as decoration but as a lens through which characters interpret their own struggles.
Because the excerpts are drawn from the opening and middle of a long novel, they reveal more about the texture of daily life than about the plot's later developments. The reader should attend to the way Zangwill balances ethnographic detail with individual psychology: the fish market is both a realistic setting and a stage for Esther's inner crisis. The glossary, added after the first edition, signals that the author expected some readers to need help with the Yiddish and Hebrew terms, but the narrative itself does not pause to explain. Let the unfamiliar words stand as they are; their meaning often becomes clear through repetition and context.
Those fish-market pennies felt like such a small, sharp grief, yet leaving them behind somehow mirrored the larger loss of certainty in the novel’s crowded rooms. I still think about Esther’s quiet disappointment, and how that ache of holding on too tightly reappears elsewhere—even in a desert adventure like The Tragedy of the Korosko — Story, Setting & Ideas, where travelers cling to what they thought they’d secured. Strange, how loss keeps finding new costumes.
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